This Colonial Couture post is by Zara Anishanslin, assistant professor of history and art history at the University of Delaware. Her latest book is Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World (Yale University Press, 2016). Follow her @ZaraAnishanslin.

Homespun, Thomas Eakins, 1881, Metropolitan Museum of Art
“Please, sisters, back away from the pink.”
So women planning to attend the January 2017 Women’s Marches were urged by the writer of an opinion piece in The Washington Post. “Sorry knitters,” she continued, but making and wearing things like pink pussycat hats “undercuts the message that the march is trying to send….We need to be remembered for our passion and purpose, not our pink pussycat hats.” To back up her point, the author opined that “bra burning” dominated—and thus damaged—popular (mis)conceptions of women’s rights protests in the 1960s. Please, ladies, she exhorted, don’t repeat the mistakes we made in the ‘60s by bringing fashion into politics. Continue reading


Here’s the weekly review of early America in the news:
This is commencement season in the United States. On weekend mornings, college towns around the country are being beset by billowing clouds of begowned bachelors, trailing various family members and friends in their newly distinguished wakes. University neighborhoods are full of rented trucks and vans. Sidewalks are littered with furniture. People are swarming into auditoriums, sports stadiums, gymnasiums, or (as in the case of some of my Texas cousins) livestock arenas to hear more or less famous people dispense advice for adulthood. And to me, it’s all very, very exciting.
It’s Sunday morning and that means . . . links!