Earlier this year, I wrote about the printer of the New-York Journal, John Holt. I focused on his newspaper’s mastheads, arguing that those mastheads were an effective medium through which he could shape political ideas and, subsequently, mobilize support. What I did not fully explain, however, was that he was not the only printer in New York City to change his masthead—James Rivington did it, too. Continue reading
Three days ago, the Washington Post reported the results of an investigation into a large collection of files provided by Edward Snowden. Reviewing 160,000 intercepted electronic conversations and 8,000 other documents, which Snowden apparently accessed on NSA servers after that agency collected them, the Post’s reporters found that nearly half of them contained information pertaining to U.S. citizens. Overall, the article says, the sample showed that the government scooped up information on nine bystanders (as it were) for every “targeted” individual under electronic surveillance. On that basis, the reporters speculate that the NSA may have collected information on as many as 800,000 non-target individuals in 2013.
I don’t intend to comment here on the legality, ethics, or wisdom of the NSA’s programs or the Snowden leaks. But I do think this report is fascinating and important. And I think it’s worth considering from the standpoint of digital history.
I had the opportunity, over the course of Passover-Easter break, to watch the first three episodes of AMC’s new series Turn (transcribed as TURИ on subway ads). The show is very much in the vein of the recent spate of high-serious historical (Mad Men) or faux-historical (Game of Thrones) dramas airing on the finer cable networks (AMC, IFC, HBO). Turn, like its sister-shows, features excellent acting and wonderful set and costume design. Unlike these other shows, however, it adapts for television a historical event that gets a lot of coverage on this blog–the American Revolution. For the series AMC has turned Alexander Rose’s Washington’s Spies: The Story of America’s First Spy Ring into a tale of conflicted loyalties, love, betrayal, and waterboarding fit, some ways, for our new Golden Age of television. At the same time, much is lost in the adaptation process.
Happy Sunday! With the excitement from March Madness still ringing through the halls at The Junto, we look forward to bringing you more great content on a wide range of issues in early American history in the coming weeks (including an interview with Mike Jarvis, our champion!). In the meantime, let’s head right to this week’s links!