“The work I do is true to our training [as historians] and representative of what that training can be for the public.” ~ Dr. Valerie Paley, Vice President, Chief Historian, and Director of the Center for Women’s History at New-York Historical Society.
After a brief break to make room for the fantastic “Founding Fiction” roundtable series about children’s and young adult literature, “Where Historians Work: The View from Early America” is back! We’re excited to feature two interviews today and tomorrow.
Today, we bring you a conversation between The Junto’s Katy Lasdow and Dr. Valerie Paley, Vice President, Chief Historian, and Director of the Center for Women’s History at New-York Historical Society. Continue reading →
Ted O’Reilly is Head of the Manuscript Department at the New-York Historical Society, where he has worked since 2004. He holds a B.A. in history from the College of the Holy Cross, an M.A. in Irish Studies from the National University of Ireland, Galway, and an M.L.S. from the Palmer School, Long Island University. Today he speaks with The Junto about the New-York Historical Society’s accessioning of a new collection—its own Institutional Archive.
I’ve always thought that John Adams knew the enduring value of a good museum trip, and the power of art to sharpen the mind while refreshing a work-weary soul. How else would he have known to share this insight with wife Abigail, written at just about this time in another May spring, that of 1780: “I must study Politicks and War that my sons may have liberty to study Mathematicks and Philosophy. My sons ought to study Mathematicks and Philosophy, Geography, natural History, Naval Architecture, navigation, Commerce and Agriculture, in order to give their Children a right to study Painting, Poetry, Musick, Architecture, Statuary, Tapestry and Porcelaine.” With those words in mind, here’s a quick survey of early American art currently on special exhibit throughout the country. Please share more links in the comments. Continue reading →
In the Washington Post, meanwhile, J. Freedom du Lac reports on Colonial Williamsburg’s difficulty recruiting slave interpreters. And how did 19th-century African American portray their own emancipations? Goodinterviews Deborah Willis and Barbara Krauthamer about their photographic history.