Digital Pedagogy Roundtable, Part 4: Funeral Trains and Social Media

This week, The Junto features a roundtable on digital pedagogy, in which we discuss our different approaches to using digital sources in the classroom. Today, Ken Owen shares his experience of an MA class’s project using social media for public history uses. You can also read Part 1 by Rachel Herrmann on source accesibility, Part 2 by Jessica Parr on teaching digital history to non-majors, and Part 3 by Joseph Adelman about working with students on technical knowledge.

Back in April, I had a rather surreal teaching experience. A class project, focusing on tweeting the assassination and funeral train of Abraham Lincoln, attracted a good deal of media attention in central Illinois. My class ended up appearancing in local newspapers, radio, and even with a featured spot on the local news channel. I even had a waiter in a local restaurant recognize me as the ‘Lincoln and twitter professor’. Continue reading

Digital Pedagogy Roundtable, Part 3: Technical Knowledge

This week, The Junto features a roundtable on digital pedagogy, in which we discuss our different approaches to using digital sources in the classroom. Today, Joseph Adelman talks about working with students on technical knowledge. You can also read Part 1 by Rachel Herrmann on source accesibility, and Part 2 by Jessica Parr on teaching digital history to non-majors.

newnationvotesI’m always both impressed and intimidated when I see a digital history project pop up in my social media channels. Faculty are doing some amazing work getting students to create work using sophisticated software, apps, and other programs. They create websites, run statistical analyses, markup text using TEI … and I have no idea how to replicate it in my classroom either for myself or my students. To be fair, I have not yet taught a course on digital history specifically (nor do I plan to in the near future). So I’d like to focus instead on some practical thoughts about integrated digital history methods into the classroom in topical upper-level courses.

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Digital Pedagogy Roundtable, Part 2: Pitching Courses for Non-Majors

This week, The Junto features a roundtable on digital pedagogy, in which we discuss our different approaches to using digital sources in the classroom. Today, Joseph Adelman talks about working with students on technical knowledge. You can also read Part 1 by Rachel Herrmann on source accesibility, and Part 3 by Joseph Adelman on the role of technical knowledge in digital pedagogy.

morIn her kick off of this week’s roundtable on Digital Pedagogy, Rachel talked about the shades of Digital History, noting Lincoln Mullen’s 2010 post “Digital Humanities Spectrum;  or, We’re all Digital Humanists Now.” I have written on spatial humanities approaches to religious history, and I do have some experience with text mining and coding. (XML, CSS, as well as some rudimentary Perl and Python.) By virtue of my library science background, I also have some training and experience in digitization, metadata, and digital stewardship. I am not a coder in the sense that true digital scholars like Mullen are, but I can speak techie and navigate that world with relative ease. Continue reading

Digital Pedagogy Roundtable, Part 1: Students’ Access to Sources

This week, The Junto will feature a roundtable on digital pedagogy, in which we discuss our different approaches to using digital sources in the classroom. Today, Rachel Herrmann talks about the challenge of access. Jessica Parr, Joseph Adelman, and Ken Owen will also contribute.

A Wordle made from sources my undergraduates located for our in-class source-finding competition

A Wordle made from sources my undergraduates located for our in-class source-finding competition

Let me preface this post by saying that I’d hesitate to call myself a digital humanist; I don’t code or map or mine texts. As Lincoln Mullen pointed out a while back, however, digital practices exist on a spectrum. There are some things I do for my own research and in the classroom—tweeting, running my department’s social media accounts, using Amazon’s “Look Inside” feature to chase up a footnote so as not to use up one of my precious Interlibrary Loan requests, and of course, blogging for The Junto—that digital humanists also do. These approaches have been helpful in my teaching for three problems related to access to sources. Continue reading

Guest Post: 84th Annual Anglo-American Conference Recap, Fashion

Kimberly Alexander holds the Ph.D. in Art and Architectural History from Boston University. A museum professional and scholar, she is adjunct faculty in the History Department at University of New Hampshire. Her book, “Georgian Shoes Stories From Colonial America” will be published by Johns Hopkins University Press in 2016.

The 84th Anglo-American Conference of Historians was held in London at the Institute of Historical Research, University of London, and the Victoria and Albert Museum. This year’s theme was “fashion.”

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For the first time in its distinguished history, the AACH selected ‘fashion’ as its theme, confirming for many scholars the recognition that the field of fashion history, and its attendant subfields, have attained validation. To quote the conference program:

“Fashion in history is a topic which has come of age in recent years, as scholars have turned to addressing what is chic and what is style over the ages and across different cultures. The history of fashion, and the role of fashion in history, is not just confined to the study of dress and costume, but encompasses design and innovation, taste and zeitgeist, treats as its subjects both people and objects, and crosses over into related disciplines such as the history of art and architecture, consumption, retailing and technology.” Continue reading

Graphic Novels in the Classroom

This week we’ve discussed the graphic novels as historical fiction, the strengths of using graphic novels to discuss fraught material, and complex process of adapting historical research to sequential art. We would like to end our roundtable discussing more broadly the possibilities of using graphic novels in the classroom.

The first strength of graphic novels is their novelty. Assigning works like Kyle Baker’s Nat Turner or Fetter-Vorm and Kelman’s Battle Lines is a surprise to most students. By not being another monograph or set of primary sources, graphic novels shake up a syllabus. This is good for students, who may be interested in exploring a subject in a more unconventional way, and for teachers, for it forces us to reconsider how to teach subjects we may have taught many, many times. This novelty also adds some additional accessibility for students who might be skeptical of reading more traditional assignments. Continue reading

Graphic Novels Roundtable Q & A: Ari Kelman, Battle Lines: a Graphic Novel of the Civil War

We continue day three of our graphic novels roundtable with an interview with historian Ari Kelman, who co-authored Battle Lines: a Graphic History of the Civil War. Previously Jessica Parr discussed using graphic novels to explore painful histories and Roy Rogers reviewed Rebels from Dark Horse Comics

Battle-Lines-coverAri Kelman is the McCabe Greer Professor of History at Pennsylvania State University, specializing in the Civil War, Reconstruction, Memory Politics, and Environmental History. In addition to Battle Lines: a Graphic Novel of the Civil War, he is the author of two award-winning books. A Misplaced Massacre: Struggling Over the Memory of Sand Creek (Harvard, 2013) was the recipient of the Bancroft Prize, the Avery Craven Award, the the Tom Watson Brown Book Award, and the Robert M. Ultey Prize. A River and Its City: The Nature of Landscape in New Orleans (University of California Press, 2003) won the Abbott Lowell Cummings Prize. Continue reading