“Had a map been drawn . . . of Mr. Smith’s movements through the streets of New-York. . . a tangled hydra indeed would have been revealed,” begins the second chapter of Francis Spufford’s book Golden Hill (53). As my fellow Junto reviewers have discussed, Spufford’s exhilarating read follows Mr. Smith through the escapades and perils of mid-eighteenth-century New York as he attempts to convince those he encounters of his “credit worthiness.” As he meanders through the tangled web of city streets, Smith’s journey from the island’s southern tip to its northern outposts is filled with adventures and twists at every turn. The reader soon learns that many of the men and women he encounters have secrets to hide. There is much to like about Golden Hill. For this urban historian, one of the most enjoyable aspects is the book’s sense of place. Continue reading
This guest post is the third entry in our week-long roundtable on Francis Spufford’s novel, Golden Hill. Its author is Hannah Farber, an assistant professor at Columbia University. Her scholarship has appeared in the New England Quarterly, Early American Studies and the Journal of the Early Republic; she is at work on a monograph on marine insurance, tentatively titled Underwriters of the United States.
What a pleasure it is to wander around mid-eighteenth-century New York City with Francis Spufford, admiring the city’s homes with their “stepped Dutchwork eaves” (17) and their “blue-gray pediment[s] of Connecticut pine” (11). What a pleasure, too, to join him in pawing through the humbler artifacts of daily life in the colonial city. Pap (1). Milk punch (42). A bog-wig (2). Every page of Golden Hill overflows with weird stuff like this, and it’s just great. Continue reading
This Colonial Couture post is by guest contributor William Howard Carter, assistant professor of history at The College of New Jersey. He is currently revising his book manuscript, “The Hideous and the Beautiful: The Power of Bodily Decorations in Iroquoia, 1550-1850.”
When was the fashion industry established in New York? With its eye towards the future and its accolades bestowed on the visionaries that best imagine the trends to come, it is hard for us to think of the fashion industry as anything but modern. Fashion tantalizes us with glimpses of the future that are not yet real but could, through the power of fashion, soon be made so. Yet those visions of possible futures are rooted in history. In Manhattan, that history stretches back over 400 years, before the supposed purchase of the island of Manhattan by Dutch colonists. Continue reading
John M. Dixon, The Enlightenment of Cadwallader Colden: Empire, Science, and Intellectual Culture in British New York (Ithaca: Cornell University Press, 2016).
On December 8, 1747, Gov. George Clinton (1686–1761) told a British statesman that the Assembly of New York “treated the person of the Governor with such contempt of his authority & such disrespect to the noble family where he had his birth that must be of most pernicious example.” He thought he might have to “give it [i.e., his position] up to a Faction.” The extant copy of this letter, held within Clinton’s papers at the William L. Clements Library in Michigan, was written by his most trusted advisor and ally—Cadwallader Colden, the subject of John M. Dixon’s first book, The Enlightenment of Cadwallader Colden: Empire, Science, and Intellectual Culture in British New York, published in 2016 by Cornell University Press.
Earlier this year, I wrote about the printer of the New-York Journal, John Holt. I focused on his newspaper’s mastheads, arguing that those mastheads were an effective medium through which he could shape political ideas and, subsequently, mobilize support. What I did not fully explain, however, was that he was not the only printer in New York City to change his masthead—James Rivington did it, too. Continue reading
Today’s guest poster is Bryan Rindfleisch, Assistant Professor of History at Marquette University.
Andrew Lipman, The Saltwater Frontier: Indians and the Contest for the American Coast (New Haven: Yale University Press, 2015).
When most people think of European colonization in New England and New Netherland, we think in very terrestrial terms. This familiar narrative includes the fur and wampum trades, treaties and the negotiations over land, and conflicts such as the Pequot War, Kieft’s War, King Philip’s War, and so on. But Andrew Lipman, an assistant professor of history at Barnard College, flips this entire terrestrial story upon its head. He does this with one simple question: “What if we considered this contested region not just as a part of the continent but also as part of the ocean?” In doing so, Lipman recovers the astonishing maritime contexts of seventeenth-century America, where both Indigenous and European peoples encountered, collaborated with, and fought against one another on the water just as much as they did on the land. This, then, is the provocative beginning to Lipman’s Bancroft Prize-winning The Saltwater Frontier: Indians and the Contest for the American Coast (Yale University Press, 2015). Continue reading