Thanks to all of our contributors and commentators who have participated in #FoundingFiction, a series revisiting children’s and young adult literature about early America. Today, Sara Georgini wraps up the roundtable by chatting with Laurie Halse Anderson, prize-winning author of Independent Dames, Fever 1793, Chains, Forge, Ashes, and more. Continue reading
Today’s Founding Fiction post is by Lindsay M. Chervinsky, a post-doctoral fellow at the Center for Presidential History at Southern Methodist University. Her manuscript is titled, “The President’s Cabinet: George Washington and the Creation of an American Institution.” Follow her @lmchervinsky.
Each book in the Dear America series portrays a diary of a young fictional woman that explores her experience during one specific year in American history. The first-person account shares observations of well-known events or places, as well as the daily struggles of an “average” girl’s life. A number of these diaries take place in #VastEarlyAmerica. A few examples include A Journey to the New World: The Diary of Remember Patience Whipple, which tells the story of the Mayflower crossing in 1620; The Winter of Red Snow: The Revolutionary War Diary of Abigail Jane Stewart, which shares one woman’s experience in Valley Forge in 1777; and Look to the Hills: The Diary of Lozette Moreau, which examines the struggles of a French slave girl in the New York Colony in 1763. The series was discontinued in 2004, but Scholastic republished many of the originals in 2010 and continues to produce new volumes today. Continue reading
Guest reviewer Adam Pratt is an assistant professor at the University of Scranton. His current manuscript project is titled “The White Man’s Chance: Race and Politics in Pre-Removal Georgia.” He can be reached at email@example.com.
David J. Silverman, Thundersticks: Firearms and the Violent Transformation of Native America (Cambridge: Harvard University Press, 2016).
Guns are ever-present in American life. Gun culture, though frequently ridiculed by opponents for its fetishization of firearms, is inescapable in the 21st century. Visual media demonstrates the logical outcome of an individual’s unfettered right to bear arms. AMC’s The Walking Dead places gun violence at the heart of its dystopian, zombie-plagued world, while Zombieland normalized the double-tap, or, the necessity of shooting the undead in the head twice to ensure further reanimation. Although recent Supreme Court decisions have fundamentally altered how most Americans understand the Second Amendment, these legal changes followed a larger, more fundamental shift. Indeed, if the crooning of Johnny Cash in 1958, entreating his listeners to leave their guns at home, did not convince Americans, then what chance do well-reasoned, logical arguments have?
This Colonial Couture post is by Laura E. Johnson, associate curator at Historic New England. The exhibition Mementos: Jewelry of Life and Love from Historic New England, which she curated, will open at the Eustis Estate Museum in Milton, Massachusetts, in May 2017.
I’d like to build on Kimberly Alexander’s question from last week, “How can we write history when we do not have the original object?” There are many ways to examine a textile and its context without the physical object, as she demonstrated so ably. Much of my research on Native peoples, identity construction, and the Atlantic textile trade is based by necessity on a combination of archival resources, rare portraits, and archaeological evidence. Trade records, price lists, descriptions of treaty meetings, and other archival sources offer a wide range of evidence about textiles and how Natives consumed them, even in the absence of the pieces themselves.
Textiles were among the most lucrative and desirable of imported objects in the early Atlantic economy. The French, Dutch, and British all relied heavily on textile production for a substantial portion of their national revenue. Woolens and linens raised, spun, woven and finished in these areas drove international commerce from the 13th century. Native Americans presented an enormous potential market for their products as the domestic market became increasingly saturated. As one scholar has stated, it could have been termed the “cloth trade as easily as the deerskin trade.” Continue reading
This Colonial Couture post is by guest contributor Ben Marsh, senior lecturer in history at the University of Kent. His current research project is “Unravelling Dreams: Silkworms and the Atlantic World, c. 1500-1840.”
In July 1760, an American correspondent writing to a former neighbor in Surrey, England, graciously thanked them for dispatching a package across to South Carolina, risking the perils of transatlantic post during the Seven Years’ War, to send some cosmopolitan gifts. The gift of a fan was heralded as a “curiosity,” the suit (probably linen, though this descriptor was scored out) was apparently “universally admired,” but the real coup in the package was unquestionably the pompon. Not only was the pompon the prettiest these Americans had apparently ever seen, but the girl it was intended for was delighted “the more so as they are the first of ye fashion that have reach[e]d this part of the world.” Continue reading
This Colonial Couture post is by guest contributor William Howard Carter, assistant professor of history at The College of New Jersey. He is currently revising his book manuscript, “The Hideous and the Beautiful: The Power of Bodily Decorations in Iroquoia, 1550-1850.”
When was the fashion industry established in New York? With its eye towards the future and its accolades bestowed on the visionaries that best imagine the trends to come, it is hard for us to think of the fashion industry as anything but modern. Fashion tantalizes us with glimpses of the future that are not yet real but could, through the power of fashion, soon be made so. Yet those visions of possible futures are rooted in history. In Manhattan, that history stretches back over 400 years, before the supposed purchase of the island of Manhattan by Dutch colonists. Continue reading
Looks like #VastEarlyAmerica just got even vaster—and that’s a good thing. Here’s our fall preview of new titles. Please share your books/finds in the comments! Continue reading