Today’s guest post come from Maya Rook, a writer and artist living in Brooklyn, New York. She is pursuing her PhD in American Cultural History at Drew University. Collaborating on The Tower has inspired her to write her dissertation about the Donner Party. If she were to eat a piece of human flesh, it would likely be from the belly or rear—braised until the meat is tender and then broiled so the skin reaches crispy perfection. Check out her food blog and personal website. Continue reading
Rachel Herrmann concludes our roundtable on James Merrell’s article, “‘Exactly as they appear’: Another Look at the Notes of a 1766 Treason Trial in Poughkeepsie, New York, with Some Musings on the Documentary Foundations of Early American History” from the most recent issue of Early American Studies.
You know the feeling: that moment when, in the midst of crafting a sentence, you realize that the notes you made in the archive are…incomplete. I’m a transcriber, and not one to take digital photographs. I just know myself well enough to recognize the fact that transcribed words are more useful for my writing than image after image of manuscript pages that I will procrastinate from analyzing. This preference, however, means that I’ve encountered more than a few errors in my transcriptions of manuscript sources and secondary works alike. I catch my mistakes from the latter when I’m proofing a piece of writing before I submit it; I’ll go back to the book or article, read it and my quotes side by side, and discover that I’ve left out a “the,” or transposed two words, or typed part of the same sentence twice. Preventing all of my blunders on manuscript transcriptions is another matter entirely, and it is to manuscript research that I’d like to turn in my response to James Merrell’s article in Early American Studies. Continue reading
Michael D. Hattem continues our roundtable on James Merrell’s article, “‘Exactly as they appear’: Another Look at the Notes of a 1766 Treason Trial in Poughkeepsie, New York, with Some Musings on the Documentary Foundations of Early American History” from the most recent issue of Early American Studies.
Some of our (very) regular readers will know that I have a penchant for occasionally playing the role of contrarian (which has occasionally gotten me in no small amount of the blogosphere and Twitterverse’s equivalent of hot water). For me, it serves as a way to shake myself into thinking differently about something, and I would hope it does the same for the reader. For this roundtable, it could have been quite easy to sing the praises of Dr. Merrell’s excellent article, and go on a 500-word rant about why historians should always seek out the manuscript sources over older published collections. However, I think my slot in this roundtable is an excellent opportunity to try to approach the article differently, one that attempts to historicize its meta-argument from a documentary editing perspective. Continue reading
Many of us have been there. Sitting in front of our computers, we fret over how we will find the time and funding to examine important manuscript sources at faraway archives. And then, a few keystrokes later, we find that those sources are available in published form. Relief floods over us, replacing anxiety. But should we really be so relieved?
James H. Merrell’s recent article in Early American Studies asks exactly this question. Entitled “‘Exactly as they appear’: Another Look at the Notes of a 1766 Treason Trial in Poughkeepsie, New York, with Some Musings on the Documentary Foundations of Early American History,” it suggests that we should not be so quick to assume that published versions of manuscript sources faithfully reproduce the originals. 
Robert Whitaker is a doctoral candidate in History at the University of Texas at Austin. His dissertation, “Policing Globalization: The Imperial Origins of International Police Cooperation, 1918-1960″ studies the relationship between the British Empire and international police organizations, such as Interpol. He serves as an Assistant General Editor for the journal Britain and the World, and is the creator of the YouTube series History Respawned. Bryan S. Glass teaches the history of Britain’s interactions with the World at Texas State University. He is the founding member and General Editor of The British Scholar Society and serves as an Editor of the Britain and the World book series (Palgrave Macmillan). His publications include an article in the Journal of Imperial and Commonwealth History, The Scottish Nation at Empire’s End (Palgrave Macmillan, forthcoming), and a co-edited volume with John MacKenzie entitled Scotland, Empire and Decolonisation in the Twentieth Century (Manchester University Press, forthcoming).
French game company Ubisoft has turned early American history into an age of booty. Over the past two years, the company has used early American history as the backdrop for three successive and successful titles in their Assassin’s Creed franchise: Assassin’s Creed III, Assassin’s Creed III: Liberation, and Assassin’s Creed IV: Black Flag. The most recent of these titles, Black Flag, is set in the Golden Age of Piracy during the early eighteenth century, and is easily the most profitable and well received of the three. Critics and players have praised Black Flag for its gameplay, graphics, and music—or rather, sea shanties. But the biggest reason why this game has garnered accolades and high sales is because of its use, or misuse, of history. More than any other Assassin’s Creed game, Black Flag plays fast and loose with the historical record. It skews away from accuracy in favor of fun at almost every turn. Yet even as Black Flag thumbs its nose at the concerns of academic history, it nevertheless succeeds, perhaps better than any previous title in the series, in giving players a sensibility of the age. Continue reading
Carol Berkin is Presidential Professor Emerita at Baruch College and the CUNY Graduate Center. She received her bachelor’s degree at Barnard College. In 1972, she received her PhD at Columbia University, where she also worked on the Papers of John Jay and Alexander Hamilton. Her dissertation on Jonathan Sewall won the Bancroft Award for Outstanding Dissertation and the subsequent book, Jonathan Sewall: Odyssey of an American Loyalist, was nominated for the Pulitzer Prize in 1974. She then spent her entire teaching career at Baruch College and the CUNY Graduate Center. Her most popular works include A Brilliant Solution (2002), which has been translated into Polish and Chinese, First Generations: Women in Colonial America (1996), Revolutionary Mothers: Women in the Struggle for American Independence (2005), and Civil War Wives (2009). She is a pioneer in early American women’s history and also the author and editor of numerous textbooks, readers, and teaching guides for women’s history including Women of America (1980), Women’s Voices, Women’s Lives: Documents in Early American History (1998), In the Words of Women: The Revolutionary War and the Birth of the Nation, 1765 – 1799 (2011), and Clio in the Classroom: A Guide to Teaching Women’s History (2009). She is also the editor of History Now, an online magazine published by the Gilder Lehrman Institute of American History. She has appeared in numerous television documentaries, including Founding Brothers and Founding Fathers on the History Channel and Ric Burns’ New York on PBS. Continue reading
The ratification of the Federal Constitution is a notoriously difficult historical event to categorize. On the one hand, it is a watershed moment; the creation of a consolidated federal government with extensive power is a clear break with the immediate post-Independence traditions of American governance. Yet at the same time, it is traditionally seen as the final achievement of a revolutionary generation—the fulfillment of the ideals of the Revolution. Continue reading
There is a breed of historians known, colloquially, as “cold water” historians for their drive to pour analytic “cold water” on the politically or historiographical fashionable arguments. Pauline Maier most certainly belongs to this historiographical polar bear club. As anyone who read her New York Times obituary (or any other, really) knows, Maier is famous for describing Thomas Jefferson as “overrated.” Her wonderful American Scripture: Making the Declaration of Independence brings the most powerful weapons of the skeptical historians— context and contingency—to bear on that central document of American political and national identity. Continue reading
It’s often said that we tell old stories to get new ones, a truth self-evident in my favorite of Pauline Maier’s many works, The Old Revolutionaries: Political Lives in the Age of Samuel Adams (1980). And everything I admire about her as a scholar rolls in with the first lines of that barefaced preface: “Let me confess at the outset that this book, though it answers some questions of the sort historians are trained to ask, has also been—and was meant from the outset to be—a personal adventure. I wanted to know better what it was to be an American of the late eighteenth century and to live through the American Revolution” (xiii). Maier’s prosopography of five men and their “worlds,” accentuated by a thoughtful “interlude” on the rigors of political life in the colonies, marked a change in how historians used individual biographies to retell the Revolution to post-bicentennial Americans. First given as a series of lectures at New York University in 1976, the essays gather a fairly random matrix of people for a group shot of colonial life: Samuel Adams, Isaac Sears, Dr. Thomas Young, Richard Henry Lee, and Charles Carroll. Few had appeared in solo biographies, and if they did, it was often in fairly dim light. In fewer than 300 pages, Maier promised to deliver the story of “not just why Americans made the Revolution, but what the Revolution did to them.” How to get at it? Continue reading
One of the things that set Pauline Maier apart was the exuberance she brought to the work of history. That joyful zeal is charmingly expressed in the metaphor she used to evoke the intellectual atmosphere in which she wrote her dissertation and first book, From Resistance to Revolution (1972). “In the heady days of the 1960s,” she recalled in 1991, a group of Bernard Bailyn’s graduate students shared the exciting “conviction” that “a great historical paradigm, an interpretation of the Revolution that had stood for most of the century, was collapsing like some great empire, and that another, equally powerful, was already coming into view” (v-vi). It was, indeed, a “‘revolution’ in historical understanding” (ix). Continue reading