Randy M. Browne is a historian of slavery and colonialism in the Atlantic world, especially the Caribbean. He is an Associate Professor of History at Xaverian University (Cincinnati). Surviving Slavery in the British Caribbean is his first book and he discusses it here with Jessica Parr. Continue reading
Ravynn Stringfield is an MA/PhD student in American Studies at the College of William & Mary. Herwork considers representation of Blackness in comics and graphic novels through literary and historical lens, and though she hesitates to label herself a DHer, you can find her blogging her grad school experience on her site, Black Girl Does Grad School.
I got involved with Race, Memory and the Digital Humanities Symposium (#RMDHatWM or RMDH) by accident. When I first arrived at William & Mary as a new graduate student in 2016, unsure of my label of “Digital Humanities scholar,” I fell into Liz Losh’s Equality Lab. The hot topic at the first few meetings was the symposium. As it turned out, attending this conference addressed all the concerns I have about the Academy, the role of scholarship as activism, and how I fit into the Digital Humanities (DH) world.
We all have been there: or, at least many of us have. That is, the experience of having a writing brainstorm at an inopportune time. It may disrupt our sleep at 3 am, appear in the middle of office hours, or make itself known as the latest crisis is unfolding on Queen Sugar: often as a partially digested kernel of an idea. Much as writer’s block inevitably comes when we have All. The. Deadlines, that nugget of brilliance does puckishly seem inclined to appear when we are not in an immediate position to write. It has the potential to make a work-in-progress so much better, but its evanescent nature means it may not stick around until we are back in front of our computer. So what’s a scholar to do when they have a stroke of genius and don’t have a block of writing time immediately available? Continue reading
Philipp Reisner received his PhD from and teaches as a lecturer in the American Studies Department at Heinrich Heine University in Düsseldorf, Germany. He approaches research multidisciplinarily and is particularly interested in New English and American literature, cultures, and theologies. His first book, Cotton Mather als Aufklärer. Glaube und Gesellschaft im Neuengland der Frühen Neuzeit, deals with the theological role that the New English theologian Cotton Mather (1663–1728) played in the context of early modern society and was published in the Reformed Historical Theology series with Vandenhoeck & Ruprecht in 2012.
My book Cotton Mather als Aufklärer. Glaube und Gesellschaft im Neuengland der Frühen Neuzeit examines Cotton Mather’s writings, identifying him as participating in Enlightenment thought through his various societal roles as pastor, physician, politician, and scientist. Mather studies have become an important part of early modern studies, not least because they touch on so many disciplines—such as natural and life sciences, philosophy, history, philology, and theology—and the ways these disciplines were transformed throughout the early eighteenth century. His oeuvre is currently undergoing revision, attention being drawn to his theology through the first publication of his Bible commentary Biblia Americana; this revision tends to reinterpret him as an early evangelical. It has not been fully recognized to what extent this reinterpretation depends on his pneumatology. In my book, I examine his pneumatology in his Bible commentary and his many publications in order to show how Mather’s redefinition of the Holy Spirit posits itself in relation to the unfolding of Enlightenment thought. Continue reading
Jennifer Goloboy is a literary agent at Red Sofa Literary in St. Paul, MN. She has a PhD in the history of American civilization from Harvard University, and has published articles on merchants and the early American middle class. Her book, Charleston and the Emergence of Middle-Class Culture in the Revolutionary Era, was published by University of Georgia Press on October 10.
As an agent and historian, I’m here to explain the process of finding an agent. Don’t worry—you can do this!
Before you initiate contact with agents, you need to collect the materials that an agent will likely request. If you’ve written a novel, you need to have the manuscript completely finished. Many agents will also want to read a synopsis of the novel. On the other hand, if you’ve written a work of non-fiction, all you’ll need are a book proposal and the first three chapters. The book proposal will compare your book to other books in the field, explain your plans for marketing the book, and outline the full manuscript. (You might consider writing a proposal for your novel, too—it never hurts to have a well-thought-out plan for publicizing your book.) Continue reading