A few months ago, a New York Times investigation uncovered the secret economies of social media bots. C-list celebrities such as Paul Hollywood, John Leguizamo, and Michael Symon, purveyors of “fake news,” and several businesses have boosted their Twitter profiles by purchasing fake follower “bots” and retweets from these accounts. The Times estimated that perhaps as many as 48 million Twitter accounts are bots, with around 60 million similar accounts on Facebook. Continue reading
Coll Thrush, Indigenous London: Native Travelers at the Heart of Empire (New Haven: Yale University Press, 2016).
Wander through the Museum of London’s rich galleries, glowing with relics and rites of Roman Londinium, and you’ll spot scraps of the city’s wall half-strewn along the route. Burned in bits or eaten by age, the red-and-white brick arches splay out like the broken teeth of empire, grinding a crooked grin in today’s cityscape. Amid the tidy exhibits and visitors’ whirl, it’s a graphic reminder of what London was and how it has weathered so many centuries’ toll. But, as Coll Thrush’s Indigenous London asks us, “The audience of a museum is always / another sort of collection…Indigenous objects, Indigenous eyes—/ Who sees and what is being seen?” (p. 135). For the scholar rescuing clues from the built environment, the wall raises a complex set of research queries: Who passed through the city limits, and why? How did diverse travelers experience urban life at a sensory level? What did it mean for indigenous visitors to sample London? And how can we expand the historical canon of voices who tell that story in the early modern era? Continue reading
“During graduate school, you have to be very focused on a topic. But in libraries you’re a generalist in many ways. In all the jobs I’ve had, I’ve had to learn new skills and topics.” ~ Dr. David Gary, the American Philosophical Society
Good morning, Junto readers! As we head into July 4th weekend, what better city to visit than Philadelphia? Today, we discuss the exciting intellectual opportunities that accompany the curation of printed collections, with Dr. David Gary, Curator of Printed Materials at the American Philosophical Society.
Dave’s story highlights the vibrancy and variety of the history profession, as well as the many paths scholars can take, both during and after graduate school, to find themselves in fulfilling occupations. Continue reading
All praise to the humble pamphlet, upon which *may* rest the ideological origins of the American Revolution. Frequently buried by history as loose “Bundells of Pamphlets in quarto,” it’s a genre that almost shouldn’t be. Printed on flimsy paper and easily battered by salt spray or avid readers, the popular pamphlet became a clutch genre for British and American revolutionaries to send ideas around the Atlantic World. These publications, along with newsbooks, hardened into the “paper bullets,” that, according to scholar Joad Raymond, flew on and off the page in early modern England’s press.
Even as the genre evolved into weekly newspapers, he writes, “readers recognized the rules of the form.” Pamphlet culture, a dynamic arena for anonymous critics to take an eloquent swipe at matters of church and state, quickly blossomed abroad. Unbound and unfettered, pamphlets seeded colonists with a new political consciousness. Whether 10 pages or 50, these slim booklets amplified republican politics and revolutionary prose. Pamphlets, as Robert G. Parkinson observes, became the “lifeblood” of the American Revolution. “They instructed the colonial public that political and personal liberty were in jeopardy because British imperial reformers sought to strip them of their natural rights, especially the right to consent to a government that could hear and understand them,” he writes. Today, let’s look at that instructional aspect of pamphlet culture, and how Bernard Bailyn’s interpretation of revolutionary tracts has reshaped what we do in public history. Continue reading
Today’s Founding Fiction post is by Emily Sneff, Research Manager of the Declaration Resources Project at Harvard University. The mission of the Declaration Resources Project is to create innovative and informative resources about the Declaration of Independence. To learn more, follow @declarationres.
How do we get kids to read and comprehend the Declaration of Independence? Great authors and illustrators can transform the characters, events, and text of the Declaration (which, as you may expect, registers at about a 12th grade reading level) into true stories that are both entertaining and educational for younger readers. On the Declaration Resources Project’s blog, Course of Human Events, we recently interviewed authors Barbara Kerley (Those Rebels, John & Tom), Steve Sheinkin (King George: What Was His Problem? The Whole Hilarious Story of the American Revolution), and Gretchen Woelfle (Answering the Cry for Freedom: Stories of African Americans and the American Revolution). Their books, and a few other favorites, form an exciting non-fiction reading list for children and young adults. Continue reading
Today’s guest post is by Cassandra Good, Associate Editor of The Papers of James Monroe at the University of Mary Washington, and author of Founding Friendships: Friendships Between Women and Men in the Early American Republic (New York: Oxford University Press, 2015). Follow her @CassAGood.
The latest volume of The Papers of James Monroe covers a short but important period in Monroe’s life and career: April 1811 to March 1814. Monroe became Secretary of State in April 1811 and was tasked with trying to repair relations with both Great Britain and France. After war with Britain began in June 1812, his focus broadened to military affairs and included a stint as interim Secretary of War. The bulk of the volume, then, is focused on the War of 1812. However, there are a number of other stories revealed here that will be of interest to a range of historians. Continue reading
This Colonial Couture post is by guest contributor Charmaine A. Nelson, professor of art history at McGill University. Her latest book is Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica.
It is a remarkable fact that everywhere that Africans were enslaved in the transatlantic world, they resisted in a myriad of ways. While scholars have frequently examined the more spectacular and violent forms of resistance (like slave revolts and rebellions), a far quieter type of resistance was ubiquitous across the Americas, running away. Where printing presses took hold, broadsheets and newspapers soon followed, crammed with all manner of colonial news. Colonial print culture and slavery were arguably fundamentally linked. More specifically, as Marcus Wood has argued, “The significance of advertising for the print culture of America in the first half of the nineteenth century is difficult to overestimate.” Continue reading