Today, the Junto features a Q&A with Erik R. Seeman about his new book, Speaking with the Dead in Early America (University of Pennsylvania Press). Seeman is professor and chair of the history department at the University at Buffalo (SUNY) and the author of three other books on religion and deathways in early America and the Atlantic World. He has also published many articles and essays, including in the William and Mary Quarterly, Journal of the Early Republic, Journal of American History, and Church History. Continue reading
David Doddington is a Senior Lecturer in North American History at Cardiff University. His research interests centre on slavery, race, and gender in the antebellum South, with a particular interest in examining resistance, survival, and solidarity within slave communities. Today he speaks with Rachel Herrmann about his new book, Contesting Slave Masculinity in the American South. Find him on Twitter at @d_doddington. Continue reading
Today, The Junto interviews our own Joseph Adelman about his new book Revolutionary Networks: The Business and Politics of Printing the News, 1763–1789. Jordan Taylor’s review of the book appeared yesterday.
Junto: Let’s start off on a hostile note: Why should anyone care about early American newspaper printers?
JMA: Well if you’re going to be hostile, I’m tempted to just say “because I said so.” But assuming that will work about as well here as it does with my kids, let me make the case as best I can. At its core, Revolutionary Networksargues that the material realities of texts matters, and that scholars have tended to elide or simply stipulate their importance. Or, to put it in historiographic terms, we need to integrate book history methods more fully into our understanding of politics in Revolutionary America. So when I started doing research for the book when it was a dissertation, I focused on the production and circulation of texts and the impact those processes had on how American colonists and British officials made political decisions.
Today Rachel Herrmann interviews Christopher Parsons about his book, A Not-So-New World, which Carla Cevasco reviewed yesterday. Parsons is an interdisciplinary historian of science and the environment in the French Atlantic World. He has a longstanding interest in highlighting the contribution of indigenous peoples to the evolution of European and Euro-American environmental sciences. He has published articles in the William & Mary Quarterly, Environmental History, Early American Studies, and several edited collections. He tweets as @cm_parsons.
JUNTO: A Not-So-New World includes a discussion about fraught vocabulary, including the word sauvage and your decision to leave it untranslated. Early Americanists have been thinking for a while now about the language we use when we write about the past, but many of us are just starting to think about the French sources that inform your book. Could you say a little bit more about other word choices you made, and some of the words in translation that non-French Atlanticists might want to use with more care?
Christopher Parsons: Word choice is so important when you are working between subdisciplines such as the history of science and environmental history and across national historiographies such as, here, early Canada and early America. These are such powerful markers of investments in particular fields or the influence of particular works. I was conscious for example, of the Canadian preference for indigenous over native and the familiarity of early Americanists with terms such as the pays d’en haut.
Yet there were real intellectual reasons for leaving key terms untranslated as well. Continue reading
Today at The Junto, Philippe Halbert interviews Katherine Egner Gruber, who is Special Exhibition Curator at the Jamestown-Yorktown Foundation, a state agency that operates two living history museums in Virginia. This Q&A focuses on her most recent exhibition, Tenacity: Women in Jamestown and Early Virginia, which opened at Jamestown Settlement in November of 2018 and runs through January of 2020. She was also responsible for content oversight of the Yorktown American Revolution Museum‘s award-winning introductory film, Liberty Fever, and contributed to the development of new galleries that opened there in 2015. Kate earned a bachelor’s degree in historic preservation and classical humanities from the University of Mary Washington and a master’s degree in American history from the College of William and Mary. Continue reading
Michael McGandy is Senior Editor and Editorial Director of the Three Hills imprint at Cornell University Press. He tweets as @michaelmcgandy.
JUNTO: Can you outline the review and production schedule for a first book?
Michael McGandy: If I am talking to a scholar who has just wrapped up his or her dissertation and is prepared to move on to developing the book, I state as a reliable truism that the bound book is four years off. And that presumes all goes well and smoothly! The work of revising the dissertation to make it into a book manuscript is indeterminate and the further work that will need to be done in response to reader reports and then the acquiring editor’s direction is also indeterminate. Those are, as I tend to say, the x-factors. What is pretty well fixed is that external review, in-house processing through Editorial and Faculty Boards, and contracting requires four months. What is also fixed is that producing the book and getting it out into the world on its publication date (the date when it goes live for sale, which is typically four weeks after the bound book is in the warehouse) is 11 months. So, even before a person considers the time needed for new research, revising existing chapters, and adding new material, 15 months are tied up with process. (Now “tied up” is an unkind phrase for key elements of making a book both excellent and saleable! But I know that that is how people scheduling out their early professional calendars tend to think.) When one considers that fact and then all the work that needs to go into developing a manuscript—even as one pays the bills and occasionally takes a break to have some non-scholarly fun—four years go very quickly and often turn out to be barely enough time.
Reflecting on that and taking the opportunity to editorialize, I do think that the well-reviewed first book as the non-negotiable standard for professional success in a tenure-track framework (on the standard six-year schedule) needs to be rethought. Four to six years do fly by, especially when we consider all the other important and engrossing things that usually come with these first years after the PhD (first jobs, new homes in new places, family, etc.). I am not going to name names or institutions, but in this context I think of the positive examples of some recent authors of mine who were tenured without first books and who were given the extra time to work on their book projects. Their research and writing were augmented because the tenure pressure was off and the projects were transformed (for the better) because the authors had six or seven years to make the book excellent. On the whole, I do not think that the schedule for tenure matches very well with the time needed for great scholarship. Filling out the CV sometimes becomes the driving concern and to the detriment of the work itself. Continue reading
Today is our final post in the roundtable series on the History of Childhood & Youth. If you missed previous posts click here. Thank you to each of our invited scholars for generously sharing tidbits of their research and their perspectives on this growing and dynamic field.
Dr. Anna Mae Duane, cited by several of our roundtable participants, rounds up this series. She is Associate Professor of English at the University of Connecticut, Storrs. Her scholarship focuses on children and race in a variety of constellations, including children as both victims and political actors in Puritan trial proceedings, antebellum literature, pre-and post-emancipation slave narratives, contemporary children’s literature, modern anti-slavery materials, and adult popular culture. Her current project, Educated for Freedom: Two Black Schoolmates who Changed a Slave Nation (forthcoming, NYU) focuses on the role of childhood—their own and others—shaped the political imagination of two of antebellum America’s most influential Black abolitionists. She is the author of Suffering Childhood in Early America: Violence, Race, and the Making of the Child Victim (UGeorgia, 2010) and editor of The Children’s Table: Childhood Studies in the Humanities (UGeorgia, 2013), and Child Slavery Before and After Emancipation: An Argument for Child-Centered Slavery Studies (Cambridge, 2017). She is co-editor, with Kate Capshaw, of Who Writes for Black Children? African American Children’s Literature before 1900. (UMinnesota, 2017). Her work has been published in several scholarly journals, as well as public forums including Slate, Salon and Avidly.