Randy M. Browne is a historian of slavery and colonialism in the Atlantic world, especially the Caribbean. He is an Associate Professor of History at Xaverian University (Cincinnati). Surviving Slavery in the British Caribbean is his first book and he discusses it here with Jessica Parr. Continue reading
Ravynn Stringfield is an MA/PhD student in American Studies at the College of William & Mary. Herwork considers representation of Blackness in comics and graphic novels through literary and historical lens, and though she hesitates to label herself a DHer, you can find her blogging her grad school experience on her site, Black Girl Does Grad School.
I got involved with Race, Memory and the Digital Humanities Symposium (#RMDHatWM or RMDH) by accident. When I first arrived at William & Mary as a new graduate student in 2016, unsure of my label of “Digital Humanities scholar,” I fell into Liz Losh’s Equality Lab. The hot topic at the first few meetings was the symposium. As it turned out, attending this conference addressed all the concerns I have about the Academy, the role of scholarship as activism, and how I fit into the Digital Humanities (DH) world.
We all have been there: or, at least many of us have. That is, the experience of having a writing brainstorm at an inopportune time. It may disrupt our sleep at 3 am, appear in the middle of office hours, or make itself known as the latest crisis is unfolding on Queen Sugar: often as a partially digested kernel of an idea. Much as writer’s block inevitably comes when we have All. The. Deadlines, that nugget of brilliance does puckishly seem inclined to appear when we are not in an immediate position to write. It has the potential to make a work-in-progress so much better, but its evanescent nature means it may not stick around until we are back in front of our computer. So what’s a scholar to do when they have a stroke of genius and don’t have a block of writing time immediately available? Continue reading
Philipp Reisner received his PhD from and teaches as a lecturer in the American Studies Department at Heinrich Heine University in Düsseldorf, Germany. He approaches research multidisciplinarily and is particularly interested in New English and American literature, cultures, and theologies. His first book, Cotton Mather als Aufklärer. Glaube und Gesellschaft im Neuengland der Frühen Neuzeit, deals with the theological role that the New English theologian Cotton Mather (1663–1728) played in the context of early modern society and was published in the Reformed Historical Theology series with Vandenhoeck & Ruprecht in 2012.
My book Cotton Mather als Aufklärer. Glaube und Gesellschaft im Neuengland der Frühen Neuzeit examines Cotton Mather’s writings, identifying him as participating in Enlightenment thought through his various societal roles as pastor, physician, politician, and scientist. Mather studies have become an important part of early modern studies, not least because they touch on so many disciplines—such as natural and life sciences, philosophy, history, philology, and theology—and the ways these disciplines were transformed throughout the early eighteenth century. His oeuvre is currently undergoing revision, attention being drawn to his theology through the first publication of his Bible commentary Biblia Americana; this revision tends to reinterpret him as an early evangelical. It has not been fully recognized to what extent this reinterpretation depends on his pneumatology. In my book, I examine his pneumatology in his Bible commentary and his many publications in order to show how Mather’s redefinition of the Holy Spirit posits itself in relation to the unfolding of Enlightenment thought. Continue reading
Jennifer Goloboy is a literary agent at Red Sofa Literary in St. Paul, MN. She has a PhD in the history of American civilization from Harvard University, and has published articles on merchants and the early American middle class. Her book, Charleston and the Emergence of Middle-Class Culture in the Revolutionary Era, was published by University of Georgia Press on October 10.
As an agent and historian, I’m here to explain the process of finding an agent. Don’t worry—you can do this!
Before you initiate contact with agents, you need to collect the materials that an agent will likely request. If you’ve written a novel, you need to have the manuscript completely finished. Many agents will also want to read a synopsis of the novel. On the other hand, if you’ve written a work of non-fiction, all you’ll need are a book proposal and the first three chapters. The book proposal will compare your book to other books in the field, explain your plans for marketing the book, and outline the full manuscript. (You might consider writing a proposal for your novel, too—it never hurts to have a well-thought-out plan for publicizing your book.) Continue reading
Guest poster Evelyne Martial is a retired attorney. She received her JD from the Cincinnati College of Law. She is currently enrolled in the Gender and Cultural Studies Program at Simmons College.
Early on a cold, frigid morning in Washington, D.C., my husband and I stood at the tail end of a long, winding line to get into the Museum of African American History and Culture. It was too cold to walk around to view the architecture so we hustled over to the entry line as soon as we exited the cab. As we waited, clutching our prized full-page sized passes, we watched a line of yellow school buses deposit kids from elementary, middle, and high schools into the bright frigid air. Their peals of laughter and rambunctious playfulness resisted the cold air. Their faces, hues of browns and tans bundled in colorful puff jackets, were filled with excitement. In line, a group of about six or seven women of African descent stood behind us. This group was from Los Angeles, California and had centered their annual get together around the visit to the Museum. They also were uncomfortably cold yet visibly excited about being here, particularly at this moment of our political lives. I wanted to find out more about them, but because it was so cold or the line was already so long at 10:00 a.m., the Museum staff diverted half of our line to another entryway. We lost contact with them and the children as we sped down the plaza to a much shorter line and before we knew it we were inside the Museum. Continue reading
Comps, orals, qualifying exams…no matter what you call them, they are a source of angst for many (US) PhD students. Expectations can vary from one department to the next. Some programs have set reading lists, and a process that takes much of the guess work out of preparing for these exams. Other programs expect the student examinee to take a more proactive role. The advice herein is not exhaustive, but is geared primarily towards students who in this later situation. As you prepare, remember that thousands of PhDs have successfully passed through this process, and you can too. You just need to put in the work. Continue reading
Guest reviewer Shana L. Haines is an Assistant Professor of English at Tidewater Community College in Portsmouth, Virginia. She is currently a Ph.D student in American Studies at William and Mary focusing on Race, Law, and Literature. She has her J.D. from Boston University School of Law and her Masters in British and American Literature from Hunter College.
Erica Armstrong Dunbar, Never Caught: Ona Judge, the Washingtons, and the Relentless Pursuit of Their Runaway Slave (New York: Simon & Schuster, 2017).
On May 21, 1796, as George and Martha Washington ate their supper in the Philadelphia Executive Mansion, their twenty-two year old house slave, Ona Judge, walked out of the house and into freedom. With the help of the free black community in Philadelphia, Judge made her way to Portsmouth, New Hampshire where the free black community and white supporters provided refuge.
One would expect the fatherly and compassionate George Washington of Hamilton or the stately Washington staring out from Mt. Rushmore over the South Dakota landscape would respond by—well, the Washingtons as slaveholders aren’t a topic that has had entered general discussion in the American collective consciousness. He’s the Revolutionary War hero, the elder statesman, the first President of the United States of America. Through Ona Judge’s story of flight and freedom, however, Dunbar presents us with another Washington; a Washington willing to abuse his office and power to hunt another human being. Even more revealing is how Judge’s enslavement and subsequent flight underscores Martha Washington’s unwavering support of slavery and the outrage that fueled her husband’s pursuit of Judge.