Inspiration Roundtable: How I Learned to Stop Worrying and Respect the Historiography

This is the second post in a roundtable about research inspirations. You can read the first essay, a guest post by Whitney Barlow Robles, here.

My dissertation on food and war, which became my first book project on war and hunger, originated at a crossroads between panic and personal interests. I was a sophomore, taking a class on the American Revolution, and the professor was walking us through the process of writing a final paper by requiring a paragraph-long research proposal, followed later in the semester by an annotated bibliography. We were at the point in the semester where research proposals were nearly due, and I wasn’t sure what I wanted to write about. I remember discussing my growing sense of panic at swim practice with a friend, and vacillating between this sense of anxiety, and pleasant anticipation of dinnertime. I swam for the team friendships, and the fact that even bad dining hall food tasted good after a hard workout. As I speculated about our dinner choices, my friend interrupted me, observed that I was obsessed with food, and suggested that I write about it for my history paper. Continue reading

Inspiration Roundtable: Guest Post by Whitney Barlow Robles, “Naturalist in Historian’s Clothing”

This week at the Junto we are stepping back to talk about what inspired our research projects. From dissertations to first and second book projects, we will bring together a range of scholars to discuss the method, source, book, or lecture that got them started. Today, we have a guest post from Whitney Barlow Robles. Whitney is a PhD candidate in American Studies at Harvard, and her work spans early American history, history of science, and material culture studies. Her most recent publications include an essay about a 1755 earthquake that shook Boston, published in The New England Quarterly, and a chapter about flattened scientific specimens in the book The Philosophy Chamber: Art and Science in Harvard’s Teaching Cabinet, 1766-1820. Her research has recently been supported by the American Historical Association, the American Antiquarian Society, and the Smithsonian Institution.

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I am a wolf in sheep’s clothing. Or rather, a nature writer dressed as a historian. My dissertation reexamines the history of natural history in eighteenth-century America and the British Atlantic world by putting animals and natural specimens at the narrative center. It asks: What might historical documents, written or dried or submerged in alcohol, tell us about the actions of historical creatures? Why did animals remain, at some level, inscrutable? How did they escape the net, crash the experiment, shapeshift, fly away, or even help naturalists preserve specimens? And what might their role in early modern science tell us about the larger social and political projects powered by natural history? Liable to change over time, animals influenced the human world through their behavior, biology, physical traits, and, in the case of beasts like raccoons, perhaps even their own desires. Without understanding how animals circumscribed the project that sought to study them and thus set the terms for what humans could learn about nature, our view remains obscured. We can look through the microscope, but only with a cloudy lens. Continue reading