Graphic Novels Roundtable Q & A: Ari Kelman, Battle Lines: a Graphic Novel of the Civil War

We continue day three of our graphic novels roundtable with an interview with historian Ari Kelman, who co-authored Battle Lines: a Graphic History of the Civil War. Previously Jessica Parr discussed using graphic novels to explore painful histories and Roy Rogers reviewed Rebels from Dark Horse Comics

Battle-Lines-coverAri Kelman is the McCabe Greer Professor of History at Pennsylvania State University, specializing in the Civil War, Reconstruction, Memory Politics, and Environmental History. In addition to Battle Lines: a Graphic Novel of the Civil War, he is the author of two award-winning books. A Misplaced Massacre: Struggling Over the Memory of Sand Creek (Harvard, 2013) was the recipient of the Bancroft Prize, the Avery Craven Award, the the Tom Watson Brown Book Award, and the Robert M. Ultey Prize. A River and Its City: The Nature of Landscape in New Orleans (University of California Press, 2003) won the Abbott Lowell Cummings Prize. Continue reading

Teaching Trauma: Narrative and the Use of Graphic Novels in Discussing Difficult Pasts

Roy Rogers kicked off yesterday’s 4-day roundtable with a review of the graphic novel, Rebel. For day two of our roundtable on graphic novels and history, I will discuss the use of graphic novels in teaching traumatic histories.

51m-NxiSLdL._SY344_BO1,204,203,200_As anyone who has taught the history of slavery knows, it can be challenging. It is an important, but also emotionally loaded subject that can provoke spirited responses from students. Some students are resistant to discussing what they view as an ugly event in the past. Others may become defensive. And, for others, the history of slavery may be personal. The challenge becomes presenting the history in a thoughtful way that will engage students, but does not whitewashing history. Other traumatic events—genocide, war, etc.—can present similar pedagogical challenges.

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The Writer Assumes All Responsibility

For the week of July 13-17, The Junto is hosting “Graphic History: Sequential Art & History,” a roundtable examination of relationship between history and graphic novels. We will explore graphic novels as historical fiction, as histories, and their uses in the classroom. For our first entry, Roy Rogers reviews a new comic book series about the American Revolution from award-winning writer Brian Wood. 

What does a historical epic of the American Revolution look like in the twenty-first century? Continue reading