I entered the doctoral program in history of art at Yale University in 2015. At Yale, my research centers on material and visual cultures of the Atlantic world, with a particular focus on the French in North America and the Caribbean. I’ve just begun my dissertation, which explores the material culture of domestic life in French and Spanish colonial Louisiana. Working on both early modern Europe and the colonial Americas more generally, my sources include everything from probate inventories and newspapers to chairs, portraits, clothing, broken plates, and architecture.
I received a BA in history and French from the College of William and Mary in 2011, along with a certificate in early American history from the National Institute of American History and Democracy. Before heading back to school, I completed a summer fellowship at Historic Deerfield, where I undertook research on velvet masks used by colonial women to protect their faces from the sun and, in some instances, subvert the social order. I was always interested in objects, and received an MA from the Winterthur Program in American Material Culture in 2014 with a thesis on the homes and furnishings of royal officials in New France.
Deeply committed to the museum field and the public humanities, I have held a variety of positions at institutions including the Louvre, the Colonial Williamsburg Foundation, the J. Paul Getty Museum, the Yale University Art Gallery, and others. However, I got my start in middle and high school, working at museums and historic sites in my own backyard outside Washington, DC, including the 1753 Carlyle House, Gadsby’s Tavern Museum, and the Claude Moore Colonial Farm. When I’m not writing, you can probably find me visiting a museum or historic house, browsing in an antique mall, or Instagramming something with #vastearlyamerica and an embarrassing number of other hashtags.