In August 2017, I virtually attended and presented at the Beyond 150: Telling Our Stories Twitter Conference ((#Beyond150CA). In collaboration with Unwritten Histories, Canada’s History Society, and the Wilson Institute, this event was the first Twitter conference to focus on Canadian history. This conference seemed like a great opportunity to present my work on “filles du roi” (daughters of the king) in seventeenth-century New France. But, the idea of presenting an entire conference paper in only 12-15 tweets was intimidating. Would I be able to get my points across in this format? Would I be able to delve into meaningful conversations with the “audience”? Would anyone be in the audience? Was I prepared to lay my research bare on the internet for anyone to find while it was still in a nascent state? Continue reading
Guest poster Neil Oatsvall is a History and Social Science Instructor at the Arkansas School for Mathematics, Sciences and the Arts. His work has appeared, or is forthcoming, in Environment and History, Agricultural History, Essays in History, and the edited collection Proving Grounds (University of Washington Press, 2015). His book manuscript, “Atomic Environments: Nuclear Technologies, the Natural World, and Policymaking, 1945-1960,” is under advanced contract with the NEXUS series of the University of Alabama Press. His Twitter handle is @DctrNO.
Return guest poster Vaughn Scribner is an Assistant Professor of Early American History at the University of Central Arkansas. His work has appeared, or is forthcoming, in Atlantic Studies: Global Currents, the Journal of Early American History, Early American Studies, the Journal of Social History, Urban History, Agricultural History, and the edited volume, Order and Civility in the Early Modern Chesapeake. His Twitter handle is @VScrib86.
While co-authoring in the sciences or social sciences is the norm (and often expected), many scholars in the humanities tend to practice the Lone Wolf strategy. We huddle in our den, surrounded by piles of books, cultivating the nagging fear that someone might be researching something too similar to us. But maybe it’s time to move on from our seclusion. Maybe, in the words of Alan Garner from The Hangover, it’s time to grow your wolf pack (link might be slightly NSFW, as it’s from a rated R film). Continue reading
Pete David is a songwriter from Sheffield, who performs with the band, The Payroll Union. They have produced two EPs—Underfed & Underpaid and Your Obedient Servant—and have two albums: The Mule & The Elephant and their most recent, Paris of America.
Andrew Heath (@andrewdheath) is a lecturer in American History at the University of Sheffield in the UK. He spent several years in grad school in Philadelphia, where he became fascinated by the city’s nineteenth-century past.
Paris of America, a new album by the Sheffield U.K.-based band The Payroll Union, is the product of a two-year collaboration between songwriter Pete David and historian Andrew Heath. With the help of funding from Sheffield University, Pete and the band explored the turbulent history of antebellum Philadelphia: a city in which racial, religious, and social strife earned it the title of “mob town” of the Union. Here, they reflect on the project, and the possibilities of exploring the history of the Early Republic beyond the more familiar routes of text and film. Continue reading