Today at The Junto, Philippe Halbert interviews Katherine Egner Gruber, who is Special Exhibition Curator at the Jamestown-Yorktown Foundation, a state agency that operates two living history museums in Virginia. This Q&A focuses on her most recent exhibition, Tenacity: Women in Jamestown and Early Virginia, which opened at Jamestown Settlement in November of 2018 and runs through January of 2020. She was also responsible for content oversight of the Yorktown American Revolution Museum‘s award-winning introductory film, Liberty Fever, and contributed to the development of new galleries that opened there in 2015. Kate earned a bachelor’s degree in historic preservation and classical humanities from the University of Mary Washington and a master’s degree in American history from the College of William and Mary. Continue reading
Return guest poster Mairin Odle is an Assistant Professor of American Studies at the University of Alabama. She is currently writing a book, Skin Deep: Tattoos, Scalps, and the Contested Language of Bodies in Early America.
A few years ago, I was designing a new course, one that would fulfill a writing distribution requirement at my university. I knew I wanted to find ways to engage the class with the creative aspects of writing, not just the mechanics; I wanted to show my students how ideas develop, how revisions matter, and how classrooms could be collaborative spaces where we collectively care about our work rather than churn out assignments. So on the first day of class, I promised them (perhaps rashly) that I would write a final essay alongside them. Continue reading
As an American studying American history in the UK, my response to the question of “What are you studying?” often inspires wry smiles, wrinkled brows, and variations of “Why here?” Although I am now fairly adept at justifying my decision, I remain fascinated by the concept of studying a nation’s history beyond its geographic boundaries. With my time in Britain near its end, I traveled to Bath to visit The American Museum in Britain, a place all too familiar with this topic. The Museum is located in Claverton Manor, a nineteenth-century English country manor on 125 acres of land, and also features a Folk-Art Gallery, an exhibit hall, and gardens. Continue reading
Today at The Junto, Philippe Halbert interviews Erin M. Greenwald about her exhibition, New Orleans, the Founding Era, on view at The Historic New Orleans Collection through the 27 of May. Edited by Greenwald, the accompanying English-French publication features interdisciplinary essays by eight leading scholars and an illustrated catalogue. Before beginning as Curator of Programs at the New Orleans Museum of Art in 2017, Greenwald was senior curator and historian at The Historic New Orleans Collection, where she curated exhibitions including Purchased Lives: The American Slave Trade from 1808 to 1865, a traveling exhibition funded by the NEH and awarded the AASLH Leadership in History Award of Merit. Her first monograph, Marc-Antoine Caillot and the Company of the Indies in Louisiana: Trade in the French Atlantic World, was published by LSU Press in 2016. Greenwald also chairs the New Orleans Slave Trade Marker and App Project, an initiative of the 2018 Tricentennial Commission, which anticipates placing six interpretive markers designating sites in New Orleans with direct links to the slave trade this summer.
Max Perry Mueller is assistant professor of religious studies in the Department of Classics & Religious Studies of the University of Nebraska-Lincoln, and the author of the recently-released Race and the Making of the Mormon People (University of North Carolina Press, 2017). Be sure and read Ben Park’s review of that book, posted at The Junto yesterday. Continue reading
Coll Thrush, Indigenous London: Native Travelers at the Heart of Empire (New Haven: Yale University Press, 2016).
Wander through the Museum of London’s rich galleries, glowing with relics and rites of Roman Londinium, and you’ll spot scraps of the city’s wall half-strewn along the route. Burned in bits or eaten by age, the red-and-white brick arches splay out like the broken teeth of empire, grinding a crooked grin in today’s cityscape. Amid the tidy exhibits and visitors’ whirl, it’s a graphic reminder of what London was and how it has weathered so many centuries’ toll. But, as Coll Thrush’s Indigenous London asks us, “The audience of a museum is always / another sort of collection…Indigenous objects, Indigenous eyes—/ Who sees and what is being seen?” (p. 135). For the scholar rescuing clues from the built environment, the wall raises a complex set of research queries: Who passed through the city limits, and why? How did diverse travelers experience urban life at a sensory level? What did it mean for indigenous visitors to sample London? And how can we expand the historical canon of voices who tell that story in the early modern era? Continue reading
William Hogeland, Autumn of the Black Snake: The Creation of the U.S. Army and the Invasion That Opened the West (New York: Farrar, Strauss and Giroux, 2017).
It’s fair to say that military history isn’t known for its commitment to social and political critique—at least not the kind of military history you might find at the airport. Autumn of the Black Snake offers much of what readers might want from that kind of book. It is unashamedly narrative-driven; carefully constructed for maximum tension and dramatic payoff; and there’s a fair amount of blood on the page too. But it is also designed to pose a challenge. Just what kind of entity was the newborn United States? From William Hogeland’s perspective, it was less an asylum of liberty than a super-powered successor to colonial land companies like the one that shaped the young George Washington. Continue reading