Roundtable: Telling the Story of the Declaration

Today’s Founding Fiction post is by Emily Sneff, Research Manager of the Declaration Resources Project at Harvard University. The mission of the Declaration Resources Project is to create innovative and informative resources about the Declaration of Independence. To learn more, follow @declarationres.

How do we get kids to read and comprehend the Declaration of Independence? Great authors and illustrators can transform the characters, events, and text of the Declaration (which, as you may expect, registers at about a 12th grade reading level) into true stories that are both entertaining and educational for younger readers. On the Declaration Resources Project’s blog, Course of Human Events, we recently interviewed authors Barbara Kerley (Those Rebels, John & Tom), Steve Sheinkin (King George: What Was His Problem? The Whole Hilarious Story of the American Revolution), and Gretchen Woelfle (Answering the Cry for Freedom: Stories of African Americans and the American Revolution). Their books, and a few other favorites, form an exciting non-fiction reading list for children and young adults. Continue reading

These Aren’t the Docs You’re Looking For

Rachel Herrmann concludes our roundtable on James Merrell’s article, “‘Exactly as they appear’: Another Look at the Notes of a 1766 Treason Trial in Poughkeepsie, New York, with Some Musings on the Documentary Foundations of Early American History” from the most recent issue of Early American Studies.

You watch your language

You know the feeling: that moment when, in the midst of crafting a sentence, you realize that the notes you made in the archive are…incomplete. I’m a transcriber, and not one to take digital photographs. I just know myself well enough to recognize the fact that transcribed words are more useful for my writing than image after image of manuscript pages that I will procrastinate from analyzing. This preference, however, means that I’ve encountered more than a few errors in my transcriptions of manuscript sources and secondary works alike. I catch my mistakes from the latter when I’m proofing a piece of writing before I submit it; I’ll go back to the book or article, read it and my quotes side by side, and discover that I’ve left out a “the,” or transposed two words, or typed part of the same sentence twice. Preventing all of my blunders on manuscript transcriptions is another matter entirely, and it is to manuscript research that I’d like to turn in my response to James Merrell’s article in Early American Studies. Continue reading

A Long Time Ago in an Archive Far, Far Away

Michael D. Hattem continues our roundtable on James Merrell’s article, “‘Exactly as they appear’: Another Look at the Notes of a 1766 Treason Trial in Poughkeepsie, New York, with Some Musings on the Documentary Foundations of Early American History” from the most recent issue of Early American Studies.

A long time ago in an archive far, far away

Some of our (very) regular readers will know that I have a penchant for occasionally adopting a bit of the role of contrarian. For me, it serves as a way to shake myself into thinking differently about something, and I would hope it does the same for the reader. For this roundtable, it could have been quite easy to sing the praises of Dr. Merrell’s excellent article, and go on a 500-word rant about why historians should always seek out the manuscript sources over older published collections. However, I think my slot in this roundtable is an excellent opportunity to try to approach the article differently, one that attempts to historicize its meta-argument from a documentary editing perspective. Continue reading

Roundtable: James Merrell’s “Exactly as they appear” and Published Editions of Manuscript Sources

Merrell ArticleMany of us have been there. Sitting in front of our computers, we fret over how we will find the time and funding to examine important manuscript sources at faraway archives. And then, a few keystrokes later, we find that those sources are available in published form. Relief floods over us, replacing anxiety. But should we really be so relieved?

James H. Merrell’s recent article in Early American Studies asks exactly this question. Entitled “‘Exactly as they appear’: Another Look at the Notes of a 1766 Treason Trial in Poughkeepsie, New York, with Some Musings on the Documentary Foundations of Early American History,” it suggests that we should not be so quick to assume that published versions of manuscript sources faithfully reproduce the originals. [1]

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Make your Mark

simpsons_cursive

Some friends asked me last week how I felt, as an historian, about the current assault on the teaching of cursive in public schools, and I had to admit that I didn’t know this was a thing. Long story short, with classroom time always at a premium, many school districts have replaced instruction in cursive writing with instruction in typing, the latter seemingly more relevant to our times. Apparently, concern over students’ resulting inability to read or write script has been growing for a while, but a Wall Street Journal story at the end of January brought the issue new prominence. Many people seem to think that continuing to teach students to write in cursive is important, and a handful of state legislatures have introduced bills to rectify the situation.

The question has a neat resonance with the history of education: writing may go back to being thought of pedagogically as a craft, just as it was before the nineteenth century, when it was something that boys learned while girls learned to sew. (See, in particular, E. Jennifer Monaghan’s work on this history). Beyond that, though, two central pieces of the “save cursive” argument resonate with historical questions. Continue reading

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