Where Historians Work: Q&A with David Gary of the American Philosophical Society

“During graduate school, you have to be very focused on a topic. But in libraries you’re a generalist in many ways. In all the jobs I’ve had, I’ve had to learn new skills and topics.” ~ Dr. David Gary, the American Philosophical Society

David Gary - Head ShotGood morning, Junto readers! As we head into July 4th weekend, what better city to visit than Philadelphia? Today, we discuss the exciting intellectual opportunities that accompany the curation of printed collections, with Dr. David Gary, Curator of Printed Materials at the American Philosophical Society.

Dave’s story highlights the vibrancy and variety of the history profession, as well as the many paths scholars can take, both during and after graduate school, to find themselves in fulfilling occupations. Continue reading

Where Historians Work: Q&A with Margaret Bendroth of the Congregational Library and Archives

“I’ve learned so much about how historians talk to the general public … If you tell a good story you can get people to hang in and keep listening.” ~ Dr. Margaret Bendroth, Executive Director of the Congregational Library & Archives.

Library-10.jpgFor today’s “Where Historians Work: The View from Early America,” Katy chats with Dr. Margaret Bendroth, the Executive Director of the Congregational Library & Archives in Boston, Massachusetts. They discuss the importance of story telling and having an “entrepreneurial” frame of mind, when it comes to a vibrant career in history.

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Guest Post: French Imposters, Diplomatic Double Speak, and Buried Archival Treasures

Today’s guest post is by Cassandra Good, Associate Editor of The Papers of James Monroe at the University of Mary Washington, and author of Founding Friendships: Friendships Between Women and Men in the Early American Republic (New York: Oxford University Press, 2015). Follow her @CassAGood. 

Monroe 1The latest volume of The Papers of James Monroe covers a short but important period in Monroe’s life and career: April 1811 to March 1814. Monroe became Secretary of State in April 1811 and was tasked with trying to repair relations with both Great Britain and France. After war with Britain began in June 1812, his focus broadened to military affairs and included a stint as interim Secretary of War. The bulk of the volume, then, is focused on the War of 1812. However, there are a number of other stories revealed here that will be of interest to a range of historians. Continue reading

Guest Post: Dress and West African Desire

Jessica Blake is a PhD candidate in U.S. History at the University of California-Davis, where she is completing a dissertation entitled, “A Taste for Africa: Imperial Fantasy and Clothes Commerce in Revolutionary-era New Orleans.” She is currently a dissertation fellow at the Winterthur Museum and Archive.

Linen Market, Dominica, by Agostino Brunias (1780), Yale Center for British Art

Linen Market, Dominica, by Agostino Brunias (1780), Yale Center for British Art

In 1808, the New Orleans trader John Joly placed an advertisement in the Moniteur de la Louisiane for a shipment of large Angola shawls (grands shals d’Angola), a rectangular cloth of African construction meant to drape over the shoulders. Joly marketed the cloth for the general consumer, making no indication that he considered it a product intended solely for use by enslaved or free people of color.[1]
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Guest Post: Questions About the Illicit Slave Trade, State Auctions, and Urban Infrastructure [Cross-Posted]

Todd Burst is an independent scholar who is researching and blogging about the eighteenth century British-African slave trade and the development of capitalism. He is currently writing about how Fante Africans on the Gold Coast vicariously influenced the role of the British state in commerce through the Company of Merchants Trading to Africa. He also runs the Roads to Modernity blog, where he reviews current writings about the history of slavery and capitalism, and occasionally publishes some of his own works. This guest post is cross-posted from his blog.

1_3 PAR20881410_Page_1.jpgIn Antebellum America, Southern municipalities generated revenue by confiscating and reselling illicit slaves through public auctions.[1] In 1807, Congress prohibited the international slave trade, a year later, Louisiana followed suite, but this did not stop the trade. An illicit trade from Africa across the Atlantic continued to supply the America South with slaves. Illegal slaves were forfeited to the state. The Sheriff’s department placed these slaves in prison to await resale to the public. These findings raise questions about the role of the state in the slave trade, property laws, municipal revenues, and contributions of the sale of slaves at “property auctions” to modern city infrastructures.

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Guest Post: Stephen Campbell, “Reimagining the Second Bank of the United States in Early American History”

Stephen W. Campbell earned a doctorate in history from the University of California, Santa Barbara, in 2013. A lecturer at California State Polytechnic University, Pomona, Campbell is the author of articles that have appeared in American Nineteenth Century History, Ohio Valley History, Perspectives on History, and History News Network. He has recently completed a book manuscript entitled Banking on the Press: Newspapers, Financial Institutions, and the Post Office in Jacksonian America, 1828-1834.

Cadwalder Family Papers, Box 98, Folder 24, Historical Society of Pennsylvania, Philadelphia, PA. [Click for full-size]

Unexpected “ah-hah!” moments make long hours of historical research worthwhile. A few months ago I was perusing a letter from an edited volume of Henry Clay’s correspondence when my eyes began to drift over to an adjoining page. A letter, dated August 17, 1830, showed the great senator and orator instructing his Washington agent, Philip Fendall, to send one of his slaves, Lotty, back to Kentucky. Clay wanted Lotty “to have the means to bring herself home…but if she wants money for that purpose I will thank you to apply to Mr. R[ichard] Smith to advance her the necessary sum.” Nothing in the footnotes or index shed light on this enigmatic Smith (an exceedingly common name both then and now), but I had come across this name several times before. This was almost certainly the cashier of the Washington branch of the Second Bank of the United States (BUS), the nation’s de facto central bank. A few weeks later, Clay again penned Fendall: “There are persons frequently bringing slaves from the district [of Columbia] to this State, some of whom might perhaps undertake to conduct [Lotty] to Maysville, Louisville, Lexington, or some other point from which I could receive her.”[1] Continue reading

Guest Post: Jeremy C. Young, “James Rush and the Invention of Personal Magnetism”

Jeremy C. Young is an assistant professor of history at Dixie State University and the author of The Age of Charisma: Leaders, Followers, and Emotions in American Society, 1870-1940 (Cambridge University Press, 2017).

youngToo often, as American historians, we imagine the Civil War as an impenetrable barrier between eras—as if American history simply stopped in 1861 and an entirely new nation, filled with new people, came to replace it. In reality, of course, people who cast their first ballots for Andrew Jackson cast their last for William Jennings Bryan; people born into slavery died after the advent of talking motion pictures. Nevertheless, professionally speaking, we’re often tacitly discouraged from placing the antebellum and postbellum worlds in conversation with one another. This way of thinking disadvantages historians of the modern era in particular, I think, in that it makes us less likely to investigate the early American roots of the phenomena we study. In my case, it explains why it took me so long to realize that the story I was telling about the 1920s actually began in the 1820s. I want to tell you about that moment of discovery, about how my reluctance to look at early American history almost caused me to miss the most explosive revelation in my book—and about what I found when I finally pulled back the curtain to reveal the early-American origins of my narrative. Continue reading