Today at The Junto, Philippe Halbert interviews Katherine Egner Gruber, who is Special Exhibition Curator at the Jamestown-Yorktown Foundation, a state agency that operates two living history museums in Virginia. This Q&A focuses on her most recent exhibition, Tenacity: Women in Jamestown and Early Virginia, which opened at Jamestown Settlement in November of 2018 and runs through January of 2020. She was also responsible for content oversight of the Yorktown American Revolution Museum‘s award-winning introductory film, Liberty Fever, and contributed to the development of new galleries that opened there in 2015. Kate earned a bachelor’s degree in historic preservation and classical humanities from the University of Mary Washington and a master’s degree in American history from the College of William and Mary. Continue reading
Today at The Junto, we’re featuring an interview with Ed Rugemer about his new book, of Slave Law and the Politics of Resistance in the Early Atlantic World, which Casey Schmitt reviewed yesterday. Ed Rugemer is an Associate Professor of History and African American Studies and the Director of Undergraduate Studies for the Department of History at Yale University. A historian of slavery and abolition, Rugemer’s first book The Problem of Emancipation: The Caribbean Roots of the American Civil War was published by Louisiana State University Press and his work has appeared in the William and Mary Quarterly, Journal of Southern History, Slavery and Abolition, and the Journal of the Civil War Era.
Today The Junto reviews Slave Law and the Politics of Resistance in the Early Atlantic World by Yale Associate Professor of African American Studies and History, Edward Rugemer. Stay tuned for a Q&A with the author tomorrow!
Historians have long argued that enslaved people’s resistance to bondage shaped the political economies, legal structures, and societies of the early Atlantic World. As a comparative history of slavery in Barbados, Jamaica, and South Carolina, Slave Law and the Politics of Resistance coheres around “the existential struggle between the master and the slave” that forms the core dialectic between control and resistance at the heart of slavery (1). Edward Rugemer places these slave societies in comparison because, as he argues, they developed out of the same legal genealogy rooted in seventeenth-century English imperial expansion but experienced the end of slavery in dramatically different ways. In just over three hundred pages, the book traces the dialectic between control and resistance in these societies “after an epic struggle of eight generations” (2). Rugemer’s approach combines a synthesis of a rich body of scholarship on the development of legal systems of bondage with strategic archival research. And, as the book demonstrates, the “combination of similarities and differences” between Jamaica and South Carolina yields “a novel approach to understanding the political dynamics of slave resistance and their relation to the law” (3).
As 2018 comes to a close, I can’t help but reflect on this year and its meaning for a place that has become near and dear to my heart (and in-progress dissertation): New Orleans. Founded by the French in 1718, Louisiana’s largest city has been celebrating its tricentennial for months and in a way that only New Orleans can. Ranked number one on the New York Times “52 Places to Go in 2018” list, New Orleans continues to attract first-timers curious to discover “America’s most foreign city.” Repeat visitors, myself included, just can’t get enough, although my trips have taken me beyond Bourbon Street, from the attic of the city’s colonial-era Ursuline convent to the notarial archives of Orleans Parish, hidden within a twenty-story office building a stone’s throw from the Superdome. My own excursions aside, how exactly have we gone about celebrating, remembering, and thinking about the history of early New Orleans in 2018? What does the future hold?
Today’s guest post comes from Rachel Zimmerman (Ph.D., University of Delaware), Assistant Professor of Art History at Colorado State University-Pueblo. She has been studying the art and architecture of the Brazilian town of Minas Gerais since her first trip to the region in 2006. She began examining consumption in colonial Brazil for her dissertation, “Global Luxuries at Home: The Material Possessions of an Elite Family in Eighteenth-Century Minas Gerais, Brazil,” and is continuing research for a book project on elite material culture in the city of Mariana. Follow her work here.
According to the early nineteenth-century English merchant John Luccock, it was customary for Brazilian men to discard stiff outer layers when at home and wear only a cotton shirt, often unbuttoned, knee-length breeches, and clogs. Brazilian standards of decorum permitted informal dress in domestic settings, even when receiving guests. Examination of colonial-era probate inventories from Minas Gerais, the gold mining district, reveals that a small number of educated elite men transformed their state of undress from ordinary to stylish with the addition of a nightgown. Continue reading
Today’s #ColonialCouture post is by Philippe Halbert. Follow him @plbhalbert.
In 1779, a fashion plate depicting a woman’s garment “in the creole style” was published in Paris. Consisting of a lightweight muslin gown with wrist-length sleeves, the dress was “in the style of a chemise,” the basic female undergarment of the period. Worn over a petticoat, the gown was to be pinned at the bust and loosely closed with a sash or belt. In addition to enumerating its various components, which included a separate caraco jacket, the engraving’s caption remarked that the fantastic ensemble was “of the sort worn by our French Ladies in America.” At the end of the Seven Years’ War in 1763, French colonial possessions in the Americas were largely confined to the Caribbean Basin, a region where interactions between people of indigenous, European, and African descent brought about innovations in everything from architecture to foodways. Although the inhabitants of French-controlled islands like Guadeloupe, Martinique, and Saint-Domingue, or Haiti, were not beyond the reach of Parisian novelty, the heat and humidity necessitated certain sartorial adaptations. Continue reading
Randy M. Browne is a historian of slavery and colonialism in the Atlantic world, especially the Caribbean. He is an Associate Professor of History at Xaverian University (Cincinnati). Surviving Slavery in the British Caribbean is his first book and he discusses it here with Jessica Parr. Continue reading