CFP: Materializing Race in #VastEarlyAmerica

Materializing Race: An Unconference on Objects and Identity in #VastEarlyAmerica
August 24 and 25, 2020
1 PM EST both days (Zoom)
Proposals due by August 1, 2020
Organized by Cynthia Chin and Philippe Halbert

Screen Shot 2020-07-21 at 10.45.39 PM.pngIn a commitment to fostering nuanced interpretations of early American objects and meaningful dialogue on historical constructions of race and their legacies, we propose a virtual ‘unconference’ to share and discuss scholarship on the intersections of identity and material culture in #VastEarlyAmerica. This participant-driven, lightning round-style event will be held via Zoom, with two approximately two-hour afternoon sessions conducted in English. Energized by Dr. Karin Wulf’s call for broader, more inclusive histories of early America, we seek to promote a diverse cross-section of scholarship focused on North, Central, and South America and the Caribbean before 1830.

We welcome a variety of approaches and methodologies including historical, art historical, anthropological, archaeological, visual analysis, and experimental/experiential archaeological. Proposals should be object-focused and include a brief abstract (250 words with one relevant image) for a 10-15-minute presentation, along with a short CV of no more than 2 pages. Potential questions and themes for presentations might include:

  • What is the next chapter in the discussion of race, ethnicity, identity, and early American material culture?
  • What are potential methodological approaches and revisions/additions to existing material culture frameworks? How can #VastEarlyAmerica work to expand the traditional American material culture canon?
  • What were some of the threads or outcomes of the 1619 Project dialogue (and other relevant publications/discussions) that relate/interact/tessellate with material culture studies? How can the 1619 Project and its surrounding narratives broaden the impact of material culture studies?
  • Can the outcomes or discussions surrounding this dialogue engender new approaches/methodologies and discussions in material culture studies? How might it affect the way we as historians and curators interact with and publicly present objects? Does it present the ability to see “legacy” objects and historical figures/narratives differently as a result?
  • Historians and material culture specialists as genealogists: how do our own personal family/ancestral narratives intersect with our study of early American history and material culture; the historian as biographer; the biographical object and the object biography
  • Public history: new thoughts on old things, from the exhibition and display of objects in museum settings to historical and character interpretation, to include historic trades and foodways
  • Object Case Studies: New interpretations of early American objects related to race, ethnicity, and identity
  • The influence of historical anniversaries and commemorations: Jamestown 2007, the New Orleans Tricentennial Commission, Plimoth Patuxet and Mayflower 400, the 500th anniversary of the Spanish invasion of Mexico in 2019 and the 2021 bicentennial of Mexican independence, etc.

This event is co-convened by Dr. Cynthia Chin (Fred W. Smith National Library for the Study of George Washington) and Philippe Halbert (Yale History of Art). For more information, submission requirements, and audience registration details, please visit the Materializing Race website.

Guest Post: “Natives of the Woods of America”: Hunting Shirts, Backcountry Culture, and “Playing Indian” in the American Revolution

Photograph in Charles Knowles Bolton, The Private Soldier Under Washington, New York, Charles Scribner’s Sons, 1902, p. 162 and detail from The Surrender of General Burgoyne at Saratoga, October 16, 1777, Yale University Art Gallery.

The following post is a guest post from Marta Olmos. Marta Olmos received her BA in History from Cornell University and her MLitt in Scottish History from the University of Glasgow. She works in public history and interpretation at Minute Man National Historic Park in Concord, MA. She is on Twitter @almostmartita

In her 1988 article Rayna Green said that “one of the oldest and most pervasive forms of American cultural expression… is a ‘performance’ I call ‘playing Indian.’” The Indian, in this context, is an amalgamation of white stereotypes of Native people, and the performance of “playing Indian” is carried out by white bodies, using the Indian to explore their own identities, fears, and cultures.[1] As the American Revolution dawned, the Indian was everywhere. Hunting shirts, the makeshift uniform of the Continental Army, were at the center of a movement around “playing Indian.” By exploring the discourse around the hunting shirt, and the performance of “playing Indian” that accompanied it, we can better understand the role of the Indian, and backcountry culture, in forging an early American military identity during the early 1770s.[2] Continue reading

ANN: Postdoctoral Teaching and Research Fellowship in Revolutionary Era Studies

Siena College’s McCormick Center for the Study of the American Revolution will award a one-year Postdoctoral Teaching and Research Fellowship for the academic year 2020-2021. The fellowship supports an early-career scholar whose research and teaching advance the McCormick Center’s mission to foster greater appreciation, interest, and awareness of the events and ideals behind the struggle for American independence. The McCormick Center collaborates with Saratoga National Historical Park and Battlefield and other regional community partners to achieve its mission and support the undergraduate Certificate in Revolutionary Era Studies (CRES).

Scholars without ongoing positions who have earned a Ph.D. in history or historically based interdisciplinary degrees (i.e. American Studies, Ethnic Studies, Gender Studies, etc.) within the last 3-years may apply for this fully funded, 10-month fellowship (September 1, 2020-June 30, 2021). We especially welcome applicants with expertise in the history of colonial and Revolutionary era New York, working in any subfield of history (economic, political, labor, religious, art, cultural intellectual, among others). A background screening will be required.

The McCormick Center Fellow will teach a 2/2 course load in the Department of History, contribute to the McCormick Center’s community programming, and complete a scholarly project. As a visiting faculty member in Siena College’s History Department, the fellow will receive office space, have full access to library resources, and opportunities to participate in the Capital Region community of academic and public history scholars. Continue reading

Guest Post: Professional Motherhood: A New Interpretation of Women in the Early Republic

Directory Title Page 1828Today’s guest post comes from C.C. Borzilleri, who is a 2019 graduate of Georgetown University with a BA in History and Government. A lifelong resident of Litchfield, CT, she wrote her senior thesis on the history of women educated in her hometown. She is now working at the Calvin Coolidge Presidential Foundation, a privately funded presidential library with offices in Vermont and Washington, DC.<

With this year marking the 40th anniversary of Linda Kerber’s Women of the Republic, popularizing Republican Motherhood as an understanding of women in the Early Republic, I propose a supplementary theory to understand women in this time. Kerber’s Republican Motherhood articulated the accepted role of women: the “steady infusion of virtue into the Republic” by raising children to be responsible citizens.[1] This mindset justified the education of women because they were responsible for the early inspiration of their children to care for the new nation. Kerber emphasized the division of public and private space, with the corresponding distinction of the public for men and the private for women. But her theory does not paint the full picture of activities women carried out. Continue reading

Guest Post: In Memoriam: Michal Jan Rozbicki

In today’s guest post, Cho-Chien Feng, a PhD candidate at Saint Louis University, remembers his late advisor, Michal Jan Rozbicki, and his last book, Culture and Liberty in the Age of the American Revolution (Charlottesville: University of Virginia Press, 2011). Before Rozbicki began his twenty-seven tenure at Saint Louis University in 1992, he served as Director of the American Studies Center at Warsaw University. His first book on early America, The Complete Colonial Gentleman: Cultural Legitimacy in Plantation America, was published in 1998. He passed away on July 31, 2019.

Professor Michal Jan Rozbicki passed away on July 31, 2019 after retiring from teaching this June. As a student of his, I would like to take this opportunity to revisit his contributions to the early American history and hopefully stimulate some further reflections or conversations. In the summer of 2011, when I went to New York to conduct research for my master’s thesis, I found his book, Culture and Liberty in the Age of the American Revolution, in a bookstore. After reading few pages, I was so attracted by his ideas and viewpoints that I knew I wanted to contact this author and see if I could be his student. That was what I did, and that was how I came to Saint Louis. Continue reading

Guest Post: A (Pedagogically, Geographically, Historiographically) Vast Native History Course

 

Screen Shot 2019-10-31 at 7.04.48 PM.pngToday is the first day of Native American Heritage Month, and our guest post comes from Jessica Taylor, Assistant Professor of Oral and Public History, and Edward Polanco, Assistant Professor of Latin American History, both at Virginia Tech. A graduate of the College of William and Mary, Taylor is currently working on her first book manuscript, which examines Native landscape in the colonial Chesapeake. Polanco is a graduate of the University of Arizona, and his current book manuscript examines 16th- and 17th-century Nahua healing ritual specialists in Central Mexico. The following are keys to success identified by Taylor and Polanco in their development of a course on Native History at Virginia Tech.

Screen Shot 2019-10-31 at 7.05.00 PM.pngWorking through the first course proposal at a tenure-track job is intimidating, and more so when the topic is as enormous and fraught as “Native History.” To develop this course with care, we sought input and advice on and off campus as the process unfolded. These thoughts originated in a meeting between Virginia Tech’s Native students’ group, Native@VT, the American Indian and Indigenous Community Center on campus, and the Department of History. We wanted to share some of our ideas and strategies as we continue to develop our Native History class and advocate for a more visible Native presence on campus. This has put our Department’s and University’s commitment to diversity into action.

Continue reading

The 400-Year-Old Rivalry

Liz Covart is the Digital Projects Editor at the Omohundro Institute of Early American History and Culture and the Creator and Host of Ben Franklin’s World, an award-winning podcast about early American history.

On June 29 and 30, the oldest rivalry in American sports will play out in London Stadium as the New York Yankees take on the Boston Red Sox. The rivalry between these historic Major League Baseball teams dates to the early twentieth century, when Boston team owner Harry Frazee sold his star player Babe Ruth to the Yankees, but the rivalry between Boston and New York goes back centuries. The great baseball rivalry, in fact, is the latest manifestation of an intense regional competition that developed from the fierce commercial rivalry between England and the Netherlands during the 1650s.

Continue reading

Ben Wright: Thomas Paine and the Conflicting Ideologies of the Digital Revolution

This post is part of a joint series entitled “Digital Research, Digital Age: Blogging New Approaches to Early American Studies,” hosted at the Panorama and the Junto. This joint series stems from  stemming from a conference entitled “Revolutionary Texts in a Digital Age: Thomas Paine’s Publishing Networks, Past and Present,” organized by Nora Slonimsky at Iona College in October 2018. This series will feature one post every day this week, hosted by both the Panorama and the Junto, and Dr. Slonimsky’s introductory post is found here. You can read previous posts by Lindsay Chervinsky, Joseph Adelman, and the Johnson/Pellissier/Schmidt trio.

Writing in 1995, media critic Jon Katz christened Thomas Paine “the moral father of the internet,” musing that “nearly two centuries after his death, in a form Paine couldn’t have imagined but would have plunged into with joyous passion, the internet is, in many ways, the embodiment of everything he believed.”[i] Katz is correct in more ways than he intended. That very same year, media theorists Richard Barbrook and Andy Cameron framed the animating spirit of the digital revolution as a collision of the New Left and libertarianism. “The Californian Ideology,” as they called it, offers an “optimistic vision of the future [that] has been enthusiastically embraced by computer nerds, slacker students, innovative capitalists, social activists, trendy academics, futurist bureaucrats and opportunistic politicians across the USA.”[ii] More than two centuries earlier, Thomas Paine presaged this curious ideological blending,  articulating the tensions between libertarianism and the left with the same soaring revolutionary rhetoric that suffuses the digital humanities. Continue reading

Call for Papers: Early American Music and the Construction of Race

Co-organized by Glenda Goodman (University of Pennsylvania) and Rhae Lynn Barnes (Princeton University)
Oct. 11-12, 2019 at the University of Pennsylvania

Racial ideology is baked into the cultural and music history of early America. Native peoples and colonists heard each other’s music as indicators of difference, friendliness, or danger. The regulation of song and dance was integral to the subjugation of enslaved people. And, in the United States, a vested interest in forming a nation of white citizens was underpinned by pious and genteel repertoire. This workshop seeks to provide a space for the cultivation of new areas of inquiry into the intersection of race, music, and American cultural history. While the interrelated relationship between race, modernity, and American music is of enduring interest to scholars–especially those focused on the twentieth century to today–this workshop is dedicated to tracing these long-term themes in the earlier period from colonial encounter to the Civil War.

We encourage papers from scholars at all career stages. We especially welcome those using a wide variety of sources, including archival and/or ethnographic work, material artifacts like historical instruments, sheet music, theatrical ephemera, photography, journals, and all forms of print media. Participants will be asked to pre-circulate their 20-page paper and respond to another presenter’s work in this intensive two-day workshop. Bonnie Gordon (University of Virginia) is scheduled to give a lecture for participants on Friday.

Submit a 300-word abstract of a proposed paper by April 15: EarlyAmericanMusicAndRace@Gmail.com.

Questions may be directed to organizers Glenda Goodman and Rhae Lynn Barnes: EarlyAmericanMusicAndRace@Gmail.com

Support for travel and lodging will be provided for accepted participants.

Sponsored by the McNeil Center for Early American Studies; the University of Pennsylvania Department of Music; the Kislak Center for Special Collections, Rare Books, and Manuscripts; the University of Pennsylvania Office of the Vice Provost; and School of Arts and Sciences.

CFP: The Fifteenth Annual Yale University American Art Graduate Student Symposium

 

Encounters, Entanglements, and Exchanges
Fifteenth Annual Yale American Art History Graduate Student Symposium
Yale University, New Haven, 6 April 2019
Proposals due by 1 February 2019

Points of encounter can occur across time and space. In colonial Mexico, blue and white earthenware vessels made in the city of Puebla responded to East Asian hard-paste porcelain. At the same time, ceramic manufacturers in China adapted designs that catered to pan-American tastes, and both John Bartlam’s South Carolina pottery and the American China Manufactory in Philadelphia produced their own soft-paste porcelain wares on the eve of the American Revolution. More recently, Carrie Mae Weems’s The Hampton Project reexamined a nineteenth-century vocational school that served as a cultural crossroads for formerly enslaved African Americans, American Indians, and white Americans to raise pressing questions of race, imperialism, and nationalism in the twenty-first century. These points of convergence between individuals, groups, places, and objects often instigate shifts in creative production with lasting and global resonances. The interaction of disparate cultures offers a rich nexus for artistic creation. Yet such encounters are also inseparable from the shifting dynamics of power that operate along gendered, racial, economic, and political lines. What can exchanges and entanglements reveal about the nature of encounter? How do encounters shape exchanges? In what ways do exchanges propagate new encounters?

The Fifteenth Annual Yale University American Art Graduate Student Symposium invites papers that interrogate the dialectical relationship between encounter and exchange and explore the legacies of cultural intersection. We invite submissions that address art across North, Central, and South America and the Caribbean, that engage a range of critical perspectives, and that speak to a variety of time periods and artistic practices.

Possible topics include, but are not limited to:
• Micro-histories that address a specific instance of encounter
• Global encounters with the notion of ‘Americanness’
• Collaborations that problematize narratives of ‘influence’ across social, cultural, or political hierarchies
• Impact of religious proselytization and conversion in the arts
• Gift exchange, diplomacy, and trade
• Appropriation, fetishism, hybridity, and mimicry
• Contact zones, borderlands, intersectionality, and peripheries
• Power dynamics within systems of colonialism, racism, homophobia, or sexism
• Immigration, migrants, and refugees
• Authorship and ownership
• Tourism and travel narratives
• Activism, coalition building, and the arts
• Networks created via technology, globalization, and media

Interested participants are invited to submit an abstract of no more than 350 words along with a CV to americanist.symposium@gmail.com by 1 February 2019. Accepted participants will be notified in mid-February. Accommodations will be provided for all graduate student speakers in New Haven, Connecticut.