Review: Coll Thrush, Indigenous London

Review: Coll Thrush, <i>Indigenous London</i>

Coll Thrush, Indigenous London: Native Travelers at the Heart of Empire (New Haven: Yale University Press, 2016).

Thrush CoverWander through the Museum of London’s rich galleries, glowing with relics and rites of Roman Londinium, and you’ll spot scraps of the city’s wall half-strewn along the route. Burned in bits or eaten by age, the red-and-white brick arches splay out like the broken teeth of empire, grinding a crooked grin in today’s cityscape. Amid the tidy exhibits and visitors’ whirl, it’s a graphic reminder of what London was and how it has weathered so many centuries’ toll. But, as Coll Thrush’s Indigenous London asks us, “The audience of a museum is always / another sort of collection…Indigenous objects, Indigenous eyes—/ Who sees and what is being seen?” (p. 135). For the scholar rescuing clues from the built environment, the wall raises a complex set of research queries: Who passed through the city limits, and why? How did diverse travelers experience urban life at a sensory level? What did it mean for indigenous visitors to sample London? And how can we expand the historical canon of voices who tell that story in the early modern era?  Continue reading

Roundtable: Crafting Protest, Fashioning Politics: DIY Lessons from the American Revolution

Roundtable: Crafting Protest, Fashioning Politics: DIY Lessons from the American Revolution

This Colonial Couture post is by Zara Anishanslin, assistant professor of history and art history at the University of Delaware. Her latest book is Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World (Yale University Press, 2016). Follow her @ZaraAnishanslin.

Homespun, Thomas Eakins, 1881, Metropolitan Museum of Art

Homespun, Thomas Eakins, 1881, Metropolitan Museum of Art

“Please, sisters, back away from the pink.”

So women planning to attend the January 2017 Women’s Marches were urged by the writer of an opinion piece in The Washington Post. “Sorry knitters,” she continued, but making and wearing things like pink pussycat hats “undercuts the message that the march is trying to send….We need to be remembered for our passion and purpose, not our pink pussycat hats.”  To back up her point, the author opined that “bra burning” dominated—and thus damaged—popular (mis)conceptions of women’s rights protests in the 1960s. Please, ladies, she exhorted, don’t repeat the mistakes we made in the ‘60s by bringing fashion into politics. Continue reading

Roundtable: New York’s Original Fashion Industry

Roundtable: New York’s Original Fashion Industry

This Colonial Couture post is by guest contributor William Howard Carter, assistant professor of history at The College of New Jersey. He is currently revising his book manuscript, “The Hideous and the Beautiful: The Power of Bodily Decorations in Iroquoia, 1550-1850.” 

The Treaty of Penn with the Indians (Benjamin West, 1771-72)

The Treaty of Penn with the Indians (Benjamin West, 1771-72)

When was the fashion industry established in New York? With its eye towards the future and its accolades bestowed on the visionaries that best imagine the trends to come, it is hard for us to think of the fashion industry as anything but modern. Fashion tantalizes us with glimpses of the future that are not yet real but could, through the power of fashion, soon be made so. Yet those visions of possible futures are rooted in history. In Manhattan, that history stretches back over 400 years, before the supposed purchase of the island of Manhattan by Dutch colonists. Continue reading

Revisiting Red Jacket, alias Cow Killer

Image from Wikimedia Commons

Image from Wikimedia Commons

Lately I’ve been thinking about names and what they mean. The Seneca orator Red Jacket had several of them. Red Jacket lived on the Buffalo Creek reservation, and according to Christopher Densmore, he was less influential than other leaders—though his name increasingly appears in council speeches in the 1780s and 1790s.[1] U.S. Indian commissioner Timothy Pickering recorded his Seneca name as “Saco-que-y-wan-tau,” translating as “Sleeper Wake up.”[2] Usually Red Jacket seems to appear in the records as Red Jacket—but I am interested in a fourth name. According to most historians Red Jacket’s alias, Cow Killer, was derogatory, meant to tease him for “his distinct disinclination to fight during the American Revolution.”[3] Continue reading

Articles of Note: Spring and Summer 2013

Many months ago, I posted the first of what I hoped to be a quarterly series highlighting recent articles I enjoyed, and inviting readers to do the same. Sadly, life got in the way, and so I have a bit to make up. As a recap for this roundup’s purpose: there are so many journals publishing quality articles in the field of early American history that it is difficult, if not impossible, to keep up. So this list serves as a reminder that you need to catch up on new issues, a identify articles I found especially important, as well as a chance to highlight the work of young scholars and friends. Just because an article doesn’t make the list doesn’t mean I didn’t like it—in fact, I am way behind on my own reading—but it is an invitation to list your own favorite recent articles in the comments below.

The following articles were published between March and September, and obviously reflect my own interests and background. Also, remember the fantastic articles in the special WMQ issue on families and the Atlantic world that I highlighted a few months ago. Continue reading