Today’s guest post comes from Alexander Manevitz (@historicities), a Ph.D. candidate in history at New York University.
When I started my doctoral program, “memory studies” struck me as more of a trend than a field. Something everyone talked about doing but couldn’t really define. After all, isn’t all history sort of a study of memories and how they’re made and used? Well, as with all things trendy, I was late to the party. My first year of graduate school, I read Michele-Rolph Trouillot’s Silencing the Past and David Blight’s Race and Reunion within a few weeks of one another, and I realized how wrong I’d been, and my interest has only grown from there. I have since turned to questions of memory and amnesia in my own scholarship.
My work focuses on Seneca Village, a once-vibrant community in upper Manhattan where community activism and urban development collided when the city evicted the residents to clear land for Central Park in 1857. Despite its significant role in the development of African American social activism in the early republic and its place in relation to one of the young nation’s largest urban development projects, Seneca Village has been almost entirely forgotten in popular and scholarly memory.
Like many academics, I’ve spent many hours this summer in conference rooms with fluorescent lighting and insufficient air conditioning. For the most part, this has been a real pleasure—after a year of teaching, it is always invigorating to hear others present their research and engage in fruitful conversations. But one part of the experience always fills me with dread: the comment. Continue reading →
Today’s guest post is authored by Sean Trainor, a historian of the early American republic with an interest in the intersection of labor, popular culture, and the body. He is a PhD candidate in History and Women’s Studies and Pennsylvania State University, where his dissertation examines the history of men’s grooming in the urban United States between the turn of the nineteenth century and the American Civil War.
A few weeks ago, I finished compiling a database, long in the works, containing the names and addresses of all of the barbers in the cities of Boston, Cincinnati, and New Orleans between 1800 and 1860. Thrilling, I know, but the project has broader implications for historians interested in the intersection of quantitative and cultural history which, if you’ll bear with a brief exposition, I’ll discuss below.
With early Americanists flocking to Philadelphia for SHEAR’s annual meeting, we have decided to postpone this week’s installment of our Junto Summer Book Club. The revised schedule for our discussion of Kathleen Brown’s Good Wives, Nasty Wenches, Anxious Patriarchs is as follows: Continue reading →
Do biographies of women have different conventions to biographies of men? Setting out on a new historical project—which, at least for the moment, takes the form of a biography of Angelica Schuyler Church (not pictured! That’s Dolley Madison)—I’ve been thinking a lot about the particular confluence of what often seem to be maligned and marginalised fields even in their own right: women’s history and biography. I have a lot still to learn about both. But let me offer some preliminary considerations here, and invite Junto readers to pitch in in the comments.
Don Johnson is a Ph.D. candidate in History at Northwestern University. His work explores how ordinary Americans experienced the major political and military events of the Revolutionary era in the course of their everyday lives, and how those experiences shaped actions and changed world-views going forward. Don’s dissertation, now nearing completion, examines the social dynamics of six port cities occupied by the British army during the Revolutionary War.
The AMC series Turn ended its first season last month with mixed reviews. The consensus seems to be that the series, which tells the story of the Culper spy ring during the American Revolution, has a strong cast, good production values, and promising subject matter but ultimately fails both as a drama and as an accurate representation of history. Popularreviews have mostly found the narrative arc slow and frustrating, while the show’s numerous departures from the historical record have inspired an entire blog devoted to separating fact from fiction. As The Junto’s Roy Rogers put it in his review of the first three episodes back in April, these narrative and historical failings made the series in large part “just another morality play—The Patriot in the guise of Mad Men.”
While Turn‘s main storyline falls far short of doing justice to the fascinating story of the Culper spies, in its background characters and neglected subplots lie many of the complex and diverse experiences of ordinary Americans. Continue reading →
For the past month, our eyes have been on the ball. Perfectly round, it flies and falls, across stadium skies through fields of grass, past fast, neon shoes and into goals, from Brazil to where we are. Our eyes follow. From Manaus and Fortaleza in the northern regions, traveling southward through Recife, Brasilia, Belo Horizonte, and Rio de Janeiro, near the Tropic of Capricorn, downwards to Porto Alegre. The World Cup has been a feast of the sensory and the dramatic, from the Amazon basin, where bugs abound with sweat, where sometimes torrential rain soaks shoes; and where, last night, near the busied streets of Rio and the ecstatic fun of the Copacabana, the sun set before the Christ the Redeemer Statue, and over the final game. For a month, we have seen the omnipresent national flags worn on people’s clothes and faces, and the victory runs, leaps, and hugs; as well as the tears that give you a sort of palpable agony, in the post-goal and final moments of every match.Continue reading →