What’s Livetweeting For, Anyway?

No longer live tweetingLast week, an anonymous Ph.D. student published a Guardian op-ed under the headline “I’m a serious academic, not a professional Instagrammer.” Among other complaints, the author (a laboratory scientist) condemned the practice of livetweeting academic conferences. Livetweeters care less about disseminating new knowledge, Anonymous wrote, than about making self-promotional displays: Look at me taking part in this event.

I hate to admit it, but the author may have a point. When I shared the article, one of my friends, an anthropologist, observed that she finds livetweeting “baffling” because she would rather listen—and be listened to—than be distracted during a conference talk. Katrina Gulliver, an influential advocate of Twitter use by historians, told me (via, yes, Twitter) that she no longer approves of conference livetweeting either. “Staring at screens is uncollegial,” she argued; it interferes with face-to-face discussions, and the value of the information passed along is dubious too, because “tweets present (or misrepresent) work in [a] disconnected, out of context way.” Bradley Proctor told me he has had one of his talks misrepresented by a livetweeter—a particularly sensitive issue for someone who researches Reconstruction-era racial violence.

Surely these are important concerns. It seems to me that conference livetweeters—yours truly included—need to get better at articulating explicit objectives and boundaries if we’re going to take these risks. So what do people say about the way they use Twitter at conferences?

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Guest Post: It’s Pronounced “Woo-ster”: The OIEAHC’s 22nd Annual Conference Recap

Andrew Johnson (@dajohnsonii) is a doctoral candidate in history at Rice University. His work explores the social and cultural intersections stemming from the trades in captive peoples, both Native American and trans-Atlantic, who happened to find themselves in colonial South Carolina and situates enslaved Native Americans in the more-studied development of slavery in the colony.

2896085I thought going to Worcester for the OIEAHC 22nd Annual Conference was going to be a reprieve from the oppressive heat and humidity of the Houston summer. New England thankfully came through on the weather front, but I also found my long overdue first trip to the conference to be an almost nonstop barrage of intellectual engagement. My work received much more feedback than I had expected and I found myself thinking through every talk and Q&A I heard, which in my experience isn’t always how conferences typically work out. The luck of having my presentation in the first panel meant I was able to get presenting out of the way, giving those attending I didn’t know something to talk with me about for the rest of the conference, and allowing me to concentrate on thinking about other scholars’ work.   Continue reading

13 Revolutions +1

Diego Rivera and Bertram D. Wolfe, "Portrait of America," 1934

Diego Rivera and Bertram D. Wolfe, “Portrait of America,” 1934

When John Adams looked back on the American Revolution (something he liked to do), he reflected that, “The Revolution was in the Minds and Hearts of the People.” The colonists’ drive to independence marked a new era of American history, Adams thought, when “Thirteen Clocks were made to Strike together; a perfection of Mechanism which no Artist had ever before effected.” Scholars have struggled to frame the experience of the Revolution in picture and on the page. How can we use digital tools to curate collections of revolutionary culture and #vastearlyamerica for use in the classroom?

Today, The Junto chats with Darren Milligan, Senior Digital Strategist at the Smithsonian Center for Learning and Digital Access, about the Smithsonian Learning Lab, which encourages us to make, use, and share new galleries of history.  Continue reading

What Do Early Americanists Offer the Liberal Arts?—Part II

Yale College, 1807Last week, in the first part of this post, I argued that we tend to justify the liberal arts in two potentially contradictory ways. First, we assert that the liberal arts offer tools for citizenship. Second, we claim they point our way to human values that transcend any community. I argued that both of these justifications or approaches are necessary. I also suggested that early Americanists have not found it easy to explain what we contribute to the second approach.

Today, therefore, I am taking up the question I posed last week. Does early American scholarship offer anything distinctive to the liberal arts as a way of understanding humanity at large? Continue reading

What Do Early Americanists Offer the Liberal Arts?

Course of Study, Amherst College, 1824

Perhaps because the traditional academic year has ended, and probably in part because of the tides and undertows of the current election, we seem to be awash just now in excellent essays about the purposes and state of the humanities.

To do my part to put a stop to that, I am here to ask what the liberal arts have to do with early American studies.

I suspect we tend to take the relationship too much for granted.

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Non-Americans Researching Early America in North America

UNBThis week, several Juntoists have offered useful guides for archival work in Spain, France, and England. Today, we are offering something slightly different—a guide to researching in North America! After all, not all early Americanists are American, and planning transatlantic trips can be daunting. Continue reading

Research in London

image-2Casey Schmitt kicked off the week with a discussion of doing research in Seville, Spain. Hannah Bailey continued our forum yesterday, with a discussion of research in France. I’m going to continue the conversation with reflections on doing research in London. (For those interested in research gear, see my post from last summer.) Since there are quite a few archives libraries and archives that are potentially of interest to Early Americanists, I will primarily focus on the logistics, such as navigating London and finding accommodations. I’ve provided basic information on a few major archives near the end.

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