Here’s our seasonal roundup of new and forthcoming titles. Share your finds below! Continue reading
Wrapping up our roundtable review of A Tale of Two Plantations, The Junto chats with Richard S. Dunn about microhistory as a “healthy antidote to top-down history,” and the archival surprises that reshaped his work. If you are near Harvard University on February 5th, come and hear more about the project. Continue reading
The most interesting thing about Richard Dunn’s “intergenerational study” of slave life in Mount Airy and Mesopotamia plantations of Virginia and Jamaica is its incompleteness. As Dunn notes, A Tale of Two Plantations is a narrative without “a proper opening or a proper conclusion.” His source base begins relatively arbitrarily with a pair of masters who sought to improve their record keeping and ends with the institution of slavery itself. This is tragic, of course, for our knowledge of the lives of the enslaved persons of Mesopotamia and Mount Airy are circumscribed by the ability of whites to track them. In Jamaica, that proves troubling in freedom while in Virginia and Alabama, thanks to better census taking, the lives of the families of Mount Airy are much easier to recover. These sources, of course, mirror the experience of slavery itself.
Today, The Junto interviews Dr. Jeffrey W. McClurken, Professor of History and American Studies & Special Assistant to the Provost for Teaching, Technology, and Innovation at University of Mary Washington. McClurken (Ph.D., John Hopkins University, 2003) is Contributing Editor for Digital History Reviews, Journal of American History. Continue reading
Hannah Bailey is a PhD candidate in History at the College of William & Mary, where her research examines the interconnectivity between developing notions of race and the expansion of the African slave trade in the early modern French Atlantic. This is her second guest post at The Junto. Be sure and read her earlier post on French archives and entangled histories here.
As someone who is also leaping into an entirely new historiography in preparation for dissertation writing, I could commiserate with Casey Schmitt’s brilliantly astute post on the costs and benefits of comparative projects. It can be terrifying to move from a historiography with which one is relatively comfortable to, as she puts it, “a [new] field where innumerable scholars have dedicated entire careers.” I took one undergraduate class on West African history (which was a survey course that occurred five years ago), and yet my dissertation focuses heavily on early modern histories of West Africa and the Atlantic networks of knowledge (and ignorance) that shaped them. The body of exemplary secondary source material on West Africa is vast, and working with it for the first time is more than a little daunting. Continue reading
Questions first ignited in a comprehensive exam room have an electric way of rippling through your whole career, whether you’re teaching in a university classroom and/or in the realms of public history. Take, for example, a standard query about nineteenth-century material culture: How would you tell a history of the American Civil War in five objects?