Yesterday, Apple, Facebook, YouTube, and Spotify removed the content of conspiracy theorist Alex Jones from their services. Jones has gained notoriety for propagating outrageous falsehoods on topics including vaccines, school shootings, and uh, *checks notes* space vampires. These decisions to remove Jones’s content come amid a growing public conversation about the extent to which technology and social media companies should act as stewards of truth. Facebook in particular has come under scrutiny for its role in spreading “fake news” in American politics and anti-Muslim propaganda in Sri Lanka, as well as CEO Mark Zuckerberg’s defense of Holocaust deniers’ ability to share verifiably false content on the site. Continue reading
More than anything else, people remember the hand. Bring up Johnny Tremain in a group of adults, and for those who read it, they’re most likely to remember the disfigurement that serves as the hinge for much of the novel’s plot, the story within the story of the coming of the Revolution in Boston. A few people have told me that the hand by itself made the book unpalatable; for my part, it always served as a matter of fascination. And it’s one of two things that most stand out for me about the novel (the other being that it was the first place I heard that Biblical injunction that “pride goeth before fall;” make of that what you will). Continue reading
Today’s guest post is by Cassandra Good, Associate Editor of The Papers of James Monroe at the University of Mary Washington, and author of Founding Friendships: Friendships Between Women and Men in the Early American Republic (New York: Oxford University Press, 2015). Follow her @CassAGood.
The latest volume of The Papers of James Monroe covers a short but important period in Monroe’s life and career: April 1811 to March 1814. Monroe became Secretary of State in April 1811 and was tasked with trying to repair relations with both Great Britain and France. After war with Britain began in June 1812, his focus broadened to military affairs and included a stint as interim Secretary of War. The bulk of the volume, then, is focused on the War of 1812. However, there are a number of other stories revealed here that will be of interest to a range of historians. Continue reading
Every day they took apart the city, and put it back together again. New Year’s Day was no different. They worked while dawn, then dusk, threaded the sky, to patch up narrow streets. Lamplighters, an urban mainstay heroicized by Maria Susanna Cummins’ fictional “Trueman Flint,” heaved up their wooden ladders to trim wicks and refill oil pans. Along with the dry-dirtman, city scavengers spread out to collect loose trash. The scene might have been Boston, Philadelphia, Charleston, New York, Baltimore, Cleveland, St. Louis—and set anytime from the Revolution to the Civil War. Newspaper carriers, mostly young boys, filtered along the avenues. Tucked in sheets of newsprint, the city’s youngest workers also carried on a curious tradition: the New Year’s address. A rhyming blend of local-color writing and cultural commentary, the New Year’s address recapped the past and looked ahead. Laden with ornamental tombstone borders and often draped over double columns, each address ended with a plea for an annual gratuity. Continue reading
I can’t say that I was ever the most avid reader, or the biggest fan, of Gawker. But as the trenchant news website was forced to shut down this week as the result of the combined forces of Peter Thiel and Hulk Hogan, I realized that I was being more than a little hypocritical.
After all, as a historian of 1790s culture, I rely heavily on the work of Benjamin Franklin Bache. And if anything embodied the no-holds-barred, gossipy style of Gawker in the 18th century – not to mention the attempted backlash from powerful forces – it was the Aurora General Advertiser. Continue reading
Carl Robert Keyes (@TradeCardCarl) is an associate professor of history at Assumption College in Worcester, Massachusetts. Keyes is currently writing a book on advertising practices and consumer culture in eighteenth-century America, and in Fall 2016 he will become the director of Assumption College’s Women’s Studies Program. Keyes has previously written several guest posts for The Junto. Today, Keyes speaks with The Junto about his new digital humanities initiative, The Adverts 250 Project. Continue reading
A short while ago, I wrote on the importance of political caricatures within eighteenth-century British America. I called for an increased focus on how caricatures affected, and in some cases represented, politics during the American Revolution. In today’s post, I’d like to do something similar—I’d like to call for an increased focus on newspaper mastheads. An increased exploration on what they meant, and how they were used for political mobilization. Continue reading