Identity and the Founders: A Response to Mark Lilla

marymunrosampler-1788This weekend, Mark Lilla, a historian of ideas at Columbia University, published a New York Times op-ed on “identity liberalism.” Reacting to the outcome of the presidential election, Lilla argues that contemporary American liberalism’s celebration of diversity, however morally salutary in private life, has been politically suicidal at the national level. “National politics in healthy periods is not about ‘difference,'” Lilla writes; “it is about commonality. And it will be dominated by whoever best captures Americans’ imaginations about our shared destiny.”

Lilla’s argument is a response—one of several possible responses—to what I see as a real problem. In contemporary America, demands for inclusion, equality, and dignity often seem to be made in the name of particular groups rather than in the name of the common good. Whether this perception is accurate is another matter. I won’t address that complicated question here. But Lilla’s perspective on early American history warrants a critical response.

Continue reading

Advertisements

13 Revolutions +1

Diego Rivera and Bertram D. Wolfe, "Portrait of America," 1934

Diego Rivera and Bertram D. Wolfe, “Portrait of America,” 1934

When John Adams looked back on the American Revolution (something he liked to do), he reflected that, “The Revolution was in the Minds and Hearts of the People.” The colonists’ drive to independence marked a new era of American history, Adams thought, when “Thirteen Clocks were made to Strike together; a perfection of Mechanism which no Artist had ever before effected.” Scholars have struggled to frame the experience of the Revolution in picture and on the page. How can we use digital tools to curate collections of revolutionary culture and #vastearlyamerica for use in the classroom?

Today, The Junto chats with Darren Milligan, Senior Digital Strategist at the Smithsonian Center for Learning and Digital Access, about the Smithsonian Learning Lab, which encourages us to make, use, and share new galleries of history.  Continue reading

A Toast to John Adams

ja wineHappy 280th birthday to President John Adams: lawyer, statesman, and…wine connoisseur? He began a crisp New England morning like today with a tankard of hard cider, but Adams’ years in Europe primed his palate for fine French wine. Continue reading

Autumn Reads

Valley_of_the_Catawissa_in_Autumn.jpeg

“Valley of the Catawissa in Autumn,” Thomas Moran (ca. 1862)

Fall brings new early American titles to explore. Enjoy our Spring Reads 2015 list, too, and share your finds below!

Continue reading

Spring Reads

Spring_panel_from_the_Four_Seasons_leaded-glass_window_by_Louis_Comfort_TiffanyHere’s our seasonal roundup of new and forthcoming titles. Share your finds below!  Continue reading

Guest Post: Bastard out of Nevis: Lin-Manuel Miranda’s “Hamilton”

We are pleased to feature a guest post from Benjamin Carp (@bencarp), the Daniel M. Lyons Professor of American History at Brooklyn College, CUNY. Carp is the author of both Defiance of the Patriots: The Boston Tea Party and the Making of America and Rebels Rising: Cities and the American Revolution.

“I want the historians to respect this.” –Lin-Manuel Miranda, according to Ron Chernow

Alexander Hamilton, by John Trumbull (after painting by Giuseppe Ceracchi, 1801); National Portrait Gallery, Smithsonian Institution; Gift of Henry Cabot Lodge

In the lobby of the Public Theater, two statues flanked the doorway—the likenesses of Alexander Hamilton and Aaron Burr stretched out their arms and aimed their dueling pistols at one another, and it was hard not to feel as if I was standing in the middle. Lin-Manuel Miranda, the son of Puerto Rican immigrants, wrote the musical Hamilton and stars in the title role. He portrays the first Secretary of the Treasury as a “bastard, orphan, son of a whore and a Scotsman” and an immigrant striver made good; throughout his career, Hamilton is arrogant about his talents but perpetually insecure about his place. As told by Miranda, Hamilton is both self-made and self-unmade, wry and seductive and yet constantly raging against anyone who might hold him back. Continue reading

The JuntoCast, Episode 15: “Founders” in Early America

The JuntoCastWe’re happy to bring you the fifteenth episode of “The JuntoCast.” Continue reading