Historians Attend Lin-Manuel Miranda’s Hamilton: An American Musical

This post was written by Christopher Minty and Nora Slonimsky, who, many moons ago, woke up early on a Sunday morning to purchase tickets to the opening-night preview performance of Hamilton: An American Musical, which took place on July 13, 2015, at the Richard Rodgers Theater in New York CityThis post was originally posted on July 192015It was removed as a courtesy to the show’s creative and promotional teamsIt has been reposted with significant alterations and additions.

hamilton_FBHip-hop is on Broadway, not just in a popular YouTube video. On Monday, July 13, 2015, Lin-Manuel Miranda’s hit off-Broadway musical, HAMILTON, made its debut on the big stage. On August 6, 2015, rebranded as Hamilton: An American Musical, a much-applauded, diverse cast returned to perform in the official opening of a much larger, hopefully long-running production at the Richard Rodgers Theater.

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Seriously, though, was the American Revolution a Civil War?

On February 18, 2014, Tom Cutterham asked, “Was the American Revolution a Civil War?” According to Cutterham, understanding the Revolution that way might be useful. If we did, he suggested, “we’d better understand the way the modern world—the nexus of state, citizen, and property—was born in and determined by violence.”[1] Continue reading

The Charleston Shooting and the Potent Symbol of the Black Church in America

Emanuel landscapeLast night, Dylann Storm Roof entered the historic Emanuel African Methodist Episcopal Church in downtown Charleston, South Carolina, sat through an hour-long meeting, and then opened fire on those in attendance. Reverend Clementa Pinckney, a state senator, was among nine individuals who were killed. Many are shocked at not only the grisly nature of the shooting, but also its location. “There is no greater coward,” Cornell William Brooks, president of the N.A.A.C.P, declared in a statement, “than a criminal who enters a house of God and slaughters innocent people engaged in the study of scripture.” Yet this experience is unfortunately, and infuriatingly, far from new: while black churches have long been seen as a powerful symbol of African American community, they have also served as a flashpoint for hatred from those who fear black solidarity, and as a result these edifices have been the location for many of our nation’s most egregious racial terrorist acts. Continue reading

Serial, Microhistory, and the Perils of Historical Research

I’ve been listening to Serial again. Part of this is the spate of articles and interviews that attack (perhaps not persuasively) the foundations of Sarah Koenig’s research and reporting. Another reason is that, as someone in the midst of researching and writing a dissertation, I find Serial’s storytelling and depth of research very compelling and inspiring. At the same time, as a historian, the popular podcast has left me deeply troubled and uncomfortable with its final product. Continue reading

One-Star Amazon Reviews of Pulitzer Winners

Portrait Of Joseph PulitzerWe talk a lot about accessibility in historical writing. Many of us worry whether the academic historical profession has much to say to a broad popular audience. It’s a pretty old form of anxiety. But what do the general public in the United States really want from their history books?

A few days ago, I decided to try an experiment. I collected all the one-star customer reviews at Amazon.com for the last twenty years of Pulitzer Prize winners in history. (No award was given in 1994, so I included books from 1995 to 2014.) I wanted to see whether I could identify common complaints. Obviously, this wouldn’t be a very scientific experiment, but at least it would be reasonably systematic—slightly better, perhaps, than relying on anecdotes from acquaintances.

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Guest Post: American and Scottish Independence: Hearts and Minds

Simon Newman is Sir Denis Brogan Professor of American History at the University of Glasgow. His most recent book, A New World of Labor: The Development of Plantation Slavery in the British Atlantic, was published by the University of Pennsylvania Press in 2013. In this guest post, Newman draws parallels between the American campaign for independence in the 1770s, and the current campaign for Scottish independence.

On September 18th millions of voters in Scotland will head to the polls to answer a simple question: “Should Scotland be an independent country?” As an historian of the American Revolution living and working in Scotland I am struck by the parallels not just between the two movements for independence, but more significantly between the ways in which the British government in the eighteenth century and the UK government in the twenty-first century have challenged those who sought and seek independence. Continue reading