Dear Junto readers, Thank you for joining us for two weeks of all-new scholarship tracing the historical patterns of #ColonialCouture! Read the whole roundtable here.
Today’s #ColonialCouture finale post is by Kate Strasdin, senior lecturer in cultural studies at the Fashion & Textiles Institute, Falmouth University, whose research focus is on 19th- and 20th-century female dress and haute couture. Follow her @kateStrasdin.
A small industrial town in the North West of England in the middle of the 19th century might seem an unlikely place to start with a narrative concerning dress and the colonies. On September 20 1838, Anne Burton married Adam Sykes in Tyldesley, Lancashire. A small piece of their wedding day is captured on the very first page of a volume that Anne was to keep for almost forty years – a fragment of her wedding dress and the figured silk waistcoat worn by her groom carefully pasted into what was to become her dress diary. Continue reading