Max Perry Mueller is assistant professor of religious studies in the Department of Classics & Religious Studies of the University of Nebraska-Lincoln, and the author of the recently-released Race and the Making of the Mormon People (University of North Carolina Press, 2017). Be sure and read Ben Park’s review of that book, posted at The Junto yesterday. Continue reading
Coll Thrush, Indigenous London: Native Travelers at the Heart of Empire (New Haven: Yale University Press, 2016).
Wander through the Museum of London’s rich galleries, glowing with relics and rites of Roman Londinium, and you’ll spot scraps of the city’s wall half-strewn along the route. Burned in bits or eaten by age, the red-and-white brick arches splay out like the broken teeth of empire, grinding a crooked grin in today’s cityscape. Amid the tidy exhibits and visitors’ whirl, it’s a graphic reminder of what London was and how it has weathered so many centuries’ toll. But, as Coll Thrush’s Indigenous London asks us, “The audience of a museum is always / another sort of collection…Indigenous objects, Indigenous eyes—/ Who sees and what is being seen?” (p. 135). For the scholar rescuing clues from the built environment, the wall raises a complex set of research queries: Who passed through the city limits, and why? How did diverse travelers experience urban life at a sensory level? What did it mean for indigenous visitors to sample London? And how can we expand the historical canon of voices who tell that story in the early modern era? Continue reading
William Hogeland, Autumn of the Black Snake: The Creation of the U.S. Army and the Invasion That Opened the West (New York: Farrar, Strauss and Giroux, 2017).
It’s fair to say that military history isn’t known for its commitment to social and political critique—at least not the kind of military history you might find at the airport. Autumn of the Black Snake offers much of what readers might want from that kind of book. It is unashamedly narrative-driven; carefully constructed for maximum tension and dramatic payoff; and there’s a fair amount of blood on the page too. But it is also designed to pose a challenge. Just what kind of entity was the newborn United States? From William Hogeland’s perspective, it was less an asylum of liberty than a super-powered successor to colonial land companies like the one that shaped the young George Washington. Continue reading
Thanks to all of our contributors and commentators who have participated in #FoundingFiction, a series revisiting children’s and young adult literature about early America. Today, Sara Georgini wraps up the roundtable by chatting with Laurie Halse Anderson, prize-winning author of Independent Dames, Fever 1793, Chains, Forge, Ashes, and more. Continue reading
Today’s Founding Fiction post is by Lindsay M. Chervinsky, a post-doctoral fellow at the Center for Presidential History at Southern Methodist University. Her manuscript is titled, “The President’s Cabinet: George Washington and the Creation of an American Institution.” Follow her @lmchervinsky.
Each book in the Dear America series portrays a diary of a young fictional woman that explores her experience during one specific year in American history. The first-person account shares observations of well-known events or places, as well as the daily struggles of an “average” girl’s life. A number of these diaries take place in #VastEarlyAmerica. A few examples include A Journey to the New World: The Diary of Remember Patience Whipple, which tells the story of the Mayflower crossing in 1620; The Winter of Red Snow: The Revolutionary War Diary of Abigail Jane Stewart, which shares one woman’s experience in Valley Forge in 1777; and Look to the Hills: The Diary of Lozette Moreau, which examines the struggles of a French slave girl in the New York Colony in 1763. The series was discontinued in 2004, but Scholastic republished many of the originals in 2010 and continues to produce new volumes today. Continue reading
Guest reviewer Adam Pratt is an assistant professor at the University of Scranton. His current manuscript project is titled “The White Man’s Chance: Race and Politics in Pre-Removal Georgia.” He can be reached at email@example.com.
David J. Silverman, Thundersticks: Firearms and the Violent Transformation of Native America (Cambridge: Harvard University Press, 2016).
Guns are ever-present in American life. Gun culture, though frequently ridiculed by opponents for its fetishization of firearms, is inescapable in the 21st century. Visual media demonstrates the logical outcome of an individual’s unfettered right to bear arms. AMC’s The Walking Dead places gun violence at the heart of its dystopian, zombie-plagued world, while Zombieland normalized the double-tap, or, the necessity of shooting the undead in the head twice to ensure further reanimation. Although recent Supreme Court decisions have fundamentally altered how most Americans understand the Second Amendment, these legal changes followed a larger, more fundamental shift. Indeed, if the crooning of Johnny Cash in 1958, entreating his listeners to leave their guns at home, did not convince Americans, then what chance do well-reasoned, logical arguments have?
This Colonial Couture post is by Laura E. Johnson, associate curator at Historic New England. The exhibition Mementos: Jewelry of Life and Love from Historic New England, which she curated, will open at the Eustis Estate Museum in Milton, Massachusetts, in May 2017.
I’d like to build on Kimberly Alexander’s question from last week, “How can we write history when we do not have the original object?” There are many ways to examine a textile and its context without the physical object, as she demonstrated so ably. Much of my research on Native peoples, identity construction, and the Atlantic textile trade is based by necessity on a combination of archival resources, rare portraits, and archaeological evidence. Trade records, price lists, descriptions of treaty meetings, and other archival sources offer a wide range of evidence about textiles and how Natives consumed them, even in the absence of the pieces themselves.
Textiles were among the most lucrative and desirable of imported objects in the early Atlantic economy. The French, Dutch, and British all relied heavily on textile production for a substantial portion of their national revenue. Woolens and linens raised, spun, woven and finished in these areas drove international commerce from the 13th century. Native Americans presented an enormous potential market for their products as the domestic market became increasingly saturated. As one scholar has stated, it could have been termed the “cloth trade as easily as the deerskin trade.” Continue reading