Over the last week, Joseph Adelman, Ken Owen, Jessica Parr, and I have compiled a four part series of posts describing our attempts to incorporate digital methods into our early American history classes. As all of us are aware, however, we’re not experts–nor do we consider our posts the last word on such assignments. Continue reading
This week, The Junto features a roundtable on digital pedagogy, in which we discuss our different approaches to using digital sources in the classroom. Today, Ken Owen shares his experience of an MA class’s project using social media for public history uses. You can also read Part 1 by Rachel Herrmann on source accesibility, Part 2 by Jessica Parr on teaching digital history to non-majors, and Part 3 by Joseph Adelman about working with students on technical knowledge.
Back in April, I had a rather surreal teaching experience. A class project, focusing on tweeting the assassination and funeral train of Abraham Lincoln, attracted a good deal of media attention in central Illinois. My class ended up appearancing in local newspapers, radio, and even with a featured spot on the local news channel. I even had a waiter in a local restaurant recognize me as the ‘Lincoln and twitter professor’. Continue reading
This week, The Junto features a roundtable on digital pedagogy, in which we discuss our different approaches to using digital sources in the classroom. Today, Joseph Adelman talks about working with students on technical knowledge. You can also read Part 1 by Rachel Herrmann on source accesibility, and Part 2 by Jessica Parr on teaching digital history to non-majors.
I’m always both impressed and intimidated when I see a digital history project pop up in my social media channels. Faculty are doing some amazing work getting students to create work using sophisticated software, apps, and other programs. They create websites, run statistical analyses, markup text using TEI … and I have no idea how to replicate it in my classroom either for myself or my students. To be fair, I have not yet taught a course on digital history specifically (nor do I plan to in the near future). So I’d like to focus instead on some practical thoughts about integrated digital history methods into the classroom in topical upper-level courses.
This week, The Junto features a roundtable on digital pedagogy, in which we discuss our different approaches to using digital sources in the classroom. Today, Joseph Adelman talks about working with students on technical knowledge. You can also read Part 1 by Rachel Herrmann on source accesibility, and Part 3 by Joseph Adelman on the role of technical knowledge in digital pedagogy.
In her kick off of this week’s roundtable on Digital Pedagogy, Rachel talked about the shades of Digital History, noting Lincoln Mullen’s 2010 post “Digital Humanities Spectrum; or, We’re all Digital Humanists Now.” I have written on spatial humanities approaches to religious history, and I do have some experience with text mining and coding. (XML, CSS, as well as some rudimentary Perl and Python.) By virtue of my library science background, I also have some training and experience in digitization, metadata, and digital stewardship. I am not a coder in the sense that true digital scholars like Mullen are, but I can speak techie and navigate that world with relative ease. Continue reading
Welcome to another edition of This Week in American History. It has been a busy, yet troubling two weeks.
We would like to begin by offering our condolences to the family, friends, and colleagues of Christopher Schmidt-Nowara, of Tufts University. Dr. Schmidt-Nowara died suddenly in Paris on June 27th. Continue reading
Today’s guest post is by Carl Robert Keyes, an associate professor of history at Assumption College in Worcester, Massachusetts. He recently began tweeting: @TradeCardCarl.
On the Luddite to Early Adopter spectrum I fall somewhere around “Printing Presses Are Cool.” It was thus with a bit of trepidation that I approached the Digital Antiquarian Conference (May 29-30) and the accompanying Digital Antiquarian Workshop (June 1-5), hosted by the American Antiquarian Society in Worcester, Massachusetts. The conference was open to all (with nearly 200 people registering), but the workshop was restricted to eighteen participants selected from those who submitted applications in advance, not unlike the summer seminars in book history and visual culture sponsored by the AAS.
Welcome to another addition of The Week in Early American History! Continue reading