Autumn Reads


“Valley of the Catawissa in Autumn,” Thomas Moran (ca. 1862)

Fall brings new early American titles to explore. Enjoy our Spring Reads 2015 list, too, and share your finds below!

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Historians Attend Lin-Manuel Miranda’s Hamilton: An American Musical

This post was written by Christopher Minty and Nora Slonimsky, who, many moons ago, woke up early on a Sunday morning to purchase tickets to the opening-night preview performance of Hamilton: An American Musical, which took place on July 13, 2015, at the Richard Rodgers Theater in New York CityThis post was originally posted on July 192015It was removed as a courtesy to the show’s creative and promotional teamsIt has been reposted with significant alterations and additions.

hamilton_FBHip-hop is on Broadway, not just in a popular YouTube video. On Monday, July 13, 2015, Lin-Manuel Miranda’s hit off-Broadway musical, HAMILTON, made its debut on the big stage. On August 6, 2015, rebranded as Hamilton: An American Musical, a much-applauded, diverse cast returned to perform in the official opening of a much larger, hopefully long-running production at the Richard Rodgers Theater.

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The Week in Early American History


Welcome to another The Week in Early American History! Take a break from the end-of-semester crunch to check out the unprecedented unification of the four surviving Magna Carta manuscripts or to a look at the tree root that ate Roger Williams. On to the links! Continue reading

Spring Reads

Spring_panel_from_the_Four_Seasons_leaded-glass_window_by_Louis_Comfort_TiffanyHere’s our seasonal roundup of new and forthcoming titles. Share your finds below!  Continue reading

Guest Post: Bastard out of Nevis: Lin-Manuel Miranda’s “Hamilton”

We are pleased to feature a guest post from Benjamin Carp (@bencarp), the Daniel M. Lyons Professor of American History at Brooklyn College, CUNY. Carp is the author of both Defiance of the Patriots: The Boston Tea Party and the Making of America and Rebels Rising: Cities and the American Revolution.

“I want the historians to respect this.” –Lin-Manuel Miranda, according to Ron Chernow

Alexander Hamilton, by John Trumbull (after painting by Giuseppe Ceracchi, 1801); National Portrait Gallery, Smithsonian Institution; Gift of Henry Cabot Lodge

In the lobby of the Public Theater, two statues flanked the doorway—the likenesses of Alexander Hamilton and Aaron Burr stretched out their arms and aimed their dueling pistols at one another, and it was hard not to feel as if I was standing in the middle. Lin-Manuel Miranda, the son of Puerto Rican immigrants, wrote the musical Hamilton and stars in the title role. He portrays the first Secretary of the Treasury as a “bastard, orphan, son of a whore and a Scotsman” and an immigrant striver made good; throughout his career, Hamilton is arrogant about his talents but perpetually insecure about his place. As told by Miranda, Hamilton is both self-made and self-unmade, wry and seductive and yet constantly raging against anyone who might hold him back. Continue reading

The Week in Early American History

TWEAHOn to the links! Continue reading

The JuntoCast, Episode 15: “Founders” in Early America

The JuntoCastWe’re happy to bring you the fifteenth episode of “The JuntoCast.” Continue reading