Today, we continue “The Ideological Origins of the American Revolution at 50,” our joint roundtable with the S-USIH blog with a post by Kenneth Owen, an Assistant Professor of Early American History at the University of Illinois Springfield, whose research interests focus on political mobilization and organization in the revolutionary and early national eras.
It took me a long time to warm to The Ideological Origins of the American Revolution. I don’t think this is an uncommon experience for an early Americanist. Fifty years after its publication, Bailyn’s seminal work still features prominently on graduate and undergraduate reading lists. Yet it is hard to say that the book is beloved. Often, simply mentioning Bailyn’s name can be a pejorative shorthand—an outmoded view of the past that celebrates elites at the expense of the darker underbelly of the Revolution. As an undergraduate, I too railed against the book. How far, I asked with youthful bluster, were minutemen really inspired by the cautionary tale of seventeenth-century Denmark? And yet, like the profession itself, I have found it hard to shake Bailyn’s shadow. How is it that a book that is often only grudgingly admired still occupies such a large part of the field’s mental imagination? Continue reading →
I’m teaching two sections of the first half of the U.S. survey this semester (which goes to 1877 here at BYU). I taught two sections of the same last semester. After nearly a five-year break from the classroom as I researched and wrote a dissertation, it was fun to be back in the classroom: to work with students, take a step back from the specifics of my own research, reflect on the broader themes and developments of early American history, and to update my lecture/discussion notes and outlines with the vast amounts of excellent scholarship produced over the course of that five-year period.
I’ve changed quite a bit in the content, focus, and structure of the course, and updated both assignments and class policies to be more student friendly (fewer lectures, more discussions, making more effective use of technology, and experimenting with unessays, to name just a few such changes). One thing that has not changed, however, is the amount of reading I assign. In addition to their textbook, students read widely from primary sources (this semester features significantly more sources by and about women, thanks in large part to Sara Damiano’s January post here at The Junto). They also read four scholarly books over the course of the semester. Continue reading →
“What did you find surprising about this source?” It was Week Nine of the fall semester, when the students in my United States History to 1877 survey course were worn down by too many midterms and too little sleep. I was attempting to spark conversation about the day’s assigned primary source, the late-eighteenth-century journal of Mary Dewees, a Philadelphia woman who moved west to Kentucky. Surely, I thought, some of my students would have been surprised to read a woman’s firsthand account of crossing rivers and mountains as she took part in white trans-Appalachian migration and the resulting displacement of Native Americans from their lands. Continue reading →
I am fortunate that in graduate school, I had quite a bit of guidance in writing across the curriculum pedagogy. I have since taught approximately a dozen designated writing-intensive courses. Most history courses are writing-intensive by default, and many history faculty do find themselves teaching writing and research techniques. Here, I am focusing primarily on the strategies I use in survey courses, with a short list of monographs that I have found work well for this purpose.
Several years ago, I attended a seminar on digital pedagogy. I thought it might be worthwhile to explore new opportunities out there for social media in the classroom. It was indeed an eye-opening experience, though not in the way I had hoped. Seminar leaders regaled us with software package after software package filled with whistles, bells, alerts, gimmicks, everything, they claimed, one would need to connect with this generation of “digital natives” (their term, not mine.) Students these days spend so much time on social media, they claimed, that faculty need to learn to connect with them online in order to really engage. “Here’s a program that allows you to text your students!” “Here’s another that allows you to collect data on how much time your students spend on homework!” “Here’s a program where you can instant message your student and remind them to study!” Continue reading →
I feel like I’m writing more than a few pieces lately that start with “I love [X], BUT . . .” and apparently today is no different. I’ll just come out and say it: I love Harry Potter, but I have trouble with J. K. Rowling’s treatment of history. Harry Potter was immensely important to my young adulthood. I read the books as a teenager, went to more than one midnight movie release, bought and consumed Bertie Bott’s Every Flavour Bean, and dressed as a character from the books for Halloween. I tend to re-read the novels once a year, when I’m looking for ways to improve my ability to tell a story. I wasn’t a historian when I first started reading the books, so I didn’t look too critically at Rowling’s characterizations of history and historians. Now that I am a historian, I’ve come to the conclusion that although Rowling’s portrayal of our discipline is wrong, her depiction of the wizarding world’s past—and how people interpret and at times attempt to change and revise it—is much more in keeping with the task that muggle historians daily confront. Continue reading →
We are pleased to share this guest post from Michelle Orihel, an Assistant Professor of History at Southern Utah University. Dr. Orihel received her doctorate from Syracuse University and is currently working on a book manuscript about Democratic-Republican Societies in the post-revolutionary period.
Last spring, I blogged about how I used the song “Farmer Refuted” from Hamilton: An American Musical to teach about the pamphlet wars of the American Revolution. But, that’s not the only song about pamphlets in the musical. There’s also “The Reynolds Pamphlet,” named after the sensational tract published in 1797 in which Alexander Hamilton confessed to adultery.