Hilary Mantel recently gave the annual BBC Reith Lecture in which she described why she became a historical novelist. Printed in The Guardian, Mantel argued that culture and genes, history and science, put “our small lives in context.” Mantel’s work is of course separated from the theme of this roundtable by two degrees, as she is neither a writer of YA nor of Early America, but the broader question I think she was trying to answer—why we write about what we do—resonate in a conversation on #FoundingFiction. Continue reading
Conclusions are hard, I find, and no less so in teaching than in writing. Both at the end of a book and at the end of a course, really great endings add a bit of spice—something just new or unexpected enough to cast what’s come before in a different light, something that makes it exciting to reflect back across the material you’ve just learned.
I aim for student-driven discussions, and at semester’s end in previous seminars and discussion sections, I’ve struggled to coax students into producing the final chord that resonates in all registers of a course’s architecture. I’ve had students free-write (and then discuss) to summarize, as succinctly as possible, the change over time they’ve learned about in the course, and I’ve asked students to identify what one idea from the class they hope they’ll remember forty years from now. Both exercises have produced good-enough results. But since they didn’t ask students to see the courses’ material anew in any way, I’ve found myself wanting more.
But my students’ final discussion this semester was so invigorating that I just had to write a blog post about it. Continue reading