This Colonial Couture post is by guest contributor Ben Marsh, senior lecturer in history at the University of Kent. His current research project is “Unravelling Dreams: Silkworms and the Atlantic World, c. 1500-1840.”
Super Bowl LI
In July 1760, an American correspondent writing to a former neighbor in Surrey, England, graciously thanked them for dispatching a package across to South Carolina, risking the perils of transatlantic post during the Seven Years’ War, to send some cosmopolitan gifts. The gift of a fan was heralded as a “curiosity,” the suit (probably linen, though this descriptor was scored out) was apparently “universally admired,” but the real coup in the package was unquestionably the pompon. Not only was the pompon the prettiest these Americans had apparently ever seen, but the girl it was intended for was delighted “the more so as they are the first of ye fashion that have reach[e]d this part of the world.” Continue reading →
Diego Rivera and Bertram D. Wolfe, “Portrait of America,” 1934
When John Adams looked back on the American Revolution (something he liked to do), he reflected that, “The Revolution was in the Minds and Hearts of the People.” The colonists’ drive to independence marked a new era of American history, Adams thought, when “Thirteen Clocks were made to Strike together; a perfection of Mechanism which no Artist had ever before effected.” Scholars have struggled to frame the experience of the Revolution in picture and on the page. How can we use digital tools to curate collections of revolutionary culture and #vastearlyamerica for use in the classroom?
Here in the United States, today is Memorial Day, a holiday originally created in the late 1860s to honor the Union Civil War dead, and now a time to commemorate all of America’s war dead. Because it’s also observed as a three-day weekend, we’re bringing you a special Monday holiday edition of The Week in Early American History. On to your morning reading…