Bernard Bailyn’s contribution to our understanding of early American history is so vast that it’s easy to forget he’s still publishing books. His writings on the American Revolution, begun in the 1960s, remain required reading for any doctoral student studying for orals. And even since retiring from Harvard a quarter century ago, he’s continued to influence the field, perhaps nowhere more than through his promotion of Atlantic history.
Yet even at 92, Bailyn isn’t finished. His new book, Sometimes An Art: Nine Essays on History (Knopf), can be read in a number of ways: as an introduction to his vast corpus of work; a chance to respond to his critics; a reflection on the meaning of history; and, perhaps, a summing up of sorts. “It reflects some of my own work over the years,” Bailyn told me during an interview from Boston. The essays he’s chosen to include, dating from 1954 to 2007, have only appeared in either obscure publications or dated back issues of prominent journals. But in one way or another, he said, they “concentrate on certain major themes” in all his work. Continue reading
Wrapping up our roundtable review of
He was, at first, another young shadow hurrying through Westminster Hall. He carried flimsier credentials than most, papers hastily sent by a new nation called the Confederate States of America. It was November 1862, and, since spring, he had stretched expenses to accommodate the bare $750 granted to fund his secretive mission. Still, regular sightings of the worn, 29 year-old Swiss-American stranger, who had shipped to London via the fiery newsrooms of Richmond and Mobile, caused a flutter of concern among British peers. Within weeks, the constant American shadow near Parliament became a very real worry. “He is but a private gentleman, it is true,”
The following is an interview with Kyle Bulthuis, an assistant professor of history at Utah State University. Jonathan Wilson’s
Joseph Yesurun Pinto, a 31 year-old Anglo-Dutch émigré in the autumn of 1760, had led New York’s 


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