Jamie L. Brummitt is a Ph.D. Candidate in American Religion at Duke University and an online instructor for the Department of Philosophy and Religion at the University of North Carolina Wilmington (UNCW). Her dissertation “Protestant Relics: The Politics of Religion & the Art of Mourning” examines the lively relic culture that thrived in political and religious life of the United States from the 1770s to 1870s.
Benjamin H. Latrobe, Watercolor, ink, and pencil of the proposed Washington mausoleum, c. 1800, Library of Congress.
If the recent acts of iconoclasm in Durham and Charlottesville have taught us anything, it may be this: monuments matter. They matter not just in an ideological sense, but in a material sense. Monuments work as material objects because they embody people, memory, and ideas for better or worse. This post examines the proposed construction of a mausoleum for George Washington’s remains by Congress. The proposed mausoleum was entangled in debates about politics, finances, and the material nature of monuments. Many congressmen argued that a monument to Washington should work with his remains to transfer his virtues to Americans. Continue reading →
Guest reviewer Shana L. Haines is an Assistant Professor of English at Tidewater Community College in Portsmouth, Virginia. She is currently a Ph.D student in American Studies at William and Mary focusing on Race, Law, and Literature. She has her J.D. from Boston University School of Law and her Masters in British and American Literature from Hunter College.
On May 21, 1796, as George and Martha Washington ate their supper in the Philadelphia Executive Mansion, their twenty-two year old house slave, Ona Judge, walked out of the house and into freedom. With the help of the free black community in Philadelphia, Judge made her way to Portsmouth, New Hampshire where the free black community and white supporters provided refuge. One would expect the fatherly and compassionate George Washington of Hamilton or the stately Washington staring out from Mt. Rushmore over the South Dakota landscape would respond by—well, the Washingtons as slaveholders aren’t a topic that has had entered general discussion in the American collective consciousness. He’s the Revolutionary War hero, the elder statesman, the first President of the United States of America. Through Ona Judge’s story of flight and freedom, however, Dunbar presents us with another Washington; a Washington willing to abuse his office and power to hunt another human being. Even more revealing is how Judge’s enslavement and subsequent flight underscores Martha Washington’s unwavering support of slavery and the outrage that fueled her husband’s pursuit of Judge. Continue reading →
This post was written by Christopher Minty and Nora Slonimsky, who, many moons ago, woke up early on a Sunday morning to purchase tickets to the opening-night previewperformanceof Hamilton: An American Musical, which took place on July 13, 2015, at the Richard Rodgers Theater in New York City. This post was originally posted on July 19, 2015. It was removed as a courtesy to the show’s creative and promotional teams. It has been reposted with significant alterations and additions.
Hip-hop is on Broadway, not just in a popular YouTube video. On Monday, July 13, 2015, Lin-Manuel Miranda’s hit off-Broadway musical, HAMILTON, made its debut on the big stage. On August 6, 2015, rebranded as Hamilton: An American Musical, a much-applauded, diverse cast returned to perform in the official opening of a much larger, hopefully long-running production at the Richard Rodgers Theater.
This has been a momentous week for early Americanists, with the 150th anniversary of the Lincoln assassination to start the week and, especially for those of us in Massachusetts, the annual commemorations of Patriot’s Day this weekend. We have lots of great links for you below the fold!