This summer, I’m teaching a small section of United States History to 1877. Meeting four days each week for an hour and fifteen minutes, we cover over the course of seven weeks what is typically covered in shorter meetings three days/week over a normal fifteen week semester. This is my first time doing so, and it’s forced me to rewrite and combine some plans for each day’s meeting, and in some cases, to scrap lecture material normally used. Continue reading
We all have been there: or, at least many of us have. That is, the experience of having a writing brainstorm at an inopportune time. It may disrupt our sleep at 3 am, appear in the middle of office hours, or make itself known as the latest crisis is unfolding on Queen Sugar: often as a partially digested kernel of an idea. Much as writer’s block inevitably comes when we have All. The. Deadlines, that nugget of brilliance does puckishly seem inclined to appear when we are not in an immediate position to write. It has the potential to make a work-in-progress so much better, but its evanescent nature means it may not stick around until we are back in front of our computer. So what’s a scholar to do when they have a stroke of genius and don’t have a block of writing time immediately available? Continue reading
Of course I cannot speak (or type) for everyone, but in the past six years, one specific word has never been far from the forefront of my mind: copyright. While I think that copyright is an incredibly fascinating and complex historical subject —and thus why wouldn’t everyone be talking about it all the time—it is probably because intellectual property was the subject of my dissertation that I spent so much time thinking, reading, and writing about it. I’m now in an exciting, strange, and surreal moment where I’ve defended my dissertation and am conceiving of what the manuscript will look like. And in this window two other words have come up: Austen and de Staël. Continue reading
This spring, early Americanists were abuzz about “a bit of real-life archival drama,” as Harvard scholars Danielle Allen and Emily Sneff announced that they had discovered something pretty amazing: an unknown, manuscript, parchment copy of the Declaration of Independence. As friend-of-the-field Jennifer Schuessler playfully reported in the New York Times, it was all a little National Treasure. The apparently random order of the signatures on this manuscript, compared to other versions, points towards some interesting implications, involving Philadelphia Federalist James Wilson and attempts to build a unified American nationhood in the new republic. But reactions to Allen and Sneff’s announcement also, I think, tell us something about how knowledge of the past is structured, presented, and consumed. Continue reading
Jennifer Goloboy is a literary agent at Red Sofa Literary in St. Paul, MN. She has a PhD in the history of American civilization from Harvard University, and has published articles on merchants and the early American middle class. Her book, Charleston and the Emergence of Middle-Class Culture in the Revolutionary Era, was published by University of Georgia Press on October 10.
As an agent and historian, I’m here to explain the process of finding an agent. Don’t worry—you can do this!
Before you initiate contact with agents, you need to collect the materials that an agent will likely request. If you’ve written a novel, you need to have the manuscript completely finished. Many agents will also want to read a synopsis of the novel. On the other hand, if you’ve written a work of non-fiction, all you’ll need are a book proposal and the first three chapters. The book proposal will compare your book to other books in the field, explain your plans for marketing the book, and outline the full manuscript. (You might consider writing a proposal for your novel, too—it never hurts to have a well-thought-out plan for publicizing your book.) Continue reading
Today’s SPECIAL WEEKEND EDITION comes from Nicola Martin, a third-year, AHRC-funded Ph.D. candidate at the University of Dundee and the University of Stirling. Nicola holds a B.A. and MSc. from the University of Strathclyde, and is currently working with Colin Nicolson and Matthew Ward. Her dissertation is tentatively titled “The Cultural Paradigms of British Imperialism in the Militarisation of Scotland and North America, 1715–1776.” Her research investigates how warfare and pacification affected eighteenth-century British imperialism, and she can be found @NicolaMartin14. This is her first post for The Junto, a fitting occasion—it commemorates the Battle of Culloden (April 16, 1745).
On April 16, 1746, the British army defeated its much smaller Jacobite counterpart in a battle on Culloden Moor, Scotland. The conflict lasted less than half an hour, but it left over 1,500 Jacobites dead. In the days and weeks following the battle, hundreds of Highlanders were killed as the British army, under the orders of the Duke of Cumberland, implemented draconian measures to punish those who they held responsible for the rising. Shortly thereafter, the British imperial elite embarked on a systematic pacification of the region that lasted for decades and evolved over time from punishment toward measures designed to civilize the “barbarous” Highlanders and assimilate them more closely within the British state and empire. Continue reading
Comps, orals, qualifying exams…no matter what you call them, they are a source of angst for many (US) PhD students. Expectations can vary from one department to the next. Some programs have set reading lists, and a process that takes much of the guess work out of preparing for these exams. Other programs expect the student examinee to take a more proactive role. The advice herein is not exhaustive, but is geared primarily towards students who in this later situation. As you prepare, remember that thousands of PhDs have successfully passed through this process, and you can too. You just need to put in the work. Continue reading