Guest poster Mark Mulligan is a graduate student in history at the College of William and Mary. His research interests include American religious history, the history of the British Atlantic, and colonial New England history. This post also contains some mild plot spoilers.
It appears that as an early Americanist and a horror fan, I am in good company. News of the push back of a sequel to The Ring franchise from April to October recently devastated me. Admittedly, a Halloween release will fare better at the box office, but Paramount Pictures turned my comps carrot into a prospectus carrot.[1] But the genre offered compensation in the form of a horror film that takes place in seventeenth-century New England, where I intend to locate my dissertation. As such, I am delighted that the Junto invited a conversation on the film The Witch. Continue reading
As both a horror nerd and an Early American historian, I have been excited about writer/direct Robert Eggers’ debut feature The Witch for quite some time. Excited might be a bit of an understatement: the first time I saw a poster in a theatre I shrieked, and I have been faithfully following the strangely endearing and decidedly bizarre Twitter of the film’s sometimes-antagonist goat, 
Welcome back to the week(s) in early American history! 
The Junto 