Chryssa Sharp is an Associate Professor of International Business in the Robert W. Plaster School of Business and Entrepreneurship at Lindenwood University in St. Charles, Missouri. She earned a PhD in Management from the University of Calgary in Canada and an MBA in International Management from the Thunderbird School of Global Management. Dr. Sharp’s industry experiences encompass aspects of marketing, strategic planning, and cross-cultural communications. She has also been involved with developing programs to support small business exporting.
Historical knowledge plays an important role in the international business field. Ironically, as programs in the humanities are forced to justify their relevance to administrators, elected officials, and the general public, we, as a society, are in need of those fields’ contributions to creating the desired “global citizen.”


It’s increasingly clear that, while the era of grand syntheses may be over, there will be no shortage of provocative new work on the American Revolution. Last week the Huntington Library hosted the third major conference on the revolution in as many years, following those organised by the 

Almost all university presses prefer to first receive a proposal from a potential author, rather than a full manuscript. Alas, no editor anywhere has the time to read the huge number of manuscripts that come our way, and the situation would be even worse if we attempted to read manuscripts from every potential author seeking a publisher. This makes the proposal an ideal introduction to a topic and a crucial step in the process towards publication. Although an author may have chatted with an editor prior to submitting a proposal (if not then I urge you to get to an academic conference and chat up editors in the exhibit hall), the proposal is the first formal representation of a book project from the author to the publisher. 
