CFP: Materializing Race in #VastEarlyAmerica

Materializing Race: An Unconference on Objects and Identity in #VastEarlyAmerica
August 24 and 25, 2020
1 PM EST both days (Zoom)
Proposals due by August 1, 2020
Organized by Cynthia Chin and Philippe Halbert

Screen Shot 2020-07-21 at 10.45.39 PM.pngIn a commitment to fostering nuanced interpretations of early American objects and meaningful dialogue on historical constructions of race and their legacies, we propose a virtual ‘unconference’ to share and discuss scholarship on the intersections of identity and material culture in #VastEarlyAmerica. This participant-driven, lightning round-style event will be held via Zoom, with two approximately two-hour afternoon sessions conducted in English. Energized by Dr. Karin Wulf’s call for broader, more inclusive histories of early America, we seek to promote a diverse cross-section of scholarship focused on North, Central, and South America and the Caribbean before 1830.

We welcome a variety of approaches and methodologies including historical, art historical, anthropological, archaeological, visual analysis, and experimental/experiential archaeological. Proposals should be object-focused and include a brief abstract (250 words with one relevant image) for a 10-15-minute presentation, along with a short CV of no more than 2 pages. Potential questions and themes for presentations might include:

  • What is the next chapter in the discussion of race, ethnicity, identity, and early American material culture?
  • What are potential methodological approaches and revisions/additions to existing material culture frameworks? How can #VastEarlyAmerica work to expand the traditional American material culture canon?
  • What were some of the threads or outcomes of the 1619 Project dialogue (and other relevant publications/discussions) that relate/interact/tessellate with material culture studies? How can the 1619 Project and its surrounding narratives broaden the impact of material culture studies?
  • Can the outcomes or discussions surrounding this dialogue engender new approaches/methodologies and discussions in material culture studies? How might it affect the way we as historians and curators interact with and publicly present objects? Does it present the ability to see “legacy” objects and historical figures/narratives differently as a result?
  • Historians and material culture specialists as genealogists: how do our own personal family/ancestral narratives intersect with our study of early American history and material culture; the historian as biographer; the biographical object and the object biography
  • Public history: new thoughts on old things, from the exhibition and display of objects in museum settings to historical and character interpretation, to include historic trades and foodways
  • Object Case Studies: New interpretations of early American objects related to race, ethnicity, and identity
  • The influence of historical anniversaries and commemorations: Jamestown 2007, the New Orleans Tricentennial Commission, Plimoth Patuxet and Mayflower 400, the 500th anniversary of the Spanish invasion of Mexico in 2019 and the 2021 bicentennial of Mexican independence, etc.

This event is co-convened by Dr. Cynthia Chin (Fred W. Smith National Library for the Study of George Washington) and Philippe Halbert (Yale History of Art). For more information, submission requirements, and audience registration details, please visit the Materializing Race website.

CFP: The Fifteenth Annual Yale University American Art Graduate Student Symposium

 

Encounters, Entanglements, and Exchanges
Fifteenth Annual Yale American Art History Graduate Student Symposium
Yale University, New Haven, 6 April 2019
Proposals due by 1 February 2019

Points of encounter can occur across time and space. In colonial Mexico, blue and white earthenware vessels made in the city of Puebla responded to East Asian hard-paste porcelain. At the same time, ceramic manufacturers in China adapted designs that catered to pan-American tastes, and both John Bartlam’s South Carolina pottery and the American China Manufactory in Philadelphia produced their own soft-paste porcelain wares on the eve of the American Revolution. More recently, Carrie Mae Weems’s The Hampton Project reexamined a nineteenth-century vocational school that served as a cultural crossroads for formerly enslaved African Americans, American Indians, and white Americans to raise pressing questions of race, imperialism, and nationalism in the twenty-first century. These points of convergence between individuals, groups, places, and objects often instigate shifts in creative production with lasting and global resonances. The interaction of disparate cultures offers a rich nexus for artistic creation. Yet such encounters are also inseparable from the shifting dynamics of power that operate along gendered, racial, economic, and political lines. What can exchanges and entanglements reveal about the nature of encounter? How do encounters shape exchanges? In what ways do exchanges propagate new encounters?

The Fifteenth Annual Yale University American Art Graduate Student Symposium invites papers that interrogate the dialectical relationship between encounter and exchange and explore the legacies of cultural intersection. We invite submissions that address art across North, Central, and South America and the Caribbean, that engage a range of critical perspectives, and that speak to a variety of time periods and artistic practices.

Possible topics include, but are not limited to:
• Micro-histories that address a specific instance of encounter
• Global encounters with the notion of ‘Americanness’
• Collaborations that problematize narratives of ‘influence’ across social, cultural, or political hierarchies
• Impact of religious proselytization and conversion in the arts
• Gift exchange, diplomacy, and trade
• Appropriation, fetishism, hybridity, and mimicry
• Contact zones, borderlands, intersectionality, and peripheries
• Power dynamics within systems of colonialism, racism, homophobia, or sexism
• Immigration, migrants, and refugees
• Authorship and ownership
• Tourism and travel narratives
• Activism, coalition building, and the arts
• Networks created via technology, globalization, and media

Interested participants are invited to submit an abstract of no more than 350 words along with a CV to americanist.symposium@gmail.com by 1 February 2019. Accepted participants will be notified in mid-February. Accommodations will be provided for all graduate student speakers in New Haven, Connecticut.

Why I’m Glad I Worked on an Edited Collection

When I was a graduate student, I wrote a master’s on cannibalism during the Starving Time of 1609-10, which became my first article. That article resulted in an invitation to edit a collection on cannibalism, which I agreed to do during a time when most early career academics were being advised to prioritize books and articles over work in edited collections (and often to avoid them entirely).

My perspective today is that I’m extremely thankful to have edited this collection, but that in the field of early American history (and I know this assessment varies from subfield to subfield), articles and monographs still seem to do better work than the edited collection in building a junior scholar’s portfolio. The other caveat I’d add is that editors need to approach their collections strategically. From the perspective of an early career academic in the UK, that strategy meant tying the collection to an attempt to win funding, using the edited collection as a way to bridge my first and second book projects, and making sure the work helped me get to know scholars whose work I respected and wanted to learn more about. Here’s how I tried to do that. Continue reading

Twitter Conferences: To Do or Not To Do?

Twitter YellIn August 2017, I virtually attended and presented at the Beyond 150: Telling Our Stories Twitter Conference ((#Beyond150CA). In collaboration with Unwritten Histories, Canada’s History Society, and the Wilson Institute, this event was the first Twitter conference to focus on Canadian history. This conference seemed like a great opportunity to present my work on “filles du roi” (daughters of the king) in seventeenth-century New France. But, the idea of presenting an entire conference paper in only 12-15 tweets was intimidating. Would I be able to get my points across in this format? Would I be able to delve into meaningful conversations with the “audience”? Would anyone be in the audience? Was I prepared to lay my research bare on the internet for anyone to find while it was still in a nascent state? Continue reading

Q&A: Patrick Spero and Michael Zuckerman

15598Following on from yesterday’s review of The American Revolution RebornThe Junto was fortunate enough to get to ask a few questions of the volume’s editors. Both Patrick Spero, Librarian of the American Philosophical Society, and Michael Zuckerman, Professor of History Emeritus at the University of Pennsylvania, were instrumental in organizing the highly successful conference that led to the volume. In the Q&A below, the organizers/editors reflect back on both the conference and the volume, their effect on their own views of the Revolution, and their hopes for the legacy of both the conference and the volume. The Q&A is published here in its entirety. Continue reading

Star Wars, Food Diplomacy, and Second Book Projects

leia-hopeOver the winter break I was back in Austin, catching up with grad school friends and reveling in a week’s worth of breakfast tacos. Part of this week included a trip to the Alamo Drafthouse to see Rogue One, because we all know work/life balance is important. For the uninitiated, the Drafthouse is a magical movie theater where you can view new movies while eating and drinking. They’re famous for their all-day Lord of the Rings marathon, complete with second breakfast and elevenses. So I was pretty excited to see what themed food and beverages the theater managed to create using inspiration from the Star Wars cannon. Remember how I said work/life balance is important? Well it is, but sometimes I have trouble switching off.[1] Continue reading

Making a Webpage for a Conference Paper

Making a Webpage for a Conference Paper

640px-video_conference_room_west_of_council_chambers-publicdomainI recently had to cancel a trip to a conference. My panel is continuing without me; the chair has graciously offered to read my paper in my place. Partly because of this, I am doing something I haven’t done before: putting together a companion webpage for the presentation.

Making companion webpages does not seem to be a widespread practice yet at history conferences, but I do know historians who have done it. For other people who are interested in the idea, I thought I would talk through what I am doing, keeping in mind that many presenters may not have extensive experience making webpages.

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What’s Livetweeting For, Anyway?

What’s Livetweeting For, Anyway?

No longer live tweetingLast week, an anonymous Ph.D. student published a Guardian op-ed under the headline “I’m a serious academic, not a professional Instagrammer.” Among other complaints, the author (a laboratory scientist) condemned the practice of livetweeting academic conferences. Livetweeters care less about disseminating new knowledge, Anonymous wrote, than about making self-promotional displays: Look at me taking part in this event.

I hate to admit it, but the author may have a point. When I shared the article, one of my friends, an anthropologist, observed that she finds livetweeting “baffling” because she would rather listen—and be listened to—than be distracted during a conference talk. Katrina Gulliver, an influential advocate of Twitter use by historians, told me (via, yes, Twitter) that she no longer approves of conference livetweeting either. “Staring at screens is uncollegial,” she argued; it interferes with face-to-face discussions, and the value of the information passed along is dubious too, because “tweets present (or misrepresent) work in [a] disconnected, out of context way.” Bradley Proctor told me he has had one of his talks misrepresented by a livetweeter—a particularly sensitive issue for someone who researches Reconstruction-era racial violence.

Surely these are important concerns. It seems to me that conference livetweeters—yours truly included—need to get better at articulating explicit objectives and boundaries if we’re going to take these risks. So what do people say about the way they use Twitter at conferences?

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Guest Post: It’s Pronounced “Woo-ster”: The OIEAHC’s 22nd Annual Conference Recap

Andrew Johnson (@dajohnsonii) is a doctoral candidate in history at Rice University. His work explores the social and cultural intersections stemming from the trades in captive peoples, both Native American and trans-Atlantic, who happened to find themselves in colonial South Carolina and situates enslaved Native Americans in the more-studied development of slavery in the colony.

2896085I thought going to Worcester for the OIEAHC 22nd Annual Conference was going to be a reprieve from the oppressive heat and humidity of the Houston summer. New England thankfully came through on the weather front, but I also found my long overdue first trip to the conference to be an almost nonstop barrage of intellectual engagement. My work received much more feedback than I had expected and I found myself thinking through every talk and Q&A I heard, which in my experience isn’t always how conferences typically work out. The luck of having my presentation in the first panel meant I was able to get presenting out of the way, giving those attending I didn’t know something to talk with me about for the rest of the conference, and allowing me to concentrate on thinking about other scholars’ work.   Continue reading

Guest Post: A Recap of Situation Critical!

Today’s post is by John Garcia, a Ford Foundation postdoctoral fellow at the American Antiquarian Society.

interrobang“Historians treat theory the way rattlesnakes approach small mammals. They either strike to kill or swallow whole. The latter often amounts to death by citation.”[1] David Waldstreicher’s statement on the problematic status of critical theory in Early American Studies appeared in a 2005 WMQ forum reconsidering the public sphere as a category for analysis. Must historians always view theoretical work through an antagonistic empiricism, or, just as unreflectively, swallow theory whole? Perhaps the tide is turning towards new theoretical engagements, as historians and literary scholars recognize that theories are themselves continually subject to refinement in relation to historical research. A recent conference at the McNeil Center for Early American Studies, entitled Situation Critical!: Critique, Theory, and Early American Studies, offered a plethora of keynote lectures and panel presentations surveying older critical models and offering new approaches with which future work in Early American Studies might engage.

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