The Low Road: Unrevolutionary Bastardy

Today’s guest post is by Hannah Farber, an assistant professor of history at Columbia University. Her manuscript in progress, tentatively titled Underwriters of the United States, explains how the transnational system of marine insurance, by governing the behavior of American merchants, influenced the establishment and early development of the American republic.

Bruce Norris’s new play The Low Road, which had its U.S. premiere in spring 2018 at New York’s Public Theater, asks a very important question. What if a bastard, orphan, son of a whore sets out to seek his fortune in revolutionary America … but instead of becoming a hero and a scholar, he simply reveals himself to be a terrible person?

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