Early American Women Unmasked

A special edition of #ColonialCouture, a Junto roundtable on fashion as history in early American life. 

Protective face coverings have emerged as a potent, multifaceted metaphor for the Covid-19 pandemic. Despite inconsistent examples set by elected leaders and conflicting recommendations made by public health officials, unisex masks have steadily assumed a greater role in social distancing measures and become mandatory in certain settings outside the home. Options range from standard blue and white surgical masks to creative DIY improvisations and “Corona Couture.” Some museums are looking to add homemade masks to their collections as a way to document the crisis. Worn for slightly different reasons and more implicitly gendered, the masks owned by early American women and even children were no less symbolic in terms of practical use, commodification, or controversy.

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Review: Kyle T. Bulthuis, Four Steeples over the City Streets

Kyle T. Bulthuis, Four Steeples over the City Streets: Religion and Society in New York’s Early Republic Congregations. New York: New York University Press, 2014.

foursteeplesIn many respects, Four Steeples over the City Streets is a story about different ways of being Anglican in New York City. It’s also a story about how external social changes influenced and threatened a vision of social order without destroying it. And it’s a story about how different kinds of New Yorkers in the early republic–black and white and male and female–experienced their community in religious terms. Continue reading

Guest Post: Seneca Village Memory: The Problem of Forgetting

Today’s guest post comes from Alexander Manevitz (@historicities), a Ph.D. candidate in History at New York University.

Detail from Egbert Viele’s 1856 topographical survey of the area to become Central Park, which shows some of the buildings and gardens of Seneca Village just before its destruction. When I started my doctoral program, “memory studies” struck me as more of a trend than a field. Something everyone talked about doing but couldn’t really define. After all, isn’t all history sort of a study of memories and how they’re made and used? Well, as with all things trendy, I was late to the party.[1] My first year of graduate school, I read Michele-Rolph Trouillot’s Silencing the Past and David Blight’s Race and Reunion within a few weeks of one another, and I realized how wrong I’d been, and my interest has only grown from there.[2] I have since turned to questions of memory and amnesia in my own scholarship.

My work focuses on Seneca Village, a once-vibrant community in upper Manhattan where community activism and urban development collided when the city evicted the residents to clear land for Central Park in 1857. Despite its significant role in the development of African-American social activism in the early republic and its place in relation to one of the young nation’s largest urban development projects, Seneca Village has been almost entirely forgotten in popular and scholarly memory.[3]

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