Here are your links this week, broken into cleverly categorized paragraphs! Continue reading
Today’s guest poster, Jeffrey A. Fortin, is an Assistant Professor of History at Emmanuel College, Boston. He is currently finishing up a book on Paul Cuffe, an African-American Quaker and merchant in the early republic.
Credit cards, electronic banking, online shopping, and a host of other modern forms of commerce did not exist at the turn of the nineteenth century. Merchants throughout the Atlantic relied on reputation and good character when determining a customer’s credit worthiness. Not exactly a foolproof way to do business but seemingly less risky than our fully electronic world of money and banking in twenty-first century America. Yet, identity theft and fraud were still a part of doing business.
Do you like cannibalism? As a topic, obviously, not a personal preference. Of course you do! If research travels will take you to England this summer (or if you reside in the UK or nearby), please consider submitting a proposal for a conference I’m organizing at the University of Southampton this June. Continue reading
The following is an interview with Dane A. Morrison, about his recently-released book, True Yankees: The South Seas & the Discovery of American Identity (Baltimore: The Johns Hopkins University Press, 2014). Morrison is Professor of History at Salem State University (MA). Continue reading
This summer I started research for my second book project, which I will admit feels a bit ridiculous when my first book project is still in process. I’m blithely ignoring this problem at the moment. In brief, the project, currently-horribly-titled “Aquatic Foodways” asks two related questions: 1) Where, why, and how did people fight over food when crossing water in the early modern Atlantic, and 2) What happened when people disembarked and interacted with indigenous peoples as they searched for sustenance? After a month of preliminary research at the British Library this summer, I’m decidedly more interested in the second question, but have a sense that I’ll need to answer the first question before proceeding forward. Continue reading
Robert Whitaker is a doctoral candidate in History at the University of Texas at Austin. His dissertation, “Policing Globalization: The Imperial Origins of International Police Cooperation, 1918-1960” studies the relationship between the British Empire and international police organizations, such as Interpol. He serves as an Assistant General Editor for the journal Britain and the World, and is the creator of the YouTube series History Respawned. Bryan S. Glass teaches the history of Britain’s interactions with the World at Texas State University. He is the founding member and General Editor of The British Scholar Society and serves as an Editor of the Britain and the World book series (Palgrave Macmillan). His publications include an article in the Journal of Imperial and Commonwealth History, The Scottish Nation at Empire’s End (Palgrave Macmillan, forthcoming), and a co-edited volume with John MacKenzie entitled Scotland, Empire and Decolonisation in the Twentieth Century (Manchester University Press, forthcoming).
French game company Ubisoft has turned early American history into an age of booty. Over the past two years, the company has used early American history as the backdrop for three successive and successful titles in their Assassin’s Creed franchise: Assassin’s Creed III, Assassin’s Creed III: Liberation, and Assassin’s Creed IV: Black Flag. The most recent of these titles, Black Flag, is set in the Golden Age of Piracy during the early eighteenth century, and is easily the most profitable and well received of the three. Critics and players have praised Black Flag for its gameplay, graphics, and music—or rather, sea shanties. But the biggest reason why this game has garnered accolades and high sales is because of its use, or misuse, of history. More than any other Assassin’s Creed game, Black Flag plays fast and loose with the historical record. It skews away from accuracy in favor of fun at almost every turn. Yet even as Black Flag thumbs its nose at the concerns of academic history, it nevertheless succeeds, perhaps better than any previous title in the series, in giving players a sensibility of the age. Continue reading