Billy Coleman is a Postdoctoral Fellow in History at the Kinder Institute for Constitutional Democracy at the University of Missouri. He received his PhD from University College London (UCL), and is currently completing a book manuscript called, “Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865.” He is also the US-based book review editor for American Nineteenth Century History and the author of “‘The Music of a well tun’d State’: ‘The Star Spangled Banner’ and the Development of a Federalist Musical Tradition” (Journal of the Early Republic 35, no. 4).
As I type, President Donald Trump is tweeting: “#StandForOurAnthem.” The presidential hashtag was created in response to over two hundred NFL players who this weekend chose to protest racial injustice and police brutality by kneeling, sitting, raising fists, or linking arms in solidarity during the national anthem. Their actions add to what is now a year-long protest movement surrounding “The Star-Spangled Banner,” started initially by former 49ers quarterback Colin Kaepernick. Now, the controversy has expanded significantly in defiance of President Trump’s suggestion that NFL team owners should “fire or suspend” players who “disrespect” their country by refusing to stand for the anthem. Continue reading
On April 25, 1775, hundreds of New Yorkers acknowledged receiving “a Good firelock, Bayonet, Cartouch Box, and Belt.” Six days after the Battles of Lexington and Concord, and three days after Israel (Isaac) Bissell told New Yorkers the news, Alexander McDougall mobilized support against the British. The War of American Independence had reached New York and, with hundreds of supporters, McDougall was ready to fight.
The Junto 