So you know what’s hilarious? Trying to revise your dissertation into a book during the semester. I will admit that I am in the middle of editing my worst dissertation chapter, and am yelling out of a metaphorical pit of despair that’s been dug by a combination of bad prose and end-of-the-semester angst. Part of these struggles have to do with the fact that even after writing the chapter, submitting it, and defending it, I’m still not really sure what this chapter’s argument needs to say. This problem is directly tied to the fact that I found (and continue to find) myself befuddled by late-eighteenth-century Southern Indian affairs. So many factions! So much switching of sides! So many different ways I manage to mis-type Scots-Creek go-between Alexander McGillivray’s last name! Continue reading
One of the central characteristics of the new history of capitalism has been its tendency to defer the question of just what “capitalism” is. The project’s enquiry starts with the question, not with a predetermined answer. But in order to know where to look, historians have to start with some idea about what makes a place and a time capitalist. As Tim Shenk points out in a recent article in The New Republic, the clue around which they converge is economic growth. Continue reading
Today is Ada Lovelace Day, an international celebration of women in STEM fields (Science, Technology, Engineering, and Mathematics) both past and present named after the early nineteenth-century British mathematician. Here in our corner of early American studies, I want to mark the occasion by working through a question that I’ve worked on in my own writing for years: how do we effectively integrate women into the history of printing in early America?
Seth Rockman begins and ends his recent essay on the “new history of capitalism” by describing capitalism as an economic system; but one of the features of the movement he describes is that it rightly treats capitalism as much more than that. As Rockman admits, “it is difficult to say what exactly it excludes.” What’s most provocative and powerful about the new history of capitalism is precisely the fact that it recognizes and tries to historicize the pervasiveness of capitalism as a system that touches every aspect of our lives—everyone’s lives. Capitalism isn’t just in the workplace and the marketplace; as Jeffrey Sklansky has suggested, it’s in our very ways of being, seeing, and believing. But if the history of capitalism is an empire with no borders, just what kind of claims can it be making? Continue reading
REVIEW: Suburban Plots: Men at Home in Nineteenth-Century American Print Culture. By Maura D’Amore. Amherst: University of Massachusetts Press, 2014.
The world was a strange and startling place for Rip Van Winkle when he awoke from a twenty-year nap in New York’s Catskill Mountains. He had ventured to the woods to find a moment’s peace from “the labour of the farm and the clamour of his wife.” Now well rested, bountifully bearded, and slightly disoriented, Van Winkle returned to his village anxious to understand the changes that left him “alone in the world,” but pleased that he was now part of a “more fraternal, organic domestic order.” In the time since his fateful game of ninepins mixed with moonshine, Van Winkle, along with his male village compatriots, was now free to exercise his own masculine alternatives to traditionally female forms of domesticity. Maura D’Amore opens her book Suburban Plots: Men at Home in Nineteenth-Century American Print Culture with this unconventional reading of Washington Irving’s well-known tale. Seeking to understand the emergence of what she terms “male domesticity” in the nineteenth century—defined (somewhat inconsistently) as an ideology of “self-nurture in suburban environments [that provided] an antidote to the malaise of urban life and the strictures of feminine self-sacrifice”—D’Amore presents Rip Van Winkle as a prototype of various middle- and upper-class men who attempted to implement domesticity “on [their] own terms” in the midst of a quickly industrializing and alien world. Continue reading
As someone who works on the late colonial period (1730s-1770s) in a field dominated by the “early republic,” it is easy to feel as though I am working on the margins of the field of early American history rather than what is actually the middle or center of what we usually define as early America (i.e., 1607 to somewhere between 1848 and 1861). Yet, in this brief, speculative post, I will suggest that—in terms of my own subfield of political history and political culture—one of the things missing from much of the scholarship on the early republic is the colonial period itself. Continue reading
Do biographies of women have different conventions to biographies of men? Setting out on a new historical project—which, at least for the moment, takes the form of a biography of Angelica Schuyler Church (not pictured! That’s Dolley Madison)—I’ve been thinking a lot about the particular confluence of what often seem to be maligned and marginalised fields even in their own right: women’s history and biography. I have a lot still to learn about both. But let me offer some preliminary considerations here, and invite Junto readers to pitch in in the comments.