Guest poster Evelyne Martial is a retired attorney. She received her JD from the Cincinnati College of Law. She is currently enrolled in the Gender and Cultural Studies Program at Simmons College.
Early on a cold, frigid morning in Washington, D.C., my husband and I stood at the tail end of a long, winding line to get into the Museum of African American History and Culture. It was too cold to walk around to view the architecture so we hustled over to the entry line as soon as we exited the cab. As we waited, clutching our prized full-page sized passes, we watched a line of yellow school buses deposit kids from elementary, middle, and high schools into the bright frigid air. Their peals of laughter and rambunctious playfulness resisted the cold air. Their faces, hues of browns and tans bundled in colorful puff jackets, were filled with excitement. In line, a group of about six or seven women of African descent stood behind us. This group was from Los Angeles, California and had centered their annual get together around the visit to the Museum. They also were uncomfortably cold yet visibly excited about being here, particularly at this moment of our political lives. I wanted to find out more about them, but because it was so cold or the line was already so long at 10:00 a.m., the Museum staff diverted half of our line to another entryway. We lost contact with them and the children as we sped down the plaza to a much shorter line and before we knew it we were inside the Museum.Continue reading →
It is a remarkable fact that everywhere that Africans were enslaved in the transatlantic world, they resisted in a myriad of ways. While scholars have frequently examined the more spectacular and violent forms of resistance (like slave revolts and rebellions), a far quieter type of resistance was ubiquitous across the Americas, running away. Where printing presses took hold, broadsheets and newspapers soon followed, crammed with all manner of colonial news. Colonial print culture and slavery were arguably fundamentally linked. More specifically, as Marcus Wood has argued, “The significance of advertising for the print culture of America in the first half of the nineteenth century is difficult to overestimate.”Continue reading →
Diego Rivera and Bertram D. Wolfe, “Portrait of America,” 1934
When John Adams looked back on the American Revolution (something he liked to do), he reflected that, “The Revolution was in the Minds and Hearts of the People.” The colonists’ drive to independence marked a new era of American history, Adams thought, when “Thirteen Clocks were made to Strike together; a perfection of Mechanism which no Artist had ever before effected.” Scholars have struggled to frame the experience of the Revolution in picture and on the page. How can we use digital tools to curate collections of revolutionary culture and #vastearlyamerica for use in the classroom?
Guest poster Keisha N. Blain (@KeishaBlain) is an Assistant Professor of History at the University of Iowa. She is a regular blogger for the African American Intellectual History Society (AAIHS). She is currently completing her first book entitled, Contesting the Global Color Line: Black Women, Nationalist Politics, and Internationalism. This post shares some additional insights into the racial violence Benjamin Park discussed following the Charleston shooting.
Members of the UNIA in Harlem, 1920s. Image: Black Business Network
Someone recently asked me why the black women activists I study were so determined to leave the United States. It was a question I had been asked many times before. As I often do, I explained the complex history of black emigration, highlighting how these women’s ideas were reflective of a long tradition of black nationalist and internationalist thought. I acknowledged the romantic utopian nature of these women’s ideas. However, I also addressed the socioeconomic challenges that many of these women endured and explained how the prospect of life in West Africa appeared to be far more appealing—especially during the tumultuous years of the Great Depression and World War II. I spoke about black women’s ties to Africa and the feelings of displacement many of them felt as they longed for a place to truly call home. It was the same feeling of displacement to which the poet Countee Cullen alluded when he asked a simple yet profound question: “What is Africa to me?”
Roy Rogers kicked off yesterday’s 4-day roundtable with a review of the graphic novel, Rebel. For day two of our roundtable on graphic novels and history, I will discuss the use of graphic novels in teaching traumatic histories.
As anyone who has taught the history of slavery knows, it can be challenging. It is an important, but also emotionally loaded subject that can provoke spirited responses from students. Some students are resistant to discussing what they view as an ugly event in the past. Others may become defensive. And, for others, the history of slavery may be personal. The challenge becomes presenting the history in a thoughtful way that will engage students, but does not whitewashing history. Other traumatic events—genocide, war, etc.—can present similar pedagogical challenges.