13 Revolutions +1

Diego Rivera and Bertram D. Wolfe, "Portrait of America," 1934

Diego Rivera and Bertram D. Wolfe, “Portrait of America,” 1934

When John Adams looked back on the American Revolution (something he liked to do), he reflected that, “The Revolution was in the Minds and Hearts of the People.” The colonists’ drive to independence marked a new era of American history, Adams thought, when “Thirteen Clocks were made to Strike together; a perfection of Mechanism which no Artist had ever before effected.” Scholars have struggled to frame the experience of the Revolution in picture and on the page. How can we use digital tools to curate collections of revolutionary culture and #vastearlyamerica for use in the classroom?

Today, The Junto chats with Darren Milligan, Senior Digital Strategist at the Smithsonian Center for Learning and Digital Access, about the Smithsonian Learning Lab, which encourages us to make, use, and share new galleries of history.  Continue reading

Guest Post: How Do We Find Religion in the American Revolution?

Kate Carté Engel is an associate professor of history at Southern Methodist University.  She is the author of Religion and Profit: Moravians in Early America (Philadelphia: University of Pennsylvania Press, 2009), and she is currently writing a history of international protestantism and the American Revolution.

Screenshot 2016-05-17 12.13.52.pngOn May 17, 1773, an advertisement appeared in the Massachusetts Gazette for a new book by English dissenting minister Micaiah Towgood (misidentified in the advertisement as Michael Twogood). The ad is interesting because it is one of only 67 items in that come up in a search of Readex’s American Historical Newspapers database for the period between 1764 and 1789 containing a particular trifecta of terms: “Jesus Christ,” “liberty”, and (to get both religion and cognates like religious and religiously) “religio*”.

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Teaching with Databases: An Early American Atlanticist’s Conundrum

SourcesDuring my three years of teaching in England, it’s become apparent that students in my American history classes spend a lot of time worrying about access to primary sources. As an undergraduate myself, I knew that upper-level assessment turns on the ability to find and analyze primary sources—that stipulation is no different in this country. What’s clear, however, is that whereas as an undergraduate I could go to the stacks and wander around until I had a pile of travel narratives, diaries, and monograph reproductions related to early American Atlantic history, that’s not necessarily the case here for students taking classes on early American history, Native American history, the Atlantic world, slavery, trade, and colonization. The costs of a Readex subscription, just for example, are too expensive for the library to justify when most students aren’t going to research early American newspapers. As a result, I’ve had to think hard about how to ease students’ worries about locating sources. Continue reading

The Significance of Old Historiography in American History

Frederick_Jackson_TurnerIn designing courses, professors and teachers face a number of competing claims for time and attention: skill development appropriate to the level of the course, the content described in the course catalog, campus, system, or state requirements for content, the primary sources and scholarship that will promote the best discussions and consideration of the course topic. As many of us have written here at the Junto, not to mention elsewhere, much therefore ends up on the cutting room floor—and some of it painfully so.

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“Early America” in The Open Syllabus Project

Screen Shot 2016-02-08 at 9.39.43 AMThe Open Syllabus Project (@opensyllabus) has collected “over 1 million syllabi” in the hopes of determining “how often texts are taught” and “what’s taught with what.” They hope their project will provide “a promising means of exploring the history of fields, curricular change, and differences in teaching across institutions, states, and countries.” The OSP has released a beta version of their “Syllabus Explorer,” which “makes curricula visible and navigable in ways that we think can become valuable to authors, teachers, researchers, administrators, publishers, and students.” Intrigued that the project claims to have catalogued the assigned readings from 460,760 History syllabi, I went through the list to find the most assigned works of early American history. Continue reading

Can Class Participation Be Taught?

participation

Class participation has bothered me since I graded a set of midterm exams from my first solo-taught course. As I sat down to read through those signature blue books, I felt anxious about how my students would perform. Had they learned anything? Did the lectures thus far sink in at all? To gauge the potential quality of the exams, I scanned through some of the responses of my “better” students and felt fairly confident grading the rest.

At the end of the stack, however, I came across an exam that has stuck with me. The student in question had me worried all semester. Not only did this student refuse to participate in class discussions but she frequently looked irritated whenever I asked the class a question that wasn’t rhetorical. Continue reading

Teaching History Without Chronology

Most history courses follow a relatively simple formula: take a geographic space X, select a time span from A to B, add topics, and you’ve got yourself a course. It varies, of course, but works for both introductory courses, where you might survey the political, social, and cultural development of the people living in a geographic area, to upper-level courses with topical focuses. As a field whose primary concern is change over time, that formula makes sense. That consistency also means that students expect it from their high school and college history courses. And how else would you organize a history course?

I found out last semester.

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