The Low Road: Unrevolutionary Bastardy

Today’s guest post is by Hannah Farber, an assistant professor of history at Columbia University. Her manuscript in progress, tentatively titled Underwriters of the United States, explains how the transnational system of marine insurance, by governing the behavior of American merchants, influenced the establishment and early development of the American republic.

Bruce Norris’s new play The Low Road, which had its U.S. premiere in spring 2018 at New York’s Public Theater, asks a very important question. What if a bastard, orphan, son of a whore sets out to seek his fortune in revolutionary America … but instead of becoming a hero and a scholar, he simply reveals himself to be a terrible person?

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Sinews of Power and Those Power Forgot

A Call to the Most Bland and Boring Pieces of Paper You’ve Ever Skipped Over in the Archives

VouchersReceipts

Vouchers! Receipts! Bills of exchange!

The paperwork of empire, particularly that of credit and finance, is probably not what gets most of us up in the morning. In the archives, we skip over the dull sections of the finding aids—warrants, no thanks!—and instead dive into correspondence and maps and bound volumes and clippings. The more adventurous of us might even call up account books—but those individual receipts? They’re lucky if we ever take them out of the box.

And why would we? Unless we live in a world of down-and-dirty finance or economics or material culture, they seem not only besides the point, but, even more, incredibly hollow. What do we get from reading a quick statement that someone was eventually paid for delivering a barrel of pickled cabbage in 1760? Especially when we can read in frantic detail the correspondence about how that barrel fell into the Mohawk River, burst open, got hauled back onto a bateau, arrived at Fort Stanwix, was re-opened, reeked, was declared unfit for consumption, continued to reek, was declared fit for consumption, reeked some more, ordered northward to Oswego, reeked still, and finally was delivered to a garrison comprised mostly of Germans who (our correspondents assumed) would think they’d been gifted sauerkraut.[1]

It’s the correspondence, we might argue, that gives us actors and action. In it, even a barrel—brown, wooden, boring—becomes something dynamic.

But who delivered that barrel? How long did it take him? Where did he begin his trip? Was he a merchant contractor, a militia man, a professional sled driver? And what did he get out of a journey, in the dead of winter, through the type of paralyzing cold you can only feel in upstate New York, with barrels of spoiled pickled cabbage?

Exceedingly important questions like these suddenly make the boring, bland, bureaucratic paperwork appear just a little (a very little?) more interesting. Continue reading

Spring at the “History Harvest”

C & I Harvest

Currier & Ives, 1849

This week, we talk to University of Nebraska-Lincoln historians William Thomas and Patrick Jones, co-directors of History Harvest, a community-based approach to creating a new people’s history of America online using the real “stuff” of our past.

JUNTO: How did you get the idea (and support) for History Harvest? What are the goals of “community-based history,” and how is it a model for the profession?

THOMAS: The original idea for me goes all the way back to my work on The Valley of the Shadow Project in the mid-1990s with Ed Ayers and Anne Rubin. We ran a small community history harvest in that project, but neither the public awareness of digitization nor the technical infrastructure to do large scale digitization on site were available. Still ever since then, I have been interested in expanding the idea. And we have seen in every digital history project that the community often comes forward with materials to contribute. So in 2010 we started The History Harvest Project here at the University of Nebraska. Continue reading