“We all declare for liberty,” Abraham Lincoln remarked in 1864, “but in using the same word we do not all mean the same thing.” That word gets thrown around a lot when we talk about, and especially when we commemorate, the early American republic. Since I started my job two years ago, I’ve been teaching a course on “the meaning of liberty” from Revolution to Civil War. In this post I want to reflect on the process of designing, teaching, and redesigning that course—a process of thinking through American “liberty” with my twenty-first century British students in mind. Continue reading
Today at The Junto, Philippe Halbert interviews Erin M. Greenwald about her exhibition, New Orleans, the Founding Era, on view at The Historic New Orleans Collection through the 27 of May. Edited by Greenwald, the accompanying English-French publication features interdisciplinary essays by eight leading scholars and an illustrated catalogue. Before beginning as Curator of Programs at the New Orleans Museum of Art in 2017, Greenwald was senior curator and historian at The Historic New Orleans Collection, where she curated exhibitions including Purchased Lives: The American Slave Trade from 1808 to 1865, a traveling exhibition funded by the NEH and awarded the AASLH Leadership in History Award of Merit. Her first monograph, Marc-Antoine Caillot and the Company of the Indies in Louisiana: Trade in the French Atlantic World, was published by LSU Press in 2016. Greenwald also chairs the New Orleans Slave Trade Marker and App Project, an initiative of the 2018 Tricentennial Commission, which anticipates placing six interpretive markers designating sites in New Orleans with direct links to the slave trade this summer.
Rise and shine, it’s time to relaunch our regular(ish) roundup of breaking news from early America. To the links!
First up, enjoy a walk through life after the American Revolution with this podcast series charting the life and times of William Hamilton of The Woodlands, who “made the estate an architectural and botanical showpiece of early America.” Or put presidential parades in historical context, via Lindsay Chervinsky’s essay on George Washington’s reticence for public pomp and grandeur: “Why, then, did Washington, a man intensely proud of his military service and revered for it, reject the trappings of military honor?” In conference news, the Omohundro Institute of Early American History and Culture unveiled the program for next month’s meeting. Elsewhere in the blogosphere, check out John Fea’s reflections on a decade(!) of posting, and what it means to teach “Public History for a Democracy.” Or flip through the newly digitized papers of polymath Benjamin Franklin. Continue reading
Daniel Livesay is Associate Professor of History at Claremont McKenna College in Claremont, CA. His research focuses on questions of race, slavery, and family in the colonial Atlantic World. His first book, Children of Uncertain Fortune: Mixed-Race Jamaicans in Britain and the Atlantic Family, 1733-1833 was published in January 2018 by the University of North Carolina Press for the Omohundro Institute. Casey Schmitt reviewed it yesterday here at The Junto. Daniel’s research has been supported by an NEH postdoctoral fellowship at the Omohundro Institute of Early American History and Culture, the Fulbright Foundation, the Institute of Historical Research, and the North American Conference on British Studies, as well as number of short-term fellowships. He is currently working on a book manuscript about enslaved individuals of advanced age in Virginia and Jamaica from 1776-1865 entitled, Endless Bondage: Old Age in New World Slavery. He graciously agreed to sit down and answer a few questions about his research.
We are pleased to share the following call for papers for The Fourteenth Annual Yale University American Art Graduate Symposium. Continue reading
Today, Lindsay O’Neill, Assistant Professor of History at the University of Southern California, joins our weeklong discussion about sources and inspiration. Her first book, The Opened Letter: Networking in the Early Modern British World, was published by the University of Pennsylvania Press in 2015. Today she shares the sources that inspired (or haunted) her book-in-progress, titled “Barbarous Country: The Delogaon Princes and the British Empire, 1715-1725.”
I do not remember precisely when the princes began to haunt me. It might have been when I called up the ominous sounding “Book of Strangers” at the Huntington Library. This turned out to simply be a list of dinner guests at the Duke of Chandos’ estate of Cannons, but what I found inside was rather extraordinary. Listed at the Duke’s table on 24 September 1721 were “Two African Princes.” Intriguing, I thought. However, this must not have been the first time I came across a reference to them, for I remember knowing who these men were. I had, or would, read about them in letters from the Duke of Chandos who hosted the dinner. I would encounter them again in the letters of Sir John Perceval. And then again in the letters of Sir Hans Sloane. I told you these two men were haunting me. Now, there was no reason for them to. At the time, I was not interested in African princes. I was interested in letters since I was working on what would become my first book: The Opened Letter: Networking in the Early Modern British World. But it turned out that the loosely linked letter writers whose correspondence I was working my way through were interested in African princes and soon so was I. Continue reading
An article just came out in the American Historical Review’s October issue that should be on the radar for anyone interested in early American history: Holly Brewer’s “Slavery, Sovereignty, and ‘Inheritable Blood’: Reconsidering John Locke and the Origins of American Slavery.” In it, Brewer connects Locke’s criticism of absolutism with an opposition to inheritable slavery, thereby casting our understanding of democracy, capitalism, and slavery in an entirely new light. Continue reading