Q&A with Coll Thrush

coll-thrush.jpgToday Coll Thrush speaks with The Junto about his most recent book, Indigenous London: Native Travelers at the Heart of Empire, which examines that city’s history through the experiences of Indigenous travelers—willing or otherwise—from territories that became the US, Canada, Australia, and New Zealand. A graduate of Fairhaven College at Western Washington University and the University of Washington, Coll Thrush is Professor of History at the University of British Columbia in Vancouver in unceded Coast Salish territories, and affiliate faculty at UBC’s Institute for Critical Indigenous Studies. He is the author of Native Seattle: Histories from the Crossing-Over Place, which won the 2007 Washington State Book Award for History/Biography, and was re-released as a tenth-anniversary second edition in early 2017. He is also co-editor with Colleen Boyd of Phantom Past, Indigenous Presence: Native Ghosts in North American History & Culture. His article “City of the Changers: Indigenous People and the Transformation of Seattle’s Watersheds” was named Best Article of 2006 by the Urban History Association, and his article “Vancouver the Cannibal: Cuisine, Encounter, and the Dilemma of Difference on the Northwest Coast, 1774-1808” won the Robert F. Heizer prize for best article of 2011 from the American Society for Ethnohistory. During the 2013-2014 academic year, he was a visiting fellow at the Institute for Historical Research of the University of London and an Eccles Centre Fellow in North American Studies at the British Library. After the completion of Indigenous London, Coll will return to writing about the Northwest Coast of North America with a book project entitled SlaughterTown, a history-memoir examining trauma, memory, silence, and landscape in Coast Salish territories and his hometown of Auburn, Washington—formerly known as Slaughter. Continue reading

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The Many & the One

Lexington DoolittleLike many, Amos Doolittle struggled to turn in a decent first draft of American history. The 21 year-old engraver, later known as the “Paul Revere of Connecticut,” arrived in Lexington and Concord shortly after April 1775. Anxious to capture the battles’ action and aftermath, he chatted with local residents. He sketched terrain. For Doolittle, a trained silversmith, it was a chance to experiment with a craft he had yet to master. Part of what he produced, a set of four views storyboarding the “shot heard round the world,” hangs in the Boston Public Library’s new exhibit, “We Are One: Mapping America’s Road from Revolution to Independence.” By Doolittle’s lights, Massachusetts makes for a furious and frenzied tableau: gusts of redcoats’ gunpowder hazing the sky, and colonial ranks splintering on the advance. On the American side, it is hardly a picture of union. Patriots scatter, racing blindly to frame’s edge. In his rough draft of Revolution, Amos Doolittle demands that we unlock all hopes of what might come next. Continue reading