As an agent and historian, I’m here to explain the process of finding an agent. Don’t worry—you can do this!
Before you initiate contact with agents, you need to collect the materials that an agent will likely request. If you’ve written a novel, you need to have the manuscript completely finished. Many agents will also want to read a synopsis of the novel. On the other hand, if you’ve written a work of non-fiction, all you’ll need are a book proposal and the first three chapters. The book proposal will compare your book to other books in the field, explain your plans for marketing the book, and outline the full manuscript. (You might consider writing a proposal for your novel, too—it never hurts to have a well-thought-out plan for publicizing your book.)Continue reading →
A few years ago, I was delivering my first lecture to a hall full of well over one hundred students. Thinking I would impress them with my popular culture knowledge, I included a reference to Captain Jack Sparrow as an example of the type of piracy I did not research, and one of the many forms of piracy in which they should not participate. Crickets ensued. Thankfully, my follow-up joke about the crickets landed better, but this left me all the more surprised when a student exiting the lecture swung by the front desk and made a quick reference to Marlon Brandon being a better sailor than Johnny Depp. Embarrassed though I am to admit, it was a reference I did not understand until about a month ago. Continue reading →
Diego Rivera and Bertram D. Wolfe, “Portrait of America,” 1934
When John Adams looked back on the American Revolution (something he liked to do), he reflected that, “The Revolution was in the Minds and Hearts of the People.” The colonists’ drive to independence marked a new era of American history, Adams thought, when “Thirteen Clocks were made to Strike together; a perfection of Mechanism which no Artist had ever before effected.” Scholars have struggled to frame the experience of the Revolution in picture and on the page. How can we use digital tools to curate collections of revolutionary culture and #vastearlyamerica for use in the classroom?
In summer 2010 I sat in the house furnished by Rhys Isaac in Colonial Williamsburg, and attempted to write my first dissertation chapter. I’d just finished my first research trip, to Library and Archives Canada, in Ottawa, and was in the middle of my second, at the John D. Rockefeller Library. I was trying to follow advice I’d read to write as I researched. There was no Wi-Fi in the house, which was a curse and a blessing. I couldn’t get distracted, but I also did not have instantaneous access to articles and books, which meant I couldn’t check basic facts and chronologies, which, turns out, tend to be missing from your research! Continue reading →
Historian Thomas Kidd recently published some suggestions on the dos and don’ts of promoting your academic book. His recommendations, which included suggestions of not joining social media just for the purpose of promoting your book was good. My aim here is not to repudiate Kidd, but rather to add my own thoughts. Since the content of The Junto is written primarily by early career scholars, I thought I might also contribute some points that may be self-evident to more senior historians, but perhaps less obvious to those who are newer to the field. This advice is also mainly geared towards those who publish with academic presses. Trade publishers function differently.