Today at The Junto, Philippe Halbert interviews Katherine Egner Gruber, who is Special Exhibition Curator at the Jamestown-Yorktown Foundation, a state agency that operates two living history museums in Virginia. This Q&A focuses on her most recent exhibition, Tenacity: Women in Jamestown and Early Virginia, which opened at Jamestown Settlement in November of 2018 and runs through January of 2020. She was also responsible for content oversight of the Yorktown American Revolution Museum‘s award-winning introductory film, Liberty Fever, and contributed to the development of new galleries that opened there in 2015. Kate earned a bachelor’s degree in historic preservation and classical humanities from the University of Mary Washington and a master’s degree in American history from the College of William and Mary. Continue reading
To accompany the review by Casey Schmitt that was published yesterday, we are pleased to have this Question & Answer with Carla Pestana today regarding her new book, The English Conquest of Jamaica: Oliver Cromwell’s Bid for Empire (Harvard University Press, 2017). We thank Dr. Pestana for her time. Continue reading
Carla Gardina Pestana, The English Conquest of Jamaica: Oliver Cromwell’s Bid for Empire (Cambridge: The Belknap Press of Harvard University Press, 2017).
It is an exciting time to be a scholar of Caribbean history. From conferences to publications, the past decade has seen historians of early America, Latin America, and the Atlantic world turn to the Caribbean for insights into the development of empire, slavery, race, and commerce. In this resurgence of Caribbean historiography, the seventeenth century has emerged as a pivotal period. That said, by taking a relatively well-known event like the Western Design, UCLA Professor and Joyce Appleby Endowed Chair of America and the World, Carla Gardina Pestana, demonstrates the value of exploring the early Caribbean in her new book The English Conquest of Jamaica: Oliver Cromwell’s Bid for Empire. Pestana’s work aptly shows the profound intellectual pay-off for historians willing to explore the seventeenth-century Caribbean with bigger questions about imperialism, race, religion, and gender. Continue reading
This Colonial Couture post is by guest contributor Kimberly Alexander, adjunct professor of history at the University of New Hamphire, Durham. Her forthcoming book is Georgian Shoe Stories from Early America (Johns Hopkins University Press, 2017), and she is currently the Andrew Oliver Research Fellow at the Massachusetts Historical Society.* Follow her @SilkDamask.
For scholars who are deeply interested in the connections between material culture and social history, textiles can be imagined as significant documents. Contextualizing objects through print culture, and exploring print through materials, allows us to texture the past and to weave “fashion stories” that complicate conventional histories. A favorite site for this work is the Massachusetts Historical Society (MHS), home not only to one of the country’s most significant collections of letters, manuscripts and decorative arts, but also houses an important collection of textiles, clothing, and shoes, spanning the broad sweep of Massachusetts history. As the Andrew Oliver Research Fellow for 2016-2017, I have had the special opportunity to investigate pre-1750s textiles within the Society’s collection. Here, the lure of seeing objects, many of which had not been viewed for over 40 years, is particularly exciting. Continue reading
“The heart of the English Empire in the seventeenth-century Americas was Barbados,” according to Justin Roberts in his recent William and Mary Quarterly article. That claim is perhaps not surprising—Richard Dunn established the social and economic importance of the island over thirty years ago in his seminal work, Sugar and Slaves. However, Roberts takes that point further by exploring the political ramifications of all of that Barbadian wealth in the West Indies. His article also speaks to a larger sea change in the historiography of the seventeenth-century Caribbean. Continue reading
Today’s guest poster is Bryan Rindfleisch, Assistant Professor of History at Marquette University.
Andrew Lipman, The Saltwater Frontier: Indians and the Contest for the American Coast (New Haven: Yale University Press, 2015).
When most people think of European colonization in New England and New Netherland, we think in very terrestrial terms. This familiar narrative includes the fur and wampum trades, treaties and the negotiations over land, and conflicts such as the Pequot War, Kieft’s War, King Philip’s War, and so on. But Andrew Lipman, an assistant professor of history at Barnard College, flips this entire terrestrial story upon its head. He does this with one simple question: “What if we considered this contested region not just as a part of the continent but also as part of the ocean?” In doing so, Lipman recovers the astonishing maritime contexts of seventeenth-century America, where both Indigenous and European peoples encountered, collaborated with, and fought against one another on the water just as much as they did on the land. This, then, is the provocative beginning to Lipman’s Bancroft Prize-winning The Saltwater Frontier: Indians and the Contest for the American Coast (Yale University Press, 2015). Continue reading
Alexandra Montgomery is a PhD Candidate in history at the University of Pennsylvania. She studies Indigenous and European boundary-setting and colonization schemes in the far northeast during the late seventeenth and eighteenth centuries. The following review contains some very mild thematic spoilers.
As both a horror nerd and an Early American historian, I have been excited about writer/direct Robert Eggers’ debut feature The Witch for quite some time. Excited might be a bit of an understatement: the first time I saw a poster in a theatre I shrieked, and I have been faithfully following the strangely endearing and decidedly bizarre Twitter of the film’s sometimes-antagonist goat, Black Philip, for several months. So, naturally, I was thrilled when my friend and fellow Early Americanist Lori Daggar offered to take me and Kelsey Salvesen to a press screening of the film (the film will be released officially on February 19). Continue reading